List of compositions by Michael Finnissy

The following is a partial list of compositions by Michael Finnissy.[1]

Orchestral music, with or without choir
  • World (1968/74), for 6 voices, 2 flutes (both doubling piccolo and the second alto flute), 2 oboes (one doubling oboe d'amore, the other cor anglais), 2 clarinets (the second doubling E-flat clarinet), 2 piccolo trumpets, trombone, tuba, 3 percussionists, cimbalom, celesta, 2 pianos, harp, 2 violins, 2 violas, 2 cellos, 2 double basses [19']
  • Medea (1973/2008), 5 voices and orchestra [6']
  • Offshore (1975–76), for 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, 3 percussionists, harpsichord, piano, 2 harps, and strings (12.10.8.6) [11']
  • Sea and Sky (1979–80), for 4 flutes (2 doubling piccolo), 3 oboes, 2 clarinets (both doubling E-flat clarinet), 2 bassoons (the second doubling contrabassoon), 4 horns, 4 trumpets (each doubling piccolo trumpet), 3 trombones, tuba, timpani, 4 percussionists, 2 celestas, 2 harps, and strings (10.10.10.8.8) [22']
  • East London Heys (1985–86), for string orchestra [40']
  • Red Earth (1987–88), for 3 flutes, 3 oboes, 3 bassoons, 3 trumpets, 3 trombones, 2 didjeridus, 4 percussionists, 2 timpani, 2 harps, and strings [20']
  • Eph-phatha (1988–89), for 2 flutes, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, harp, piano, and strings (3.3.3.3.1) [13']
  • Glad Day (1994), for 2 recorders, 2 trumpets, chamber organ, theory or harp, and strings [13']
  • Speak its Name! (1996), for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone, 2 vibraphones, timpani, harp, quarter-tone keyboard, and strings (at least 8.8.6.6.3) [22']
  • Onbevooroordeeld Leven (2000–02), for soloists (2 flutes, clarinet, drummer, accordion, and string quartet) and ensemble (2 oboes, clarinet, 2 bassoons, 2 horns, and strings (at least 2.2.2.2.1)) [23']
  • Zortziko (2009), version ii, for orchestra [6']
  • Mozart Requiem Completion (published 2013), for SATB soli, SATB choir, and chamber orchestra (2 basset horns, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor, and bass), timpani, organ, and strings) [56'][2]
  • Remembrance Day (2013/14), for solo baritone, SATB choir, and orchestra (clarinet, basset horn, 2 bassoons, 2 trumpets, 3 trombones, 3 percussionists, piano, harp, and strings) [65'][3]
  • Janne (2015), for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, glockenspiel, timpani, and strings [16'][4]
  • Mu-Fa (2016), for 2 groups, each consisting of flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, piano, vibraphone, and strings [15'][5]
  • Natural Behavior (2016–17), for piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 3 percussionists, harp, piano, and strings [6']

Ensemble music (8+ players)
  • Song 2 (1968), for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, horn, 2 trumpets, and 3 cellos [4']
  • Song 4 (1968), for 2 solo pianos, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, and 3 cellos [4']
  • Song 10 (1971), for piccolo, oboe, cor anglais, 2 clarinets, contrabassoon, piano, electric organ, and 2 cellos [4']
  • Piano Concerto No. 1 (1975/84), for solo piano, piccolo, flute, oboe, clarinet, bassoon, 2 horns, 2 trombones, celesta, 2 violins, viola, cello, and double bass [15']
  • Piano Concerto No. 2 (1975–76), for solo piano, 2 alto flutes, 3 violins, 2 violas, 2 cellos, and 2 double basses [14']
  • Pathways of Sun and Stars (1976), for 2 piccolos, oboe, 2 clarinets, bassoon, 3 horns, 3 trumpets, 3 trombones, 5 percussionists, 2 harps, violin, viola, cello, and double bass [20']
  • Alongside (1979), for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, piano, 2 violins, viola, cello, and bass [19']
  • Teangi (1982), for flute (doubling piccolo), cor anglais, E-flat clarinet, clarinet, contrabassoon, 2 trumpets, percussion, vibraphone, celesta, and violin [6']
  • Ouraa (1982–83), for piccolo, clarinet, bassoon, horn, trumpet, trombone, percussion, violin, viola, cello, and double bass [9']
  • Câtana (1984), for flute, oboe, clarinet, percussion, piano, harp, violin, viola, and cello [16']
  • Obrecht Motetten I (1988–89), for flute, clarinet, bassoon, trumpet, trombone, percussion, violin, viola, and cello [5']
  • Obrecht Motetten III (1989), for solo viola, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, 2 violins, cello, and double bass [9']
  • Obrecht Motetten V (1991–92), for flute (doubling piccolo), 3 soprano saxophones, horn, 3 trumpets, 3 trombones, double bass, and piano [18']
  • Various Nations (1992), for speaker, flute, clarinet, horn, percussion, guitar, violin, and cello [12']
  • Mars + Venus (1993), for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, vibraphone, piano, 2 violins, viola, cello, and double bass [14']
  • L'Union Libre, (1997), for alto horn (or alto saxophone), 2 pianos, 3 ocarinas, viola, accordion, 2 detuned zithers, and 4 large drums [11']
  • I'm on my Way (1998), for clarinet, bassoon, horn, trumpet, trombone, percussion, piano, violin, viola, cello, and double bass [6']
  • Giant Abstract Samba (2002), version i, for solo clarinet and ensemble (flute, oboe, bassoon, contrabassoon, soprano saxophone, tenor saxophone, horn, 2 trumpets, trombone, bass trombone, tuba, and percussionist) [17']
