Peter Schjeldahl bibliography

List of published works of Peter Schjeldahl, American poet and art critic.

Books

Schjeldahl, Peter (1968). White country. New York: Corinth Books.
— (1971). An adventure of the thought police. London: Ferry Press.
— (1973). Dreams. New York: Angel Hair Books.
— (1978). Since 1964 : new and selected poems. New York: Sun.
— (1981). The brute : new poems. Los Angeles: Little Caesar Press. OCLC 7832297.
Whitney, David, ed. (1988). Eric Fischl. Essay by Peter Schjeldahl. New York: Art in America/Stewart, Tabori & Chang. ISBN 1556700520.
Schjeldahl, Peter (1990). The 7 Days art columns, 1988-1990. New York: Figures Press.
— (1991). Wilson, MaLin (ed.). The hydrogen jukebox : selected writings of Peter Schjeldahl, 1978-1990. Berkeley: University of California Press. LCCN 90024311.
Thompson, Jon; Pier Luigi Tazzi & Peter Schjeldahl (1995). Richard Deacon. London: Phaidon. ISBN 0714833703.
Schjeldahl, Peter and Marcia Tucker (1998). Liza Lou. Santa Monica: Smart Art Press in association with the Santa Monica Museum of Art. ISBN 188919512X.CS1 maint: uses authors parameter (link)
Schjeldahl, Peter (2008). Let's see : writings on art from The New Yorker. New York: Thames & Hudson. ISBN 9780500238455.
— (4 June 2019). Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018. Abrams Press. ISBN 978-1-4197-3438-0.

Exhibition catalogs

Larson, Philip; Schjeldahl, Peter (1974). De Kooning : drawings, sculptures : an exhibition organized by Walker Art Center, Minneapolis, March 10-April 21, 1974. New York: Dutton.
Schjeldahl, Peter (1980). Jean Dubuffet : recent paintings, October 31-29 November 1980, the Pace Gallery. New York: Pace Gallery.
Samaras, Lucas (1981). Chambers, Marlene (ed.). Samaras pastels : Denver Art Museum, October 3-December 27, 1981. Organized by Dianne Perry Vanderlip; essay by Peter Schjeldahl. Denver: Denver Art Museum.
Bernal, Louis Carlos; et al. (1984). 10 photographers, Olympic images. Essay by Peter Schjeldahl. Los Angeles: Los Angeles Center for Photographic Studies. Exhibition held November 18, 1984 to January 6, 1985.
Schjeldahl, Peter; Phillips, Lisa (1987). Cindy Sherman. New York: Whitney Museum of American Art. Exhibition at the Whitney Museum of American Art, July 9 to October 4, 1987.
Edward Hopper : light years, October 1 to November 12, 1988. Essay by Peter Schjeldahl. New York: Hirschl & Adler Galleries. 1988.CS1 maint: others (link)
McAllister, Gerry (1989). Richard Bosman, gifts of the sea : Mandeville Gallery, University of California, San Diego, May 19 through June 25, 1989. Essay by Peter Schjeldahl. San Diego: The Gallery.
Sobel, Dean (1991). Jackie Winsor. With essays by Peter Schjeldahl and John Yau. Milwaukee: Milwaukee Art Museum. Exhibition of the work of Jackie Winsor at the Milwaukee Art Museum, November 22, 1991 to January 19, 1992.
Schjeldahl, Peter (1993). De Kooning and Dubuffet : the late works. New York: Pace Gallery.
William Wegman. Essay by Peter Schjeldahl. Museo de Monterrey. 1993.CS1 maint: others (link) Exhibition held at the Museo de Monterrey, October 14, 1993 - January 2, 1994.
Demetrion, James T. (1993). Jean Dubuffet 1943-1963 : paintings, sculptures, assemblages : an exhibition. Essays by Susan J. Cooke, Jean Planque, and Peter Schjeldahl. Washington, D.C.: Hirshhorn Museum and Sculpture Garden in association with the Smithsonian Institution Press.
Jenssen, Olav Christopher (1995). Olav Christopher Jenssen : Bilder 1990-1994. Text by Carsten Ahrens, Doris von Drathen and Peter Schjeldahl. Hannover: Kestner-Gesellschaft. Exhibition held at the Kestner-Gesellschaft Hannover, Nov. 26, 1994-Jan. 22, 1995
Prelinger, Elizabeth; Parke-Taylor, Michael (1996). The symbolist prints of Edvard Munch : the Vivian and David Campbell collection. Essay by Peter Schjeldahl. New Haven, Conn.: Yale University Press. Exhibition at Art Gallery of Ontario, Toronto, 28 February-25 May 1997.
Picasso's Dora Maar; de Kooning's women. Essay by Peter Schjeldahl. New York: C & M Arts. 1998.CS1 maint: others (link) Catalog of an exhibition held at C & M Arts, New York, April 2-May 28, 1998.
The inward eye : transcendence in contemporary art. Essays by Lynn M. Herbert, Klaus Ottmann, Peter Schjeldahl. Houston: Contemporary Arts Museum. 2001.CS1 maint: others (link) Catalog of an exhibition held at Contemporary Arts Museum, Houston, Dec. 8, 2001-Feb. 17, 2002.

