Jane Jin Kaisen

Jane Jin Kaisen (born May 28, 1980[1]) is a visual artist and filmmaker based in Copenhagen, Denmark.[2]

Jane Jin Kaisen
Born (1980-05-28) May 28, 1980
South Korea
Alma materThe Royal Danish Academy of Fine Arts, University of California Los Angeles
Known for
  • Filmmaker
  • visual artist
Notable work
Community of Parting The Woman, The Orphan, and The Tiger Reiterations of Dissent Loving Belinda Apertures Specters Rifts
AwardsMontana Enterprize
2011
Websitewww.janejinkaisen.com

Biography

Kaisen was born in Jeju Island, South Korea and adopted to Denmark in 1980. She received her MA in Media Art and Art Theory from The Royal Danish Academy of Fine Arts and an MFA in Interdisciplinary Studio Art from The University of California Los Angeles. She also participated in The Whitney Independent Study Program.

Working with film, video installation, photography, performance, and text, Kaisen's artistic practice is informed by extensive interdisciplinary research and engagement with diverse communities. Recurring themes involve memory, migration, and translation at the intersection of personal and collective histories. Through non-linear layered montages of image, sound, voice, and archive, she creates distinct modes of storytelling that gesture towards sites of emergence and embodied memories that linger at the margins of the seen and the said.

Her narrative experimental film The Woman, The Orphan, and The Tiger (2010) made in collaboration with Guston Sondin-Kung explores the gendered effects of war and militarism by tracing a genealogy between three generations of women.[3][4]

In 2011 Jane Jin Kaisen began the multi-channel video installation Reiterations of Dissent for which she was awarded the Montana ENTERPRIZE. The piece has been exhibited widely and in multiple formats, among others at Asia Culture Center (KR), Leeum, Samsung Museum of Art (KR), Aarhus Kunstbygning (DK), Kunsthallen Brandts (DK), Sonoma County Museum (USA), and The Jeju April 3 Peace Park (KR).

Jane Jin Kaisen is the co-founder of the artist unit itinerant with Guston Sondin Kung and together they have organized and curated a series of art exhibitions and events. She is also co-founder of the artist groups UFOlab (Unidentified Foreign Object Laboratory) with Anna Jin Hwa Borstam, Charlotte Kim Boed, Jette Hye Jin Mortensen and Trine Meesook Gleerup) as well as the artist group Orientity along with Natsue Haji OH, kimura byol-nathalie lemoine, Adel KsK, Raymond Hahn, Naomi K. Long. The artist group Orientity has exhibited together in Kyoto Art Center (2004), in Hong Kong at Fringe Club (2005), in Montreal at Galerie La Centrale (2007), in Grenoble at la Maison Internationale (2008) and in Lille at Maison Folies (2009).

Jane Jin Kaisen has also curated exhibitions and events. She was a curator of the 10th Open International Performance Art Festival[5] in 2009 in Beijing, China, which included performance artists from many different countries.

Awards

In 2008, she received the AHL Foundation Visual Arts award at Gana Art NY.[6]

In 2011, she received the award Montana Enterprize at Kunsthallen Brandts.[7]

In 2014, she was the recipient of the Mads Øvlisen PhD scholarship from the Novo Nordisk Foundation.[8]

Selected exhibitions

Selected Film Screenings

Publications
  • Jane Jin Kaisen; Cecilia Wiedenheim; Yasuko Ikeuchi. Dissident Translations (PDF). Aarhus Kunstbygning. ISBN 9788299433280.
  • Jane Jin Kaisen; Lene Myong; Tobias Hübinette; Louise Wolthers; Tone Olas Nielsen (2015). Loving Belinda (in Danish). Forlaget * [asterisk]. ISBN 978-87-92733-43-6.
  • Linda Fagerström; Frederikke Hansen; Karin Hindsbo; Else-Brit Kroneberg; Charlotte Myrbråten (2013). The beginning is always today : contemporary feminist art in Scandinavia (in Norwegian and English). Kristiansand, Norway: SKMU Sørlandets Kunstmuseum. ISBN 9788299433280.
  • Sreshta Rit Premnath; Kajsa Dahlberg; Jane Jin Kaisen (2008). Shifter 12: Unassaigned. Shifter Magazine. ISBN 9780990470496.
  • Videonale 13
  • Crystal Mun-hye Baik (2015). Unfaithful Returns: Reiterations of Dissent, U.S.–Korean Militarized Debt, and the Architecture of Violent Freedom. Journal of Asian American Studies * [asterisk]. *

References
  1. "Official website - Jane Jin Kaisen".
  2. "Jane Jin Kaisen – Staff". Archived from the original on March 29, 2015. Retrieved March 9, 2015.
  3. "2 or 3 Tigers - Haus der Kulturen der Welt". Retrieved August 20, 2019.
  4. "VOX POPULI". Retrieved November 30, 2017.
  5. "Open Art Curation by Jane Jin Kaisen". Archived from the original on April 2, 2015. Retrieved March 8, 2015.
  6. "Breaking Out". Retrieved November 30, 2017.
  7. "Stor pris til Jane Jin Kaisen – KUNSTEN.NU" (in Danish). Retrieved November 30, 2017.
  8. "Talented Art Researchers Were Celebrated". Retrieved November 30, 2017.
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