  • Greatest Hits Of All Time (2003), for solo oboe, piccolo, clarinet, hammer, violin, viola, cello, and piano [12']
  • Fredener Lieder (2015), for small string orchestra (2 first violins, 2 second violins, 3 third violins, 2 violas, 2 cellos, and 1 double bass) [12'][6]

Chamber music (2-7 players)
  • Cantet nunc aula caelestium (1962), for flute and piano [4'][7]
  • Afar (1966–67), for flute, cor anglais, 3 trumpets, percussion, and celesta [13']
  • As when upon a tranced summer night (1966–68), for piano, percussion, and 3 cellos [18']
  • Transformations of the vampire (1968–71), for clarinet, 3 percussionists, violin, and viola [14']
  • Untitled piece in memory of Igor Stravinsky (1971), for flute, viola, and harp [6']
  • Babylon (1971/2001), for flute, clarinet, violin, viola, cello, piano, and percussion [6']
  • Evening (1974), for alto saxophone, horn, trumpet, percussion, harp, cello, and double bass [11']
  • Lost Lands (1977), for E-flat clarinet, soprano saxophone, guitar, violin, and piano [20']
  • Piano Concerto No. 3 (1978), for solo piano, oboe (doubling cor anglais), clarinet (doubling bass clarinet), 2 trombones, cello, and double bass [23']
  • Kagami-Jishi (1979), for flute and harp [11']
  • Nobody's Jig (1980–81), for string quartet [20']
  • Jiseï (1981), for solo cello, flute, oboe, percussion, viola, and piano [9']
  • Keroiylu (1981), for oboe, bassoon, and piano [8']
  • Aijal (1982), for flute, oboe, and percussion [7']
  • Banumbirr (1982/86), for flute, clarinet, violin, cello, and piano [9']
  • Mississippi Hornpipes (1982/97), for violin and piano [10']
  • Dilok (1982), for oboe and percussion [10']
  • Independence Quadrilles (1982/95), for piano trio [8']
  • Australian Sea Shanties, Set 3 (1983), for 3–4 recorders [10']
  • Delal (1984/88), for oboe d'amore and percussion [9']
  • String Quartet No. 1 (1984) [22'][8]
  • above earth's shadow. . . (1985), for solo violin, flute (doubling piccolo), clarinet, violin, viola, cello, and double bass [18']
  • East London Heys (1985–86), version for string quartet [40']
  • East London Heys (1985–86), version for wind quintet [40']
  • Contretänze (1985–86), for flute, oboe, clarinet, percussion, violin, and cello [17']
  • String Trio (1986) [30']
  • Quabara (1988), for didjeridu and "junk percussion" [9'][9]
  • Obrecht Motetten II (1988), for mandolin, guitar, and harp [10']
  • Obrecht Motetten IV (1990), for brass quintet (2 trumpets, horn, trombone, and tuba) [12']
  • Kulamen Dilan (1990), for soprano saxophone or oboe, and percussion [10']
  • In Stiller Nacht (1990/97), for piano trio [9']
  • Two Motets (1991), for counter-tenor and guitar [8']
  • Plain Harmony (1993), version ii, for string quartet [10']
  • Quelle (1994), for 2 soprano saxophones and 2 contrabass saxophones [3']
  • Traum des Sängers (1994), for clarinet, guitar, vibraphone, violin, viola, cello, and double bass [15']
  • Sefauchi's Return (1994), for flute, oboe, clarinet, and piano [2']
  • Violet, Slingsby, Guy and Lionel (1994–96), for 2 euphoniums and 2 tubas [7'] (arranged from the larger piece for piano, multiple players)
  • Different Things (1996), for clarinet quintet [6']
  • Selected Movements of Great Masters (1996), for 2 alto saxophones and 2 tenor saxophones [11']
  • Sehnsucht (1997), for string quartet [4']
  • Multiple forms of constraint (1997), for solo violin and string trio [14']
  • Un chant d'amour par JEAN GENET (1999–2000), for piano trio [26']
  • Two Uncharacteristic Marches with a Trio (1999–2000), for wind quintet [3'][10]
  • Bright Future ignoring Dark Past (1999–2000), for piano trio [4']
  • Necessary and more detailed thinking (2000), for piano trio [3']
  • Judgement in that day (2000), for oboe, clarinet, violin, viola, cello, and piano [8']
  • Casual Nudity (2000–01), for bass flute, percussion, guitar, double bass, and piano [12']
  • Kreuzfidel Polka Op. 301 by Johann Strauss II (2000), for violin, cello, double bass, piano, and percussion [4']
  • Shady Love (2001), for horn, violin, cello, piano, and percussion [4']
  • Regen beschreiben (2001), for alto flute, clarinet, violin, cello, and piano [2']
  • Smallish Foxtrot (2001), for flute, violin, viola, double bass, piano, and percussion [1']
  • Open Window (2001), for trumpet, double bass, and piano [9']
  • 'k zal u (2001), for piano trio [4']
  • D'Woaldbuama: Einleitung und Pastorale in Ländlerstyl nach Johann Strauss (sohn) (2001), for clarinet, violin, cello, double bass, piano, and percussion [7'][11]
  • Kritik der Urteilskraft (2001), for flute, clarinet, violin, cello, and piano [29']
  • À propos de Nice (2001–02), for piano trio [24']
  • Alternative Readings (2002), for flute, cello, and piano [8']
  • Giant Abstract Samba (2002), version ii, for clarinet, violin, cello, piano, and percussion [17']
  • Springtime (2003), for flute, clarinet, violin, cello, and piano [15']
  • Diamond Suburbia (2003), for alto flute, clarinet, violin, harp, and piano [2']
  • Blancmange (2003), for clarinet, guitar, phonofiddle, and piano [4']
