Video essay

A video essay is a piece of video content that, much like a written essay, advances an argument. Video essays take advantage of the structure and language of film to advance their arguments.[1] While the medium has its roots in academia, it has grown dramatically in popularity with the advent of the internet and video sharing platforms like YouTube and Vimeo.[2] While most of such videos are intended for entertainment, some argue that they can have an academic purpose as well.[3] In the classroom, video essays have many educational applications including conversation openers, active viewing opportunities, copyright lessons, and assessment opportunities.[3]

Video essayists

Frequently cited examples of video essayists and series include Every Frame a Painting, a series on the grammar of film editing by Tony Zhou and Taylor Ramos, and Lindsay Ellis, an American media critic, film critic, YouTuber, and author formerly known as The Nostalgia Chick. Websites like StudioBinder, MUBI, and Fandor also have contributing writers providing their own video essays.[4][5][6][7][8]

Criticism

Some have argued that essays from YouTube personalities, while well produced, can be gussied up opinion pieces and the analysis of said videos can be taken as fact by the viewer thanks to their convincing academic deliveries.[9]. In 2014, MediaCommons and Cinema Journal, the official publication of the Society for Cinema Studies, joined to create [in]Transition, the first journal devoted exclusively to peer reviewed publication of videographic scholarly work. This journal is designed not only as a means to present selected videographic work, but to create a context for understanding it – and validating it – as a new mode of scholarly writing for the discipline of cinema and media studies and related fields. Since 2015 under a grant from the National Endowment for the Humanities, and under the auspices of Middlebury’s Digital Liberal Arts Summer Institute, Professors Jason Mittell, Christian Keathley and Catherine Grant have organized a two-week workshop with the aim to explore a range of approaches by using moving images as a critical language and to expand the expressive possibilities available to innovative humanist scholars. Every year the workshop is attended by 15 scholars working in film & media studies or a related field, whose objects of study involve audio-visual media, especially film, television, and other new digital media forms. [10]

References

See also

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