Howard Barnstone

Howard Barnstone (March 27, 1923 in Auburn, Maine – May 1987 in Houston, Texas) was a Houston-based American architect.[1] He was best known for his work with Mark Rothko on the Rothko Chapel, and for the houses and public buildings he designed with Preston M. Bolton and Gene Aubry in the 1950s and 1960s, largely in Houston and Galveston.[2][3] Barnstone attended Yale College and the Yale School of Architecture, from which he received a Bachelor of Architecture in 1948. He was a professor at the University of Houston College of Architecture and Design for more than thirty years.[4][2] From 1952 to 1961, Barnstone was a partner in Bolton & Barnstone, one of Houston´s most public modern architectural firms at the time; the firm became Barnstone and Aubry (1966-1970) after he partnered with Aubry, his former student.[3][4][5] Architectural historian Stephen Fox characterized Barnstone's approach as one committed to personal vision, free inquiry, and delight over orthodoxy or conventional wisdom, resulting in diverse buildings that combined proportional grace with wit and charm, and diminutive scale with spatial expansiveness.[2]

Architecture writers identify Mies van der Rohe, Philip Johnson and Charles Eames as influences on the houses Barnstone and Bolton designed, such as the Lawrence Blum (1954), Gordon (1955), Moustier (1956) and Winterbotham (I960) structures; they have been described externally as geometrically precise, surely proportioned "structural cages," whose idiosyncratic internal plans contrasted open, glass-walled spaces with intimate, compact enclosures.[2][3] Barnstone's work with Aubry in the 1960s moved away from the van der Rohe influence to incorporate historical, vernacular and "New Brutalism" influences (e.g., the Galveston News Building, 1965).[6][5][3] Their public buildings include the "Art Barn" (Rice Museum at Rice University, 1969–1970), [7] Vassar Place Apartments (1965, featured in Architectural Record),[8] and Guinan Hall (1971, part of Philip Johnson's modernist campus design for the University of St. Thomas) in Houston.[9] The Art Barn was a corrugated-iron, tension-cable-supported structure commissioned by art collectors Dominique and John De Menil as a temporary exhibition site; the structure remained in use for over 40 years, its industrial aesthetic, jutting angles and elegant proportions serving as inspiration for Houston's “Tin House” architectural movement.[10][11][12][7] Barnstone and Aubry also built several notable houses: the Maher (1964),[13] Bell (1969) and Kempner (1969) in Houston, and the Levin in Galveston (1969), among others.[5][2] Architectural historians describe them as externally self-effacing structures emphasizing intimacy, anonymity and solemnity, which opened "internally with high ceilings, simple planar walls, and dramatic expanses of glass";[5][2] The Maher House was featured in Architectural Record in 1965 and in the book, 25 Years of Record Houses.[13][14] Barnstone's built works of the 1970s and 1980s were eclectic and sometimes explored postmodern styles.[2]

Barnstone published two books. The Galveston That Was (Macmillan 1966) is a heavily illustrated book about the historic architecture of Galveston, featuring principal photography by Henri Cartier-Bresson and Ezra Stoller.[15] The Architecture of John F. Staub (University of Texas Press 1979) documents the work of noted Houston architect John F. Staub (1892-1981).[16] Barnstone's drawings and papers are available in the Houston Library's "Howard Barnstone Collection."[4]

References
  1. Peter Applebome (May 2, 1987). "Howard Barnstone, 64, Dies; Texas Architect and Author". The New York Times. The New York Times Company. Retrieved 5 June 2014.
  2. Stephen Fox, "Howard Barnstone 1923–1987," Cite, Fall 1987, pp. 18–21.
  3. Peter Applebome, " "Howard Barnstone 64 Dies, Texas Architect and Author," The New York Times, February 5, 1987. Accessed April 12, 2019.
  4. Houston Library, "Howard Barnstone Collection," Houston Library, Collections. Accessed April 17, 2019.
  5. Stephen Fox, Barnstone, Howard, Texas State Historical Association, Articles. Accessed April 17, 2019.
  6. Stephen Fox and Eugene Aubry, Born on the Island: The Galveston We Remember, Texas A&M University Press, 2012. Accessed April 16, 2019.
  7. "Rice Museum and Media Center," Houston Mod, Buildings. Accessed April 16, 2019.
  8. "Vassar Place Apartments," Houston Mod, Buildings. Accessed April 16, 2019.
  9. "University of St. Thomas," Houston Mod, Buildings. Accessed April 16, 2019.
  10. Ben Koush, "Housey-House," Texas Architect, January/February 2019. Accessed April 12, 2019.
  11. Molly Glentzer and Heather Alexander, [ "Rice University to demolish historic art 'Barn,'"] Houston Chronicle, March 5, 2014. Accessed April 12, 2019.
  12. Mark Lamster, "Modernism under threat in Texas and beyond," The Dallas Morning News, Archives, 2014. Accessed April 12, 2019.
  13. "The Maher House," Houston Mod, Buildings. Accessed April 16, 2019.
  14. Herbert L. Smith, Jr., 25 Years of Record Houses, New York: McGraw-Hill, 1984. Accessed April 17, 2019.
  15. Howard Barnstone, The Galveston That Was, MacMillan Publishing Company, 1966.
  16. Howard Barnstone, The Architecture of John F. Staub, University of Texas Press, 1979.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.