Glen Michaels

Glen Michaels is a sculptor and painter currently living in Birmingham, Michigan.[1] He was born on July 27, 1927 in Spokane, Washington.[2]

Glen Michaels
BornJuly 1, 1927
Spokane, Washington
EducationYale University School of Music 1950-52, Eastern Washington College of Education, B.A in Art Education, 1957, Cranbrook Academy of Art, MFA
Known forSculpture, Painting, Drawing
AwardsMichigan Foundation for the Arts Award

Education and Teaching

He attended Yale School of Music to study piano, but did not finish his degree. He moved to New York City but later returned to Spokane where he attended Eastern Washington College of Education and received his B.A. in Art Education in 1957. After receiving his degree, he taught art at a local public school for two years. He moved to Michigan to pursue an M.F.A at the Cranbrook Academy of Art. He had a major in painting and a ceramics minor.[1] After graduating, he stayed at Cranbrook working at Young People's Art Center (1958 - 1965). He taught at both Wayne State University (1966-1968) and the University of Windsor (1970 -1971).

Michaels' early ambition was to become a cartoonist and during his time at Yale he was able to pursue it. He work was published in both the Yale Daily News and the Yale Record[3]. He eventually published a book, Oh! You're a musician : a book of cartoons[4](1951). He was encouraged by Mary Petty and Alan Dunn to seek cartooning and illustration work[2]. He left Yale in the summer of 1952, moving to New York City. He found there was a market for his illustrations, but with little financial success.[2] "I realized that the field of art needed an education, so I must go back to school. So at twenty-six I started all over again." [2] He moved back to Spokane to attend Eastern Washington College of Education.

Basalt columns on Meany Crest, Mount Rainier National Park, U.S.A.

Influences

Michaels speaks how landscape of the Pacific Northwest, especially the basalt columns can be seen in his sculptures. He works usually include chipped tiles that echo these rock formations. The influence of the art and calligraphy of Japan is also visible. He spent two months there, including a few weeks staying at a Zen temple[5]. He was entranced by their gardens, how the manicured gardens blended perfectly into the wild[5]. Both influences found their way into the site specific screen he created for the Frank Lloyd Wright Bloomfield Hills, Michigan Melvyn Maxwell and Sara Stein Smith House[6].

Artwork

Early in his career his work was shown at the Bertha Schaefer Gallery in New York City (October 3-22, 1960 and January 2-20, 1962). His work was well reviewed in the New York Times by art critic John Canaday (January 7, 1962)[7]. Michaels was featured at the opening night event for the 1968 Museum of Contemporary Crafts exhibition "Objects Are...?[8]". "The invitation requested that attendees bring with them an object – “larger or smaller than a breadbox, anything from a paper clip to a barn door” – as their ticket to admission. These objects became part of an object collage produced on the spot by “master assembler” artist Glen Michaels"[9]. Michaels was singled out in a New Yorker Talk of the Town feature by George W. S. Trow[10].


His work installations include the Bricktown Station (Detroit People Mover) Bricktown Station, the NASA Goddard Space Flight Center, the IMF in Washington, D.C. and the Ford Motor Company 1964 New York World's Fair exhibit (now installed in the Henry Ford Centennial Library).[1][11][12] Mr. Michaels was honored and exhibited at the Scarab Club[13] in Detroit, at the time of his 90th birthday.[14] In 2017, Mr. Michaels was asked by the Downtown NewsMagazine to name his favorite sculpture. He replied, “Whatever is the most recent is always my favorite.”[15]

Michaels was amused when his friend, author Elmore Leonard, used his name as a character in this novel Out of Sight.[5] In the film, the role is played by Steve Zahn.


References
  1. "Glen Michaels". Baldwin Public Library. Archived from the original on October 28, 2010. Retrieved May 19, 2020.
  2. "Oral history interview with Glen Michaels, 1981 July 1". Archives of American Art. Smithsonian Institution. Retrieved May 16, 2012.
  3. The Yale Record ("Smut!" Issue). New Haven: Yale Record. February, 1951. p. 3.
  4. Michaels, Glen (1951). "Oh! You're a musician". worldcat.org. Retrieved May 21, 2020.
  5. Adkisson, Kevin (May 2020). "Oral History of Glen Michaels speaking of work at the Frank Lloyd Wright Smith House, Bloomfield Hills, Michigan". Retrieved May 21, 2020.
  6. "Frank Lloyd Wright Smith House". center.cranbrook.edu. Retrieved May 21, 2020.
  7. Canaday, John (January 7, 1962). "SCULPTURE COMING UP: IT DOMINATES PAINTING IN THE SIXTIES TECHNOLOGY AND FOR PAINTING? ASSEMBLAGE THE HYBRIDS SCULTPURE FREED". New York Times. Retrieved May 20, 2020.
  8. Ahmann Wilson, Margit (July 8, 2014). "M-61 Objects Are...?". American Craft Council. Retrieved May 21, 2020.
  9. "What Are Objects, Anyway?". American Craft Council. Retrieved 2020-05-22.
  10. Trow, George W. S. (July 6, 1968). "Objects". The New Yorker. Retrieved 2020-05-22.
  11. "Bricktown Station Art". Detroit Transportation Corporation. Archived from the original on February 25, 2012. Retrieved May 16, 2012.
  12. Mueller, Janet (January 3, 1974). "From Another Pointe of View" (PDF). Grosse Pointe News. p. 9. Retrieved May 16, 2012.
  13. "Scarab Clube". Scarab Club. Retrieved May 19, 2020.
  14. "Beams exhibition April 5-May 20, 2017". Scarab Club. Retrieved May 19, 2020.
  15. Solomon, Judith Harris (September 28, 2017). "Glen Michaels". Retrieved May 19, 2020.
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