  • June (2003), for piano trio [4']
  • Kann Liebe ewig bestehen? (2003), for alto flute, bass clarinet, trombone, violin, cello, and piano [8']
  • Six Sexy Minuets Three Trios (2003), for string quartet [20']
  • Civilisation (2004/13), for string quartet [17']
  • L'Herbe (2004), for clarinet, guitar, quarter-tone vibraphone, and nude actor [11']
  • Judith Weir (2004), for piano trio, and melodica or similar [5']
  • That ain't Shit (2004), for clarinet, violin, piano, and optional drum-kit [12']
  • Venice Vipers (2004), for solo violin, accompanied by guitar, violin, cello, and harpsichord [19']
  • Young Brethren (2005), for clarinet, bass clarinet, violin, cello, piano, and percussion [11']
  • Manik Asie (2005), for flute, guitar, and percussion (glockenspiel and vibraphone) [1']
  • Scotch Tape (2006), for clarinet (or violin), cello, and piano [3']
  • Possession (du condamné) (2006), for clarinet (or violin), cello, and piano [10']
  • Jive, for violin and piano [1']
  • Second String Quartet (2006–07) [14']
  • Ho' Hoane (2007), for string quartet and piano [1'] (also for piano 4-hands)
  • Grieg Quintetettsatz (2007), for string quartet and piano [25']
  • Clarinet Sonata (2007), for clarinet and piano [12']
  • Violin Sonata (2007), for violin and piano [25']
  • Bassoon Sonata (2007), for bassoon and piano [12']
  • Yob Cultcha (or 'Keep taking the Tabloids') (2007–08), for mandolin, violin, and accordion [3']
  • Piano Quartet in G minor, 1861 (2009), for violin, viola, cello, and piano [18'][12]
  • Piano Quartet in A major, 1861–2 (2009), for violin, viola, cello, and piano [24'][13]
  • De Allerheiligste Ledematen (2010), for violin, viola, cello, and piano[14]
  • Âwâz-e Niyâz (premièred 2012), for new oboe (doubling lupophon) and piano [55'][15][16]
  • Piano Quintet in B flat major (EG 118) (published 2013), a completion of an unfinished Grieg work [30'][17]
  • Continuation and Coda to the unfinished Contrapunctus in The Art of Fugue (2013), version i, for string quartet [6'][18]
  • Continuation and Coda to the unfinished Contrapunctus in The Art of Fugue (2013), version ii, for piano trio [6'][19]
  • Horn Trio (2013), for violin, horn, and piano [30'][20]
  • Mad Men in the Sand (2013), for string quartet [3']
  • Chi Mei Ricercari (published 2015), for cello and piano [28'][21]
  • Don't insult our intelligence (2015), for flute, trombone, violin, viola, double bass, and piano [4'][22]
  • Basic Ragtime (published 2016), for 3 violins, cello, and piano [17'][23]
  • Clarinetten-Liederkreis (2016), for clarinet and string quartet [14']
  • Einfältiger-Liederkreis (2016), for clarinet (or violin) and piano [14'][24]
  • Normal Deviates (2017), for two guitars [10'][25]
  • Sorrow and its beauty (2017), for erhu and piano [12']
  • Opera of the Nobility (2017), for soprano saxophone, percussion, and piano [15']

Solo piano music
  • Song 5 (1966–67) [7']
  • Song 8 (1967) [11']
  • Romeo and Juliet are drowning (1967–73) [4']
  • Strauss-Walzer (1967–1989) [10']
    • "Wo di Zitronen bluhn"
    • "O, schöner Mai"
    • "Geschichten aus dem Wienerwald"
  • Song 6 (1968, rev. 1996) [3']
  • Autumnall (1968–71) [5']
  • Song 9 (1968) [7']
  • Song 7 (1968-69) [4']
  • 23 Tangos (1968–98) [45']
  • Snowdrift (1972) [10']
  • Freightrain Bruise (1972–80) [3']
  • Verdi Transcriptions (1972–2005) [180'][26]
    • Book 1
      • Oberto. Atto II. Aria: 'Sciagatura! a questo lido ricercai l'amante infido!'
      • Un giorno di regno. Atto I. Trio: 'Bella speranza in vero'
      • Nabucco. Parte II. Chorus: 'Il maledetto no ha fratelli'
      • I Lombardi. Atto III. Chorus: 'Fra tante sciagure...'
      • Ernani. Parte I. Septet with Chorus: 'Vedi come il buon vegliardo...'
      • I due Foscari. Atto III. Choral Barcarolle: 'Iace il vento, è quèta l'onda'
      • Giovanna d'Arco. Atto I. Aria: 'So che per via di triboli'
      • Alzira. Atto II. Duet: 'Il pianto..l'angoscia..di lena mi priva'
      • Attila. Atto I. Aria: 'Mentre gonfiarsi l'Anima'
    • Book 2
      • X. Attila. Prologo. Duetto: 'Vanitosi! Che abietti e dormenti'
      • XI. Macbeth. Atto IV. Coro: 'Patria oppressa! Il doce nome...' (1847)
      • XII. I masnadieri. Parte III. Duetto: 'Qual mare, qual terra...'
      • XIII. Jérusalem. Acte I. Récit et duo: 'Non, ce bruit, ce n'est rien...'
      • XIV. Il corsaro. Atto I. Romanza: 'Non so le tetre immagini'
      • XV. La battaglia di Legnano. Atto IV. Inno di Vittoria: 'Dall'Alpi a Caridi e echeggi vittoria!'
      • XVI. Luisa Miller. Atto II. Scena e quartetto: 'Rea fucina d'empie frodi...'
      • XVII. Stiffelio. Atto III. Duetto: 'Opposto è il calle che in avvenire
      • XVIII. Rigoletto. Atto I. Scena e coro: 'Vendetta del pazzo! Contr'esso un rancore'
    • Book 3
      • XIX. Rigoletto. Atto III. Canzone: 'La donna è mobile'
      • XX. Il trovatore. Atto IV, prima scena. Duo: 'Vivrà! Contende il giubilo'
      • XXI. La Traviata. Atto III. Duetto: 'È nulla, sai?'
      • XXII. Les vêpres siciliennes. Acte V, scène II. Boléro: 'Merci, jeunes amies, d'un souvenir si doux!'
      • XXIII. Simon Boccanegra. Finale dell'atto I. Scena: 'Tradimento!'