Essays, reporting and other contributions

Schjeldahl, Peter (1987). "Interview with David Salle". In Salle, David (ed.). Salle. New York: Vintage.
— (1998). "Splendor in the grass : Liza Lou and the cultivation of beauty". In Schjeldahl, Peter and Marcia Tucker (ed.). Liza Lou. Santa Monica: Smart Art Press in association with the Santa Monica Museum of Art.
Pagliaro, John, ed. (2003). Shards : Garth Clark on ceramic art. Foreword by Peter Schjeldahl. New York: Distributed Art Publications.
Schjeldahl, Peter (November 3, 2008). "Just for fun". The Critics. The Art World. The New Yorker. 38 (35): 114–115.[1]
— (November 24, 2008). "Come on down". The Critics. The Art World. The New Yorker. 84 (38): 128–129.[2]
— (March 15, 2010). "Big time". The Critics. The Art World. The New Yorker. 86 (4): 71–75.[3]
— (November 8, 2010). "Abstract exemplar". Goings on About Town. Critic's Notebook. The New Yorker. 86 (35): 14.[4]
— (March 14, 2011). "Shapes of things". The Critics. The Art World. The New Yorker. 87 (4): 76–77.[5]
— (November 7, 2011). "By Georges". Goings on About Town. Critic's Notebook. The New Yorker. 87 (35): 12. Georges Braque at the Acquavella Galleries.
— (November 7, 2011). "Old and new : the reopening of the Islamic wing at the Met". The Critics. The Art World. The New Yorker. 87 (35): 88–89.
— (January 2, 2012). "The reign in Spain". The Critics. Books. The New Yorker. 87 (42): 74–77. Reviews Bailey, Anthony. Velázquez and The Surrender of Breda : the making of a masterpiece.
— (November 26, 2012). "Time warp". The Critics. The Art World. The New Yorker. 88 (37): 82–83. 'Richard Artschwager!', a retrospective at the Whitney Museum of American Art.
— (December 3, 2012). "Life lines : the art of Saul Steinberg". The Critics. Books. The New Yorker. 88 (38): 104–108.
— (January 7, 2013). "Shapes of things". The Critics. The Art World. The New Yorker. 88 (42): 68–70.
— (February 11–18, 2013). "Dream acts". The Critics. The Art World. The New Yorker. 89 (1): 112–113.CS1 maint: date format (link) Surrealism exhibition at the Morgan Library.
— (March 4, 2013). "Heaven on Earth : Piero della Francesca at the Frick". The Critics. The Art World. The New Yorker. 89 (3): 66–68.
— (March 18, 2013). "Clothes call". Goings on About Town. Critic's Notebook. The New Yorker. 89 (5): 8.
— (March 18, 2013). "Flower power : a Jay DeFeo retrospective". The Critics. The Art World. The New Yorker. 89 (5): 82–83.
— (April 22, 2013). "Song lines". Goings on About Town. Critic's Notebook. The New Yorker. 89 (10): 12. Elizabeth Peyton.
— (April 22, 2013). "New Amsterdam : the city remakes its signature museums". The Critics. The Art World. The New Yorker. 89 (10): 109–111.
— (May 6, 2013). "Poetic license". Goings on About Town. Critic's Notebook. The New Yorker. 89 (12): 10. Retrospective of Jane Freilicher at the Tibor de Nagy gallery.
— (June 3, 2013). "The seething hell : portraying the Civil War". The Critics. The Art World. The New Yorker. 89 (16): 70–71.
— (July 8–15, 2013). "Between the lines". Goings on About Town. Critic's Notebook. The New Yorker. 89 (20): 16.CS1 maint: date format (link)
— (August 5, 2013). "Earth angel". Goings on About Town. Critic's Notebook. The New Yorker. 89 (23): 8. Kenneth Price retrospective at the Metropolitan Museum of Art.
— (October 21, 2013). "Play time : the Carnegie International". The Critics. The Art World. The New Yorker. 89 (33): 106–107.
— (November 4, 2013). "Writing on the wall : a Christopher Wool retrospective". The Critics. The Art World. The New Yorker. 89 (35): 108–109.
— (December 2, 2013). "Views from the edge : an Isa Genzken retrospective". The Critics. The Art World. The New Yorker. 89 (39): 80–81.
— (February 3, 2014). "The outlaw : the extraordinary life of William S. Burroughs". The Critics. Books. The New Yorker. 89 (47): 70–74.[6]
— (March 3, 2014). "Party lines : Futurism and Italian Fascism". The Critics. The Art World. The New Yorker. 90 (2): 80–81.
— (March 17, 2014). "Get with it : the Whitney Biennial". The Critics. The Art World. The New Yorker. 90 (4): 76–77.
