Douglas Brothers

Douglas Brothers is the photographic imprint of Andrew Douglas (10 August 1952) and Stuart Douglas (6 February 1962), British photographer/director siblings.[1]

Douglas Brothers
Photographic imprint
FounderAndrew Douglas and Stuart Douglas
Headquarters
London
,
United Kingdom
WebsiteThe Douglas Brothers website

Early life and education

The Douglas Brothers grew up in Southend, Essex, UK. Andrew Douglas studied Fine Art at Cardiff and Sunderland Polytechnic Colleges. Their older sibling, Graeme Douglas, was guitarist/songwriter with new wave rock band Eddie And The Hot Rods.[2] Andrew designed an album cover for the Hot Rods, and this led to photographing album covers for the groups The Jam and The Cure.[3]

In 1975, Andrew moved to London and began working as assistant to John Swannell and Lord Snowdon.[4]

In 1989, Andrew was joined by younger brother, Stuart, a graduate of Barking College of Art. The pair began working as a collaborative duo under the solitary photographic imprint The Douglas Brothers.[5]

Although they photographed a wide variety of subjects, the Douglas Brothers were known for their overtly moody and atmospheric portraiture. Technically, they employed mainly older photographic processes,[6][7] and gained recognition for their sepia litho portraiture of people like Daniel Day-Lewis, Susan Sontag, Gabriel Garcia Marquez, Salman Rushdie, Steven Soderbergh, Paul Auster, John Le Carré, Anish Kapoor, Kazuo Ishiguro and Jeanette Winterson. The Douglas Brothers photographic output was prolific, and their portfolio grew to incorporate abstract imagery, collage, nudes and reportage. Which brother had actually clicked the shutter was not disclosed.

Periodicals, books, and music photography

The Douglas Brothers’ work appeared in magazine, newspaper, book publishing and advertising industries on both sides of the Atlantic. Publications included The Face, The New York Times, The Independent, New Scientist, Empire and Premiere.

Book publishers included Jonathan Cape and Faber and Faber. For the music industry, The Douglas Brothers photographed Ronnie Wood, Blur, Morrissey, Prefab Sprout, De La Soul, The Farm and Bryan Ferry.[8]

Annie Leibovitz GAP campaign

The Douglas Brothers' collaborative output and industry profile led to them being photographed by Annie Leibovitz for a GAP campaign alongside Miles Davies.[9]

International art world

The Douglas Brothers' photography crossed the art/commerce divide. Their work was exhibited in the Howard Greenberg Gallery in NYC, the Kate Heller Gallery in London, The Kopelkin in LA and the Parco Gallery in Tokyo.[5]

Video, Advertising and commercials

In 1991, The Douglas Brothers began directing music videos for recording artists such as Alison Moyet, Paul Young, Prefab Sprout and Ronnie Wood. Following a successful still campaign for Adidas,[10] the Douglas Brothers were invited to direct full TV commercials, again as a collaborative duo.

Working separately

In 1996, The Douglas Brother' made a decision to pursue individual careers.[11][12]

Andrew Douglas moved to Los Angeles and directed the critically acclaimed BBC documentary Searching For The Wrong-Eyed Jesus. In 2005 he achieved number one US box office, directing the re-make of The Amityville Horror.

Stuart Douglas remained in the UK, where he directed a succession of commercials for Coca-Cola, British Airways, Sony and Airbus and others.[13] His Kill Your Speed commercial for Road Safety received a D&AD silver and a New York One Show gold. He also directed Johnny X, an episodic web drama for Sony Ericsson, which generated in excess of eight million views.[14][15]

Reunion

In 2013, Andrew and Stuart Douglas reunited to work on a book documenting their photographic careers.

Selected exhibitions
  • 1994 Parco Gallery, Tokyo
  • 1995 Howard Greenberg Gallery, Los Angeles
  • 1996 Kate Heller Gallery, London

[5]


gollark: Seriously? *What* is Turkey's population?
gollark: Unless you have really weird exams.
gollark: I doubt that many people per year sit the exams though.
gollark: It's at least that order of magnitude.
gollark: Top 1000 out of how many though? There are something like 50k university entrants a year *here*.

References
  1. "Douglas Brothers (Cover Story)". Volume 143, Issues 7070-7082. British Journal of Photography. Retrieved 30 January 2014.
  2. "The Douglas Brothers". Reprint 2013. Duo Tunes (Reprint). Archived from the original on 2 February 2014. Retrieved 30 January 2014.
  3. Browne, Peter, 'Double Exposure', June 1990
  4. "The Douglas Brothers". 2013. Snap Decision. Archived from the original on 2 February 2014. Retrieved 30 January 2014.
  5. Garner, Philip. "We Are A Camera". 1994. The Eye. Retrieved 30 January 2014.
  6. The Douglas Brothers — Collective, Iniva, 1995 http://www.iniva.org/library/archive/people/d/douglas_brothers Archived 2013-09-27 at the Wayback Machine
  7. The Photographers Gallery, Exhibition Text, February 1994
  8. "Douglas Brothers at AllMusic". 2014. AllMusic. Retrieved 30 January 2014.
  9. Austin, Jane. "Craft Profile". April 5, 1996. Campaign Live. Retrieved 30 January 2014.
  10. "Andrew Douglas". 2014. FilmBug. Retrieved 30 January 2014.
  11. "Amityville Horror at IMDb". 2005. IMDb. Retrieved 30 January 2014.
  12. Austin, Jane. "CRAFT: Profile; Douglas Brothers prepare to move their style on". April 5, 1996. Campaign Live. Retrieved 30 January 2014.
  13. Stone, Jason. "Volvo, Mercedes, Sony Ericcson, TAC, Canal+, Levi's, Castrol: Stuart Douglas, co-founder of NiceShirt Films chooses his Desert Island Clips". April 11, 2013. The Drum. Retrieved 30 January 2014.
  14. "Johnny X Trailer". 2013. Advertolog/Commercials and Advertising. Retrieved 30 January 2014.
  15. Original Staff. "Stuart Douglas Returns to the U.S. Via Original". October 30, 2013. Original (Corporate Site). Archived from the original on February 1, 2014. Retrieved January 30, 2014.
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