      • XXIV. Aroldo. Atto IV. Coro, Burrasca e Finale: 'Allora che gl'anni...'
      • XXV. Un ballo in maschera. Atto I. Stretta: 'Ogni cura si doni al diletto'
      • XXVI. La forza del destino. Atto I. Romanza: 'Me pellegrina ed orfano'
      • XXVII. Macbeth. Atto II. Aria (a) 'Trionfai! Securi alfino' (1847); (b) 'La luce langue' (1864–5)
    • Book 4
      • XXVIII. Macbeth. Atto I. Chorus: 'S'allontanarono! N'accozzeremo'
      • XXIX. Don Carlos (1866–7). (a) Acte II, tableau II. Duo: 'Restez! Auprès de ma personne'; (b) Acte IV, tableau I. Duo: 'J'ai tout compris'
      • XXX. Aida. Atto III. Romanza: 'O cieli azzuri...'
      • XXXI. String Quartet. (a) III. Prestissimo; (b) IV. Scherzo Fuga
      • XXXII. Simon Boccanegra. Atto II. Aria: 'Cielo, pietoso, rendila'
      • XXXIII. Don Carlo. Atto V. Aria: 'Tu che la vanità conoscesti'
      • XXXIV. Otello. Finale dell'atto III. (a) Ballet No. 3: 'Chanson grecque (Cancone greca); (b) Scena: 'Una gran nube turba'
      • XXXV. Falstaff. Parte I dell'atto III. 'Brava! Quelle corna saranno la mia gioia!'
      • XXXVI. Messa da Requiem. Requiem aeternam
  • Svatovac (1973–74) [2']
  • Ives – Grainger – Nancarrow
    • Ives (1974) [4']
    • Grainger (1979) [4']
    • Nancarrow (1980) [4']
  • Gershwin Arrangements (1975–88) [40'][27]
    • How long has this been going on?
    • Things are looking up
    • A foggy day (in London Town)
    • Love is here to stay
    • They can't take that away from me
    • Shall we dance?
    • But not for me
    • Fidgety feet
    • Embraceable you
    • Waiting for the sun to come out
    • Innocent ingenue baby
    • Blah, blah, blah
    • Boy wanted
  • Jazz – Fast Dances, Slow Dances – Boogie-Woogie
    • Jazz (1976) [5']
    • Fast Dances, Slow Dances (1978–79) [18']
    • Boogie-Woogie (1980/96) [4']
  • Three Dukes went a-Riding (1977/96), [4']
  • English Country-Tunes (1977/82–85), [52'][28]
    • "Green Meadows" [11']
    • "Midsummer Morn" [5']
    • "I'll give my Love a Garland" [10']
    • "May and December" [7']
    • "Lies and Marvels" [4']
    • "The seeds of Love" [4']
    • "My bonny boy" [7']
    • "Come beat the Drums and sound the Fifes" [4']
  • all.fall.down (1977) [8']
  • To & Fro (1978/95) [4']
  • Kemp's Morris (1978), "for pianist wearing Morris-bells" [5'][29]
  • We'll get there someday (1978) [3']
  • Piano Concerto No. 4 (1978/96) [20']
  • Short but. . . (1979) [3']
  • Piano Concerto No. 6 (1980–81) [12']
  • Liz (1980–81) [1']
  • Free Setting (1981/95) [8']
  • Reels (1980–81) [8']
  • White Rain (1981) [5']
  • Stomp (1981) [9'] (also for accordion)
  • Terekkeme (1981–90) [5'] (also for harpsichord)
  • Hikkai (1982–83) [5']
  • Australian Sea Shanties, Set 2 (1983) [3'][30]
  • B.S.–G.F.H. (1985–86) [4'][31]
  • Taja (1986) [5']
  • Wee Saw Footprints, "plus appendix of four teaching pieces and juvenilia" (1986–90) [15'][32]
  • Lylyly li (1988–89) [8']
  • Pimmel (1988–89) [3']
  • Stanley Stokes, East Street 1836 (1989/94) [3']
  • More Gershwin (1989–90) [34'][33]
    • Limehouse Nights
    • Wait a bit, Susie
    • I'd rather Charleston
    • Isn't it wonderful?