— (March 24, 2014). "The Anti-Modernists : why the Third Reich targeted artists". The Critics. The Art World. The New Yorker. 90 (5): 96–97.
— (May 12, 2014). "Mutual-admiration sociey : revisiting the eighties exchange between Germany and New York". Goings on About Town. Art. The New Yorker. 90 (12): 12.
— (August 4, 2014). "Sharp focus : Christopher Williams's sophisticated pictures". The Critics. The Art World. The New Yorker. 90 (22): 72–73.
— (October 20, 2014). "Local heroes : the Brooklyn Museum surveys recent art from the borough". Goings on About Town. Art. The New Yorker. 90 (32): 10.
— (October 20, 2014). "Shapes of things : the radicalism of Matisse's cutouts". The Critics. The Art World. The New Yorker. 90 (32): 102–103.
— (December 22–29, 2014). "The shape we're in : the timely sculpture of Rachel Harrison". The Critics. The Art World. The New Yorker. 90 (41): 68–75.CS1 maint: date format (link)
— (February 9, 2015). "Change artist : the works of Piero di Cosimo". The Critics. The Art World. The New Yorker. 90 (47): 70–71.
— (February 16, 2015). "A painting a day : On Karawa's extraordinary project". The Critics. The Art World. The New Yorker. 91 (1): 74–75.
— (March 16, 2015). "Moving pictures : Plains Indian art at the Metropolitan Museum". The Critics. The Art World. The New Yorker. 91 (4): 86–87.[7]
— (April 20, 2015). "Telling the whole story : Jacob Lawrence's 'The Migration Series'". The Critics. The Art World. The New Yorker. 91 (9): 80–82.[8]
— (May 25, 2015). "Native soil : what Frida Kahlo cultivated". The Critics. The Art World. The New Yorker. 91 (14): 78–79.[9]
— (August 3, 2015). "Go figure : a Chelsea gallery surveys the weird in the wilds beyond New York". Goings on About Town. Art. The New Yorker. 91 (22): 8.
— (August 3, 2015). "Shapes and colors : Stanley Whitney at the Studio Museum in Harlem". The Critics. The Art World. The New Yorker. 91 (22): 66–68.
— (February 29, 2016). "Light heavyweights : a Swiss duo brings their carefree approach to the Guggenheim". Goings on About Town. Art. The New Yorker. 92 (3): 10.
— (February 29, 2016). "We all scream : the unsung importance of Edvard Munch". The Critics. The Art World. The New Yorker. 92 (3): 74–75.
— (March 21, 2016). "Laughter and anger : a David Hammons retrospective". The Critics. The Art World. The New Yorker. 92 (6): 86–88.
— (June 20, 2016). "This is America : a Stuart Davis retrospective". The Critics. The Art World. The New Yorker. 92 (18): 82–83.
— (November 7, 2016). "The better life : a Kerry James Marshall retrospective". The Critics. The Art World. The New Yorker. 92 (36): 78–79.[10]
— (December 19–26, 2016). "Of late : the Pace gallery zeroes in on the dark final years of an Abstract Expressionist". Goings on About Town. Art. The New Yorker. 92 (42): 27.CS1 maint: date format (link) Rothko: Dark Palette at the Pace gallery.
— (October 30, 2017). "Think big : Laura Owens explores what painting can do". Onward and Upward with the Arts. The New Yorker. 93 (34): 28–33.[11]
— (February 12–19, 2018). "Brotherhood : Francisco de Zurbarán's 'Jacob and His Twelve Sons'". The Critics. The Art World. The New Yorker. 94 (1): 102–103.CS1 maint: date format (link)[12]
— (April 2, 2018). "Living color : the bodies on display in the Met Breuer's sculpture show". The Critics. The Art World. The New Yorker. 94 (7): 92–93.[13]
— (January 7, 2019). "Abstract inflation : the canon in question at the Met". The Critics. The Art World. The New Yorker. 94 (43): 70–71.[14]
— (February 11, 2019). "'Lucio Fontana' : Met Breuer". Goings on About Town. Art. The New Yorker. 94 (48): 10.
— (March 4, 2019). "Guesswork : Jasper Johns and Siah Armajani". The Critics. The Art World. The New Yorker. 95 (2): 64–65.[15]
— (May 20, 2019). "['Emo Jungle' by Josh Smith]". Goings on About Town. At the Galleries. The New Yorker. 95 (13): 14.
— (May 27, 2019). "Not waving : the Whitney Biennial in an age of anxiety". The Critics. The Art World. The New Yorker. 95 (14): 70–71.[16]
— (June 3, 2019). "Of nature : Thomas Cole and Brice Marden in the Hudson Valley". The Critics. The Art World. The New Yorker. 95 (15): 68–69.[17]
— (December 23, 2019). "The art of dying". The New Yorker.

