John Berry (arts administrator)

John Edward Berry CBE (born 22 July 1961) is a British-born musician and arts administrator.

Biography

Berry graduated from the Royal Northern College of Music in 1983, and subsequently studied with Gervase de Peyer, supported by a scholarship to the Mannes College of Music in New York City. In 1984, he was diagnosed with Hodgkin's Disease, and returned to the UK for successful treatment at The Christie Hospital in Manchester. He was unable to continue playing the clarinet professionally after his illness, and redirected his career to arts administration.

Berry served as the founding director of the Sounds Alive Music Centres from 1986 to 1993. He then founded the Brereton International Music Symposium, and served as its director from 1990 to 1997. Other work has included employment as an artist manager at Harrison Parrott (1992–1994), a consultant to The Hallé Orchestra from 1998 to 2002, and as an advisor to several USA opera companies, such as Santa Fe Opera. He was an artistic and broadcasting Consultant (1998–2006) for several video productions of operas, including:

  • BBC Films: Turn of the Screw (directed by Katie Mitchell);
  • Channel 4: Trouble in Tahiti (directed by Tom Cairns), winner of Best Performance Film at the Vienna TV Awards, Gramophone's Best DVD Award and the DVD 'Or de l'Année Award from Diapason magazine in France
  • Channel 4: John Adams' opera The Death of Klinghoffer (directed by Penny Woolcock) winner of the Prix Italia for TV Performing Arts and nominated for the South Bank Show Opera Award.

English National Opera

In 1995, Berry joined English National Opera (ENO) as casting director, and served in the post from 1995 to 2003. He instigated the first 'Jerwood Young Artists Programme', which later developed into 'The ENO Harewood Artists'. He became Director of Opera Programming in 2003, and subsequently named ENO's artistic director in November 2005. The last appointment was controversial, as it occurred without either due process or interview.[1] As ENO's artistic director, he brought in artists from outside the opera world into ENO productions, including film directors (Anthony Minghella, Terry Gilliam, Penny Woolcock, Mike Leigh), theatre directors (Rupert Goold, Simon McBurney, Fiona Shaw and Improbable Theatre), visual artists (Matthew Barney, Anish Kapoor) and choreographers (Mark Morris, Michael Keegan Dolan). His co-producing policy extended ENO's reach to more than 40 opera houses around the world, the most prominent being the relationship with the Metropolitan Opera House, New York.[2][3]

Berry expressed skepticism about cinema relays of operas in May 2012.[4] In December 2013, in a reversal of those earlier statements, ENO announced a reversal of course and a new relationship with Altive Media to take ENO's productions into cinemas. Other developments at the company included, in 2014, a new relationship with restaurateur Ben Warner and Benugo for the redevelopment of the Coliseum foyer spaces, and a new commercial relationship with Lord Grade and Michael Linnit (the GradeLinnit Company) to produce semi-staged musicals. [5] The last actions were in response to the 29% reduction in Arts Council England (ACE) funding.[6][7]

Awards won during Berry's tenure include:

  • Double Olivier Award winner in 2015.
  • Royal Philharmonic Society (RPS) for ENO"s Consistently Outstanding Work' 2015 in the Opera and Music Theatre Category
  • 8 Olivier Awards
  • 4 South Bank Show Awards
  • 5 Royal Philharmonic Society Awards
  • Winner of 2014 The Hospital Club 100 in Theatre for the "most innovative and inspirational people working across the creative industries"
  • Evening Standard (2013 / 2014 / 2015) Top 1000 most influential people in London

In February 2015, ACE placed ENO under special measures. This had followed public revelations of disputes between the outgoing chairman of ENO, Martyn Rose, and Berry, with uncorroborated accusations by Rose that Berry had mismanaged finances and lost £10M, and the departure of Henriette Götz as executive director in January 2015.[6][8] ENO countered Rose's accusation by stating that during Berry's tenure, ENO "turned over an unrestricted surplus of £2.4M."[9] In July 2015, following the widely acclaimed 2014-2015 season at ENO, Berry stood down as ENO artistic director with immediate effect, stating "My work is now done".[10][11]

Other work

In July 2016 Berry was appointed creative advisor to the Bolshoi Theatre.[12] In October 2017, he negotiated a co-production agreement between the Bolshoi and Metropolitan Opera NY for three operas, Lohengrin, Aida and Salome, all featuring Anna Netrebko.[13] Berry was adviser to the Vienna Staatsoper from July 2018 to August 2019.

Berry founded the charity Opera Ventures in March 2017, to produce opera and mixed media performances.[14][15] In August 2017, Opera Ventures premiered its first new production, Greek, by Mark Anthony-Turnage CBE, co-produced with Scottish Opera and in collaboration with the Edinburgh International Festival.[16] Its second production was Breaking the Waves by Missy Mazzoli, co-produced with Scottish Opera, Houston Grand Opera and Théâtre de l'Opéra Comique in association with Bristol Old Vic. It premiered at the King's Theater in Edinburgh on 21 August 2019 with performances until 24 August.[17][18] It opened at the Adelaide Festival in March 2020 to critical acclaim.[19][20] Performances in collaboration with BAM NYC and The Metropolitan Orchestra conducted by their Music Director Yannick Nézet-Séguin, due to take place in July 2020, were cancelled due to the COVID-19 pandemic.