    • Nobody but you
    • Swanee
    • Dixie Rose
    • Someone believes in you
    • Nashville nightingale
  • Sometimes I. . . (1990) [3']
  • Can't Help Lovin' Dat Man (1990) [12']
  • Two of Us (1990) [2']
  • My Love Is Like a Red Red Rose (1990) [3']
  • De toutes flours (1990) [4']
  • William Billings (1990–91) [4']
  • New Perspectives on Old Complexity (1990–92) [5']
  • How dear to me (1991) [3']
  • Vanèn (1991) [3']
  • Rossini (1991) [3']
  • There never were such hard times before (1991) [2']
  • French Piano (1991) [6']
  • Willow Willow (1991) [2']
  • Cibavit eos (1991–92) [3']
  • Poor Stuff (1991–96) [2']
  • Nine Romantics (1992) [25']
  • Wenn wir in höchsten Nöten sein (1992) [4']
  • A solis ortus cardine (1992) [2']
  • John Cage (1992) [3']
  • Cozy Fanny's Tootsies (1992) [2']
  • What the meadow-flowers tell me (1993) [3']
  • Folklore I–IV (1993–94) [78']
    • Folklore I for Edvard Grieg [12']
    • Folklore II for Michael Tippett [30']
    • Folklore III for Brian Ferneyhough [20']
    • Folklore IV for Rodney Lister [16']
  • The larger heart, the kindlier hand (1993) [1']
  • . . .desde que naçe (1993) [1']
  • Yvaroperas (1993–95) [20']
    • Yvaroperas 1 and 2[34]
    • Yvaroperas 3 and 4[35]
    • Yvaropera 5
  • Elephant (1994) [2']
  • Violet, Slingsby, Guy and Lionel (1994–96) [18']
  • Ethel Smyth (1995) [4']
  • The History of Photography in Sound (1995–2001) [328'][36]
    • I. Le démon de l'analogie [28']
    • II. Le réveil de l'intraitable réalité [21']
    • III. North American Spirituals [24']
    • IV. My parents' generation thought War meant something [36']
    • V. Alkan – Paganini [14']
    • VI. Seventeen Immortal Homosexual Poets [34']
    • VII. Eadweard Muybridge – Edvard Munch [26']
    • VIII. Kapitalistisch Realisme (mit Sizilianische Männerakte en Bachsche Nachdichtungen) [68']
    • IX. Wachtend op de volgende uitbarsting van repressie en censuur [17']
    • X. Unsere Afrikareise [31']
    • XI. Etched bright with sunlight [29']
  • Tracey and Snowy in Köln (1996) [2']
  • Honky Blues (1996) [4']
  • Georghi Tutev (1996/2002) [6']
  • Tu me dirais (1996) [3']
  • meeting is pleasure, parting a grief (1996) [1']
  • Enough (2001) [17']
  • Deux Airs de Geneviève de Brabant (Erik Satie) (2001)
  • Edward (2002) [2']
  • Joh.Seb.Bach (2003) [3']
  • Von Gloeden Postcards (2003)
  • Erscheinen ist der herrliche Tag (2003) [3']
  • One Minute W... (2006) [1']
  • First Political Agenda (1989–2006) [22'][37]
    • Wrong place, wrong time [3']
    • Is there any future for new music? [9']
    • You know what kind of sense Mrs. Thatcher made. [10']
  • Zwei Deutsche mit Coda [8']
  • Sonata for Toy Piano (2006–07) [6'][38] (also for toy piano)
  • Second Political Agenda (2000–08)
    • ERIK SATIE like anyone else (2000–01) [20'][39]
    • MIT ARNOLD SCHOENBERG (2002) [23'][40]
    • SKRYABIN in itself (2007–08) [21'][41]
  • Preambule zu "Carnival," gefolgt von der ersten und zweiten symphonischen Etüde nach Schumann (2009/10) [11'][42]
  • Koralforspill (2012) [33'][43]
  • Z/K (2012) [13'][44]
  • Beat Generation Ballads (2013) [47'][45][46]
    • Lost But Not Lost [2']
    • Naked Original Skin Beneath Our Dreams & Robes of Thought [3']
    • Lonely Banna Strand [6']
    • Evans, Harry, Scott, Hearts Foolish [2']
    • Veränderungen [34']
  • Beethoven's Robin Adair (2015) [25'][47]
  • Brahms-Lieder (2015) [12'][48]
  • Third Political Agenda (2016)[49]
    • Corruption, Deceit, Ignorance, Intolerance
    • Hier kommt 'U K Ichbezogen Populismus'
    • My country has betrayed me
  • written with Cassandra Miller, Sinner don't let this Harvest pass (2016)[50]
  • Vervollständigung von Schuberts D840 (2016/17) [25'][51]
  • Could I Sing With Angels (2018) [3']

Piano music, multiple players
  • Wild Flowers (1974), for 2 pianos [12']
  • Duet (1975–2007), for piano 4-hands [10'][52]
  • Violet, Slingsby, Guy and Lionel (1994–96), "22 short pieces for beginners and their teachers" [18'] (selections also for 2 euphoniums and 2 tubas)
  • his voice / was then / here waiting (1996), for 2 pianos [8']
  • Eighteenth-Century Novels (Fanny Hill) (2006), for 2 pianos [20']
  • Ho' Hoane (2007), for piano 4-hands [1'] (also for string quartet and piano)
  • Deux jeunes se promènent à travers le ciel 1929 (2008), for piano 4-hands [3'][53]
  • Fem ukarakteristiske marsjer med tre tilføyde trioer (2008–09), for piano 4-hands [15'][54]
  • Stille Thränen (2009), for piano 4-hands [8']
  • Zortziko (2009), version i, for piano 4-hands [6']
  • Derde symfonische etude (2013), for 2 pianos [15'][55]

Other solo instrumental music
  • Untitled Piece (1967), for flute [6'][56]
  • Xunthaeresis (1967), for organ [7']
  • First Sign A Sharp White Moon, as if the cause of Snow (1968–75), for solo alto flute
  • Song 13 (1971), for violin [3']
  • Song 12 (1972–76), for bass clarinet [4']
  • Alice (1970/75), for double bass [6']
  • Ru Tchou (1975), for drummer [9']
  • Song 17 (1976), for guitar [4']
  • Song 18 (1976), for double bass [3']
  • All the trees they are so high (1977) [5']
  • Doves Figary, version i (1976–77), for cello [7']
  • Doves Figary, version ii (1981), for cello [7']
  • Pavasiya (1979), for oboe d'amore [8']
    • part of Pavasiya – Sikangnuqa – Talawva
  • Sikangnuqa (197), for flute [8']
    • part of Pavasiya – Sikangnuqa – Talawva
  • Hinomi (1979), for percussion [8']
  • Stomp (1981), for accordion [9'] (also for piano)
  • Andimironnai (1981), for cello [9']
  • Yalli (1981), for cello [10']
  • Terekkeme (1981–90), for harpsichord [5'] (also for piano)
  • Marrngu (1982), for E-flat clarinet [8']
  • Nasiye (1982), for guitar [8']
  • Gerhana (1981–82), for percussion [12']
  • Cirit (1982), for C clarinet [7']
  • Sepevi (1982–83), for double bass [9']
  • Ulpirra (1982–83), for bass flute [4']
  • Uzundara (1983), for B-flat clarinet [9']
  • The Eureka Flag (1983), for piccolo [4']
  • Ének (1990), for violin [9']
  • Organ Symphony No. 1 (2002–03) [18']
  • Organ Symphony No. 2 (2003–05) [16']
  • Sing to me of Heaven (2005–07), for organ [3']
  • Sonata for Toy Piano (2006–07), for toy piano [6'][57] (also for standard piano)
  • Organ Symphony No. 3 (1962–64/2006–08) [16']
  • Organ Symphony No.4 (2006–08) [24']
  • Two scenes from 'Shameful Vice' (published 2007), for harp [6'][58]
  • Bryd frem mit hjertes trang (2009), for organ [4']
  • En krybbe er hans første eie (2009), version i, for organ [5']
  • Midt Igjennem Nød Og Fare Veien Går Til Paradis, for organ [5']
  • 'Dum transissent Sabbatum' double (2016-18), for organ [7']
  • 'Videte Miraculum' double (2016-18), for organ [6']

Vocal music
  • Le Dormeur du Val (1963–68), for mezzo-soprano, celesta, harpsichord, piano, 2 violins, viola, and cello [7']
  • From "The Revelations of Saint John the Divine" (1965-70), for high soprano, flute, 2 violins, 2 violas, and 2 cellos [7']
  • Horrorzone (1965, rev. 1987), for soprano, flute, cor anglais, vibraphone, and piano [8']
  • Song 1 (1966), for soprano [4']
  • Song 3 (1969), for soprano, cor anglais, horn, piano, and electric organ [3']
  • Song 11 (1969–71), for soprano and clarinet [4']
  • Folk Song Set (in memory of Percy Grainger) (1969–76)
    • For version i [15'], see vocal music accompanied by ensemble.