Notes

Retrospectives of Franz West and Mary Heilmann.
The New Orleans Biennial.
"Skin Fruit" at the New Museum, New York.
Thomas Nozkowski at the Pace Gallery.
"Inventing Abstraction, 1910-1925" at the Museum of Modern Art.
Online version is titled "William S. Burroughs, outlaw and Beat".
Online version is titled "Great art of the Great Plains".
Title in the online table of contents is "Picturing the Great Migration".
Title in the online table of contents is "What grew in Frida Kahlo's garden?".
Online version is titled "Kerry James Marshall's America".
Online version is titled "The radical paintings of Laura Owens".
Online version is titled "Francisco de Zurbarán's Biblical vision".
Online version is titled "'Like Life' shows seven hundred years of the body".
Online version is titled "The inflation of abstraction". Reviews the exhibition 'Epic Abstraction : Pollock to Herrera'.
Online version is titled "Jasper Johns and the question of meaning".
Online version is titled "The Whitney Biennial in an age of anxiety".
Online version is titled "Timelessness in works by Thomas Cole and Brice Marden".

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[1] Retrospectives of Franz West and Mary Heilmann.

[2] The New Orleans Biennial.

[3] "Skin Fruit" at the New Museum, New York.

[4] Thomas Nozkowski at the Pace Gallery.

[5] "Inventing Abstraction, 1910-1925" at the Museum of Modern Art.

[6] Online version is titled "William S. Burroughs, outlaw and Beat".

[7] Online version is titled "Great art of the Great Plains".

[8] Title in the online table of contents is "Picturing the Great Migration".

[9] Title in the online table of contents is "What grew in Frida Kahlo's garden?".

[10] Online version is titled "Kerry James Marshall's America".

[11] Online version is titled "The radical paintings of Laura Owens".

[12] Online version is titled "Francisco de Zurbarán's Biblical vision".

[13] Online version is titled "'Like Life' shows seven hundred years of the body".

[14] Online version is titled "The inflation of abstraction". Reviews the exhibition 'Epic Abstraction : Pollock to Herrera'.

[15] Online version is titled "Jasper Johns and the question of meaning".

[16] Online version is titled "The Whitney Biennial in an age of anxiety".

[17] Online version is titled "Timelessness in works by Thomas Cole and Brice Marden".