Pakatakan Artists Colony Historic District

Pakatakan Artists Colony Historic District is a national historic district located at Arkville in Delaware County, New York. The district contains 33 contributing buildings and two contributing structures built between 1886 and the 1960s. It consists of a small mountainside collection of studios and residences clustered about the original Pakatakan Lodge. It is an extremely well preserved collection of unusual Shingle Style and other wood frame seasonal buildings.[2]

Pakatakan Artists Colony Historic District
Hoffman House (Pakatakan Lodge)
LocationNY 28 at jct. with Dry Brook Rd., Arkville, New York
Coordinates42°8′33″N 74°37′30″W
Area65 acres (26 ha)
Built1886
Architectural styleShingle Style
NRHP reference No.89000046[1]
Added to NRHPFebruary 21, 1989

It was listed on the National Register of Historic Places in 1989.[1]

History

The name "Pakatakan" is the name of the mountain near the colony. It is believed to mean "meeting of the waters" from the Tuscarora peoples. Arkville was one of the earliest settlements in the area, originating at the beginning of the 19th century. The 1870s were the beginning of tourism in the Catskills and hotels were built along the Ulster and Delaware railroad.[3]

In 1886, the first structure of the Pakatakan Artists Colony was built, the Hoffman House. The Hoffman House was initiated through John Francis Murphy's persuasion of local businessman Peter F. Hoffman to build a hotel to cater to artists. The artists who came to the Hoffman House included Alexander Helwig Wyant, George Smillie, Parker Mann (1852–1918) and Edward Lloyd Field (1856–1914). These artists were associated with the Catskill Mountain School of landscape artists whose distinct style was distinct from their predecessor, Hudson River School.[3]

Architecture

The original buildings were built between 1886 and 1930 and are primarily shingled or novelty styled with simile design and limited ornamentation. Common features include shingled sides, steeply pitched roofs, overhanging unboxed eaves, and brick fireplaces. They are incorporated harmoniously on the landscape. The studio buildings largely have large, multi-pane windows to provide views of the landscape and the interior space primarily devoted to a large, high-ceiling room.[3]

See also

References

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