    • version ii, for mezzo-soprano, flute, clarinet, violin, viola, cello, and piano [13']
    • version iii, for mezzo-soprano, flute, oboe, piano, and percussion [13']
  • Irma Cortez (1970–76), for baritone, silent actors, bassoon, percussion, accordion, piano, harp, violin, and double bass [30']
  • Song 15 (1971/73), for soprano [4']
  • Tsuru-Kame (1971–73), for soprano or contralto, small female choir, flute, viola, and 2–3 percussionists [21'][59]
  • Commedia dell'incomprensibile potere che alcune donne hanno sugli uomini (1973–75), for soprano, countertenor, cello, and harpsichord [12']
  • Orfeo (1974) [6']
    • version i, for 6 voices, 3 trombones, 2 lutes, percussion, and double bass
    • version ii, for mezzo-soprano
  • Bouffe (1975), for voice [5']
  • Song 14 (1975), for soprano [4']
  • Tom Fool's Wooing (1975–78), for high soprano, 3 sopranos, mezzo-soprano, 2 contraltos, counter-tenor, 2 tenors, and 2 basses [20']
  • Song 16 (1976), for soprano [5'][60]
  • Mystery 1, "The Parting of Darkness From Light" (1976), for 2 tenors, 2 baritones, and bass [16'][61]
  • Mine Eye Awake (1977) [6']
  • Mystery 3, "Noah and the Great Flood" (1978), for tenor, 2 actors, alto recorder, cor anglais, and 3 percussionists [16']
  • Ohi! ohi! ohi! (1978), for voice [5']
  • Mountainfall (1978), for mezzo-soprano [8']
  • Goro (1978), for tenor, flute, clarinet, harp, violin, viola, and cello [20']
  • Sir Tristran (1978), for soprano, clarinet, piano, violin, viola, and cello [20']
  • Mystery 4, "The Prophecy of Daniel" (1979), for soprano, alto, tenor, and bass [15'][62]
  • Talawva (1979), for mezzo-soprano, flute, oboe, piano, and percussion[63]
  • . . . fairest noonday . . . (1979), for tenor and piano [8']
  • Piano Concerto No. 5 (1980), for solo piano, mezzo-soprano, flute (doubling alto flute), oboe (doubling oboe d'amore), and vibraphone [22']
  • Lord Melbourne (1980), for soprano, clarinet, and piano [12']
  • Green Bushes (1980), for contralto and piano [12']
  • Duru-Duru (1981), for mezzo-soprano, flute, piano, and percussion [9']
  • Kelir (1981), for 2 sopranos, contralto, tenor, baritone, and bass [17']
  • Anninnia (1981–82), for soprano and piano [11']
  • Warara (1982/91), for soprano, flute, clarinet, percussion, violin, and cello [9']
  • Lyrics and Limericks (1982–84), for voice and piano [10']
  • Le Lay de la Fonteinne (1983/90), for mezzo-soprano, flute (doubling piccolo), oboe, and vibraphone or piano [22']
  • Soda Fountain (1983), for soprano, mezzo-soprano, contralto, and tenor [20']
  • Botany Bay (1983–89), for mezzo-soprano, flute, and oboe or clarinet [4']
  • Cabaret Vert (1985), for mezzo-soprano, flute, cor anglais, and percussion [10']
  • Beuk o'Newcassel Sangs (1988), for soprano, clarinet, and piano [12']
  • Unknown Ground (1989–90), for baritone and piano trio [25']
  • Same as We (1990), version ii, for mezzo-soprano, alto flute, and cimbalom [10']
  • The Cambridge Codex (1991), for soprano, flue (doubling piccolo), percussion (2 bells), violin, and cello [18']
  • Seven Sacred Motets (1991), for soprano, alto, tenor, and bass [35'] (also for SATB choir)
  • Three Motets, Two Interludes (1991/2006), for soprano and string trio [16']
  • "Western Wind" Kyrie (1991), for soprano, alto, tenor, and bass [3'] (also for SATB choir)
  • Liturgy of Saint Paul (1991–95), countertenor, 2 tenor, baritone, and chamber organ [37']
  • Thérése Raquin (1992/2005), for 2 countertenors, 2 baritones, and piano [120']
  • Blessed be [5']
    • version i, for soprano, double bass, and piano (1992)
    • version ii, for tenor, flute, horn, guitar, harp, and cello (1995)
    • version iii, for soprano, recorder, and piano (1996)
  • Silver Morning (1993), for tenor or baritone, piano, and string quartet [16']
  • Shameful Vice (1995), for 2 sopranos, mezzo-soprano, tenor, baritone, bass, 2 clarinets, 2 trumpets, guitar, harp, 2 violins, and double bass [45']
  • Not Afraid (1998), for baritone and speaking pianist [12']
  • Whitman (2004–05), for voice and piano [60']
  • Salomé (2002), for soprano and piano [3']
  • Now (2005), for 2 sopranos, alto, tenor, and 2 basses [4']
  • Brighton! (2005–06), for tenor and string quartet [16']
  • Caithness with Descants (2007), for soprano, recorder, and piano [3']
  • Outside Fort Tregantle (2007–08), for baritone and piano [3']
  • En krybbe er hans første eie (2009), version ii, for soprano, clarinet, guitar, cello, piano, and percussion [5']
  • Gesualdo: Libro Sesto (2012–13), for 2 sopranos, 2 altos, 2 tenors, and 2 basses [31'][64]
  • Hier ist mein Garten (2015), for soprano and piano [8'][65]
  • Andersen-Liederkreis (2016), for soprano and piano [45'][66]
