Iqua Colson

Iqua Colson, born Kristine Browne (12 July 1953)[1] in Chicago, Illinois, USA, is an American vocalist, composer, lyricist, arts administrator, and educator.

Iqua Colson
Birth nameKristine Browne
Born (1953-07-12) July 12, 1953
Chicago, Illinois
GenresJazz
Occupation(s)Singer, Composer, Lyricist, Educator
InstrumentsVoice, Piano
Years active1970s-present
LabelsDelmark Records, Silver Sphinx
Associated actsColson Unity, Adegoke Steve Colson
Websitecolsonsmusic.com

Early life

At the age of 19, an African friend of the singer remarked, "You are Iqua", the name given to female singers in his village. Iqua adopted the name which she has continued to use.[1] Colson studied piano from an early age. At Kenwood High School her teacher was composer Lena McLin, the niece and student of Thomas Dorsey. She attended Northwestern University School of Music and later transferred to Chicago Musical College at Roosevelt University where she completed her undergraduate music degree.[2]

In 1975, she married pianist Adegoke Steve Colson, and in 1982 they moved to Montclair, New Jersey.[3]

Career

Music

Iqua Colson became a member of the Association for Advancement of Creative Musicians (AACM)[4] in the early 1970s.[5] In the Downbeat AACM 50th Anniversary issue, vocalist Colson is described as one of the 'ACCM's Powerful Women', along with Peggy Abrams, Sandra Lashley, pianist-composer-singer Amina Claudine Myers, flutist Nicole Mitchell, cellist Tomeka Reid, pianist-singer Ann Ward, violinist Renee Baker, vocalists Dee Alexander and Rita Warford, percussionist Coco Elysses, singer-harpist-flutist Sonjia Hubert Harper (aka Maia) and Janis Lane-Ewart [6]. She was named a Vocal Talent Deserving Wider Recognition by DownBeat and recognized by Billboard for distinguished achievement as a lyricist[7]. Fred Anderson put together the Fred Anderson Sextet including Colson as vocalist.[8] One of the most active women musicians and vocalists within the early AACM, Colson is referenced as an inspiration by other vocalists like Dee Alexander.[9] She has led bands[10] at women’s jazz festivals, and performs in collaboration with her husband Adegoke Steve Colson with his Steve Colson Quartet[11], their Colsons Unity Troupe, among other musical collaborations for the AACM and other arts organizations. She served as a member of the board of directors of The Jazz Institute of Chicago, helping to expand audience for the annual Chicago Jazz Festival, and was a founding member of FEPA, producers of Chicago's Underground Fest and Blacklight Film Festival.[1]

Listed as a singer who crosses musical boundaries like Abbey Lincoln, Rita Warford, Linda Sharrock, Phil Minton, among others[12], Colson remains an active member of the AACM [13] and is recognized as an important part of the legacy of the AACM [14]

Arts Education

Iqua Colson became a music team leader in East Orange, New Jersey's Washington Academy of Music at the school's inception in 1994. She then became the coordinator of arts programs for the East Orange School District, focusing on curriculum development and special education projects in the arts. Colson is also part of the K-12 Cicely Tyson School, a school and performing arts center. Colson is a member of New Jersey's Core Curriculum Content Committee for the Arts and served on the board of directors of the Newark Arts Council and the Montclair Arts Council. She has a Masters of Public Administration/Arts Administration degree from Seton Hall University and is a consultant on the arts as a catalyst for educational and/or social change, including neighborhood planning, arts venue design and arts curricula.[2]

Discography with Adegoke Steve Colson
  • Triumph! Silver Sphinx SS01
  • No Reservation Black Saint BSR 0043
  • Hope for Love Silver Sphinx SS12402
  • Untarnished Dream Silver Sphinx SS12403
  • Freedom Rhythm & Sound – Revolutionary Jazz and The Civil Rights Movement Soul Jazz Records SUR CD 219[15]
  • Triumph! (re-issue from Soul Jazz / London) Universal Sound US CD40

References
  1. "Iqua Colson | Biography & History | AllMusic". AllMusic. Retrieved 2017-09-06.
  2. "IQUA COLSON". www.thegreatblackmusicproject.org. Retrieved 2017-09-06.
  3. "Iqua Colson". aacm-newyork.com. Retrieved 2019-08-30.
  4. Heller, Michael C. (2017). Loft Jazz: Improvising New York in the 1970s. Univ of California Press. ISBN 9780520285415.
  5. Pendle, Karin; Boyd, Melinda (2012-07-26). Women in Music: A Research and Information Guide. Routledge. ISBN 9781135848132.
  6. Mandel, Howard (September 2015). "AACM's Powerful Women: AACM 50 Years of Freedom". Downbeat: 32.
  7. "Article". Jazz Journal International. Billboard Limited: 30. 1981 – via Google.
  8. Steinbeck, Paul (2010-12-01). ""Patience, Sincerity, and Consistency": Fred Anderson's Musical and Social Practices". Critical Studies in Improvisation / Études critiques en improvisation. 6 (2). doi:10.21083/csieci.v6i2.1020. ISSN 1712-0624.
  9. Whiteis, David. "Will Chicago's most daring and virtuosic jazz singer finally get the recognition she deserves?". Chicago Reader. Retrieved 2019-08-30.
  10. Sherrie, Tucker. "Black Women and Music: More Than the Blues (African American Music in Global Perspective) edited by Eileen M. Hayes and Linda F. Williams". Journal of Popular Music Studies. 20. ISSN 1524-2226.
  11. Farrar, Peter (May 2006). "Peter Farrar's High 5". Jazz and Beyond. Retrieved August 30, 2019.
  12. Cowden, Robert (1 Jan 1999). Popular Singers of the Twentieth Century: A Bibliography of Biographical Materials. Greenwood Press. p. 9.
  13. Stewart, Luke (June 4, 2014). "VISIONS OF UNITY AND CHANGE: MEDITATING ON THE AACM WITH STEVE AND IQUA COLSON". Capital Bop. Retrieved 10 September 2017.
  14. Lewis, George E. (2008). A Power Stronger Than Itself: The AACM and American Experimental Music. University Of Chicago Press. ISBN 978-0226476957.
  15. "Various - Freedom Rhythm & Sound - Revolutionary Jazz & The Civil Rights Movement 1963-82 (Volume One)". Discogs. Retrieved 2017-09-10.
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