In November 2018 he officially launched a commercial theatre production company, Scenario 2, together with co-director Anthony Lilley OBE.[21][22] Its first production is The light in the Piazza by Adam Guettel featuring Renée Fleming and Dove Cameron, premiered at the Southbank Centre's Royal Festival Hall in London on 14 June 2019 with performances until 6 July 2019.[23][24][25] The show then moved on to the USA, where its opening night took place on 12 October in LA in collaboration with Los Angeles Opera at the Dorothy Chandler Pavilion. [26][27][28] It then moved to Chicago from the 14th to 20th December 2019 with outstanding reviews.[29] In August 2020 it will premiere in Australia, where it will be presented at the Opera House in Sydney from the 14th to the 22nd August. Scenario Two is also preparing a new staged musical production about the life of the late Italian Tenor Luciano Pavarotti.[30]

Personal life

Berry is married to the mezzo-soprano Pippa Dames-Longworth. He was made a CBE in the Queens Birthday Honours in 2014, for Services to Music.[31]

References
  1. Charlotte Higgins (10 March 2006). "Is this the toughest job in music?". The Guardian. Retrieved 8 April 2016.
  2. Aspden, Peter (13 February 2010). "How the Met and ENO work in tandem". Financial Times. ISSN 0307-1766. Retrieved 28 March 2016.
  3. Mark Brown (12 December 2013). "English National Opera to broadcast productions live to cinema". The Guardian. Retrieved 27 March 2016.
  4. Matt Trueman (10 May 2012). "English National Opera chief attacks live cinema broadcasts". The Guardian. Retrieved 27 March 2016.
  5. David Lister (28 April 2014). "The London Coliseum: A revolution at the opera". The Independent. Retrieved 27 March 2016.
  6. Mark Brown (12 February 2015). "English National Opera told to improve or face funding axe". The Guardian. Retrieved 27 March 2016.
  7. "ENO is a showcase for talent and innovation". Financial Times. 8 March 2015. ISSN 0307-1766. Retrieved 29 December 2015.
  8. Anita Singh (12 February 2015). "English National Opera placed in 'special measures'". Telegraph. Retrieved 27 March 2016.
  9. Mark Brown (26 January 2015). "English National Opera rejects outgoing chairman's claim of losses". The Guardian. Retrieved 27 March 2016.
  10. Imogen Tilden and Maev Kennedy (10 July 2015). "John Berry steps down from English National Opera". The Guardian. Retrieved 27 March 2016.
  11. "John Berry was never going to be content just serving up repertory revivals". The Guardian. 10 July 2015. ISSN 0261-3077. Retrieved 28 March 2016.
  12. "Top post at Bolshoi for former ENO head John Berry". www.ft.com. Retrieved 21 April 2017.
  13. Sophia Kishkovsky (9 October 2017). "Anna Netrebko Will Star in Three Met-Bolshoi Productions". The New York Times. Retrieved 18 April 2019.
  14. "John Berry launches not-for-profit opera company - Rhinegold". Rhinegold. Retrieved 21 April 2017.
  15. "Former ENO boss John Berry launches not-for-profit opera company | News | The Stage". The Stage. 20 March 2017. Retrieved 21 April 2017.
  16. Joe Hill-Gibbins (2 August 2017). "Opera director Joe Hill-Gibbins: How I got an Oedipus complex". The Guardian. Retrieved 18 April 2019.
  17. Maddocks, Fiona (24 August 2019). "The week in classical: Breaking the Waves; Eugene Onegin – review". The Observer. ISSN 0029-7712. Retrieved 17 October 2019.
  18. Fisher, Neil (22 August 2019). "Breaking the Waves review — a spine‑tingling roar". The Times. ISSN 0140-0460. Retrieved 17 October 2019.
  19. Hanusiak, Xenia (16 March 2020). "Festival Review: Breaking The Waves". The Adelaide Review. Retrieved 28 May 2020.
  20. Nightingale, John. "★★★★☆ Breaking the Waves (Opera Ventures & Scottish Opera at Adelaide Festival)". Limelight. Retrieved 28 May 2020.
  21. "Former ENO Artistic Director John Berry CBE Launches New Commercial Theatre Venture". Broadway World. 8 November 2018. Retrieved 18 April 2019.
  22. Giverny Masso (8 November 2018). "Former ENO artistic director John Berry launches commercial theatre company with musicals focus". The Stage. Retrieved 18 April 2019.
  23. Shenton, Mark (19 June 2019). "Review - The Light in the Piazza at the Southbank Centre, Royal Festival Hall". London Theatre Guide. Retrieved 17 October 2019.
  24. Bano, Tim. "Review of The Light in the Piazza starring Renee Fleming". The Stage. Retrieved 17 October 2019.
  25. "The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better". theartsdesk.com. Retrieved 17 October 2019.
  26. "'The Light in the Piazza': Theater Review". The Hollywood Reporter. Retrieved 17 October 2019.
  27. "Review: Renée Fleming brings radiant star power to a flickering 'Light in the Piazza'". Los Angeles Times. 14 October 2019. Retrieved 17 October 2019.
  28. Nockin, Maria. "BWW Review: THE LIGHT IN THE PIAZZA at Dorothy Chandler Pavilion". BroadwayWorld.com. Retrieved 17 October 2019.
  29. Jones, Chris. "Review: 'The Light in the Piazza' at Lyric Opera is exquisite, starring Renée Fleming". chicagotribune.com. Retrieved 28 May 2020.
  30. Alberge, Dalya (4 August 2019). "Encore! Hi-tech brings Pavarotti back to life for new stage musical". The Observer. ISSN 0029-7712. Retrieved 17 October 2019.
  31. "Queen's birthday honours list 2014: GCB, DBE and CBE". The Guardian. 13 June 2014. Retrieved 27 March 2016.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.