  • Zu fragen (2017), for alto and piano [10']
  • Recordare (2018), for mezzo-soprano and piano [6']

Music with choir
  • Circle, Chorus and Formal Act (1973), for baritone, 2 female choirs, 9+1 percussionists, oboe (doubling cor anglais), and 2 horns [23']
  • Cipriano (1974), for tenor and choir of 9 voices (high soprano, 2 sopranos, mezzo-soprano, counter-tenor, tenor, baritone, and 2 basses)
  • Mystery 6, "The Annunciation" (1978–79), soprano, tenor, bass, female choir (6 sopranos, 6 altos), speaker, 7 trumpets, 3 trombones, 3 percussionists, 2 celestas, 4 violins, 4 violas, and cello [20']
  • Mystery 8 (unknown date), for choir, 3 flutes, 3 horns, 7 trumpets, 3 trombones, percussion, and strings [25']
  • Australian Sea Shanties, Set 1 (1983), for SAB choir [9']
  • Ngano (1983–84), for mezzo-soprano, tenor, double SATB choir, flute, and 2 percussionists [18']
  • Haiyim (1984), for SATB choir (of at least 12 voices) and 2 cellos [15']
  • Maldon (1990), for baritone, SATB choir, 2 trombones, 2 percussionists, and organ [20']
  • Seven Sacred Motets (1991), for SATB choir [35'] (also for soli)
  • Anima Christi (1991), for countertenor or contralto, tenor, SATB choir, and organ [20']
  • "Western Wind" Kyrie (1991), for SATB choir [3'] (also for soli)
  • The Cry of the Prophet Zephaniah (1992), for solo baritone, TB choir, 2 trumpets, 2 trombones, and 2 cellos [7']
  • Vertue (1993), for unison soprano or children's choir, and piano [9']
  • Golden Sleep (1996), for solo tenor, baritone, and SATB choir [12']
  • Palm Sunday (1999–2003), for SATB choir, guitar, vibraphone, double bass, and piano [10']
  • This Church (2001), "for mezzo-soprano and baritone soloists, 2 narrators, choir, organ, handbells [handbell choir] and ensemble" [66'][67]
  • Descriptive Jottings of London (2003), for 3 voices (or choir), accordion, and piano [5']
  • Voluala (2004), for SATB choir and organ [4']
  • Forget-me-not (published 2005), for SATB choir and ensemble (guitar, suspended cymbal, double bass, and piano) [6'][68]
  • Favourite Poets (published 2006), for SATB choir, organ, and ensemble (2 horns, timpani, harp, violin, 2 violas, 2 cellos, and double bass) [20'][69]
  • Comfortable Words (2006), for SATB choir and organ [5']
  • Magnificat and Nunc Dimittis (2006), for SSATB choir [10']
  • Second Magnificat and Nunc Dimittis (2007), for SATB choir and organ [9']
  • Mankind (2007–08), "for two principal male voices (speaker and baritone), 3 smaller male speaking rôles, small chorus of female voices, and ensemble" (flute, clarinet, organ, piano, violin, and cello) [70'][70]
  • Gedächtnis-Hymne (premièred 2010), for SATB choir and saxophone quartet [20'][71]
  • Telling (recorded 2011), for treble soloist and SATB choir [4'][72]
  • Oure Father (published 2013), for SATB choir [5'][73]
  • 'Y cuán ciegos' (2015/16), for vocal soloist and SATB choir [8'][74]
  • John the Baptist (published 2016), for SATB choir and organ [3'][75]
  • Dum transisset Sabbatum (2016-18), for mixed choir [13']
  • Videte Miraculum (2016-18), for mixed choir [12']
  • Easy Things To Do (2018), for choir and piano 4-hands [11']

Vocal music accompanied by ensemble of 8+ instrumentalists
  • Jeanne d'Arc (1967), for high soprano, tenor, and solo cello, with flute (doubling piccolo), alto flute, alto recorder, horn, soprano saxophone, bass saxophone, guitar, harp, 3 violins, viola, cello, and double bass [18'][76][77]
  • Folk Song Set (in memory of Percy Grainger) (1969–76), version i, for soprano, cor anglais, clarinet (doubling E-flat clarinet), flugelhorn, percussion, 2 violins, viola, cello, and double bass [15']
  • Mr Punch (1976–79), for speaker, flute, oboe or clarinet, percussion, piano, and violin or cello [21']
  • Mystery 2, "The Earthly Paradise" (1977–78), for mezzo-soprano, tenor, bass, 2 actors, 2 piccolos, alto recorder, oboe (doubling oboe d'amore), cor anglais, 4 trumpets, 2 celestas, 3 percussionists, 2 violas, 2 cellos, double bass [14']
  • Mystery 5, "The Parliament of Heaven" (1977–78), for 3 sopranos, mezzo-soprano, tenor, 3 choirs, children's choir, alto recorder, oboe, 4 trumpets, 3 percussionists, harp, viola, and 2 actors [30']
  • Mystery 7, "The Betrayal and Crucifixion of Jesus of Nazareth" (1978–79), for 2 sopranos, mezzo-soprano, tenor, 6 speakers, 2 soprano recorders, 2 piccolos (the second doubling alto flute), oboe d'amore, cor anglais, trumpet, 3 percussionists, 2 celestas, harp, 6 violins, cello
  • Vaudeville (1983/87), for mezzo-soprano, baritone, 2 dancers, clarinet, bassoon, flugelhorn, trombone, percussion, violin, and double bass [38'][78]
  • Celi (1984/97), for 2 high sopranos, 3 flutes, 3 violas, and 2 harps [15']
