Gibson J-200

The Gibson SJ-200 (Super Jumbo 200), commonly known as the J-200, is an acoustic guitar model produced by the Gibson Guitar Corporation.

Gibson J-200
1960 Gibson J-200
ManufacturerGibson
Period1937-present
Construction
Body typeJumbo
Neck jointDovetail
Woods
BodySitka Spruce top
Maple or Walnut back and sides
NeckMaple
FretboardRosewood
Hardware
BridgeRosewood
Colors available
Natural, Black, Vintage Sunburst

History

Gibson entered into production of this model in 1937 as its top-of-the-line flat top guitar, initially called the Super Jumbo, changing the name in 1939 to the Super Jumbo 200. It replaced the Gibson Advanced Jumbo.[1] It was made at the Gibson Factory in Kalamazoo, Michigan. The SJ-200 was named for its super-large 16 7/8" flat top body, with a double-braced red spruce top, rosewood back and sides, and sunburst finish. In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Early models made from rosewood are highly prized by collectors.

Current models

Gibson currently makes many variations of the J-200.

The SJ-200 Studio is the lowest model in the line, featuring walnut rather than maple back and sides, chrome hardware, a plain pickguard, natural finish and no fingerboard binding, but it retains the inlays and electronics of the J-200 Standard. It has at times been discontinued.

The SJ-200 Standard is available in sunburst and natural, featuring LR Baggs electronics, gold hardware, Grover tuners, figured maple back and sides and a three-piece laminate neck (maple/rosewood/maple). It also has a rosewood fingerboard and bridge, an engraved pickguard, and mother-of-pearl crown inlays.

The SJ-200 Custom is a high-end model, featuring rosewood back and sides (like the original SJ-200s from the 1930s), a rosewood fingerboard and bridge, gold hardware, Grover Imperial tuners, LR Baggs electronics, an upgraded case, the same three-piece neck as the Standard and Studio, abalone inlays, an engraved pickguard, an older, script-style Gibson logo, and a 'four ribbon bridge' instead of the Standard's 'two ribbon' bridge.

Along with these three are two reissues, the True Vintage (based on the 1950s construction) and the Western Classic Prewar 200, which is similar in specifications to the original early models (rosewood back and sides, ebony fingerboard, block inlays). Gibson also does limited run models, such as the J-200 Koa, the J-200 Trophy, and Montana Gold.

Epiphone produced a more affordable version called the EJ-200, but it is now out of production.[2][3]

References

Citations

Sources

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