  • The Undivine Comedy, an opera in 17 scenes (1985–88/89), for soprano, mezzo-soprano, tenor, 2 baritones, 2 flutes (one doubling on piccolo, the other on alto flute), 2 oboes (one doubling on cor anglais), clarinet (doubling on E-flat clarinet and bass clarinet), 2 percussionists, electric organ (doubling on celesta), violin, viola, and cello [114']
  • The Transgressive Gospel (2008–09), for 2 singers, violin, viola, cello, accordion, cimbalom, and piano [120']

Music with tape and/or electronics
  • Nowhere else to go (1989), for clarinet, trumpet, percussion, cello, synthesizer, tape (or synthesizer), and electronics [15']
  • Same as We (1990), version i, for soprano and tape [10']
  • Recent Britain (1997–98), for piano obbligato, and 1–3 of the following: clarinet (or flute, oboe, or violin); bassoon (or cello or trombone); cello (or bassoon or trombone); with tapes by each performer [25'][79] (see also "Open instrumentation")
  • Confusion in the service of discovery (2000), for mandolin and 2 pre-recorded mandolins [8']
  • Marilyn, Brian, Mike and the cats (2004), for clarinet, piano, and pre-recorded cats [6']
  • Third String Quartet (2007–09), "for string quartet and pre-recorded birdsong" [40']

Open instrumentation
  • n (1969–72), for 1-4 players playing instruments of different ranges [8']
  • Runnin' Wild (1978), for solo oboe, saxophone, clarinet, or bass clarinet [8']
  • Moon's goin' down (1980), for "any solo wind instrument or voice" [4'][80]
  • Piano Concerto No. 7 (1981), for solo piano, and 1–5 members of a wind quintet (flute, oboe, clarinet, bassoon, horn) [11']
  • WAM (1990–91), for piano, a treble instrument, and a bass instrument (e.g. flute, bass clarinet, and piano) [15']
  • Plain Harmony (1993), version i, for any combination of multiple instruments [10']
  • Recent Britain (1997–98), for piano obbligato, and 1–3 of the following: clarinet (or flute, oboe, or violin); bassoon (or cello or trombone); cello (or bassoon or trombone); with tapes by each performer [25'][81] (see also "Music with tape and/or electronics")
  • False notions of progress (1997), for any 3 instruments
  • Marcel Duchamp, the Picabias and Apollinaire Attend a Performance of 'Impressions d'Afrique' by Raymond Roussel at the Théâtre Antoine (1999–2000), for speaking pianist and ensemble (flute, trombone, percussion, cello, and 2nd piano, all with possible substitutions)
  • Ettelijke bange eenden (2001), for 3 keyboards, and 1 or 2 duos of instruments (the 1st duo 'legato' instruments, the 2nd 'staccato,' or otherwise contrasting, instruments), all not mutually in tune[82]
  • Hoe weinig begrijpen wij (2001), for free ensemble
  • Notre Dame Polyphony (2001–02), for free ensemble of 6 or 9 players [8']
  • Amphithéâtre des Sciences Mortes (2001–02), for soloist and free ensemble [7']
  • Éros uranien (2002), for free ensemble
  • Sorrow and its beauty (2002), version i, for free ensemble
  • Ceci n'est pas une forme (2003), for soloist and piano quartet (violin, viola, cello, and piano) [6']
  • Seterjentens fridag (2003), for hardanger fiddle (or violin) with optional accompaniment (reed organ and/or piano, live and/or recorded, and/or instrumental quartet) [7']
  • Von Gloeden Postcards (2003), for piano and optional accompaniment by unspecified instruments (also for solo piano)
  • Post-Christian Survival Kit (2003–05), for free ensemble (including 1+ keyboards, 1+ voices, and 1+ percussion)
  • Molly-House (2004), for free ensemble (including soloists, keyboards, and electric household devices)
  • Vigany's Cabinet (2004–05), for 2–6 trios of instruments [10–20']
  • Back on Earth (2005), for free ensemble [6'][83]
  • Visualise Love (2006), for SATB voices and optional piano 4-hands
  • Not sure (2006), for SSATB voices [3']
  • Déjà fait (2006), for free ensemble
  • Après-Midi Dada (2006), for 2 keyboards, 2–5 wind instruments, 2–8 plucked instruments, 2–8 percussionists, coffee grinder, and (optionally nude) actors [15'][84]
  • Not envious of rabbits (2006), for free ensemble [5']
  • Martha Gunn (2007), for "3 high-register wind instruments, water gongs and (silent) actors in and out of bathing-costumes"[85]
  • Yso (2007), "for various instrumental configurations[86]
  • D.O.S. (2008), for 2 instruments and keyboard [3']
  • Viitasaari (2009), for kantele, piano, and 2 treble instruments [4']
  • Late Hey with three Bees (2014), for 2 treble instruments and buzzing instruments [1']
  • Maat Strikt (2016), for soloist and ensemble [16'][87]

References
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  5. "Mu-Fa". Verlag Neue Musik.
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  21. "Chi Mei Ricercari". Verlag Neue Musik.
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