Documerica

Documerica (stylised as DOCUMERICA) was a program sponsored by the United States Environmental Protection Agency to "photographically document subjects of environmental concern" in the United States from about 1972 to 1977.[1][2][3] The collection, now at the National Archives, contains over 22,000 photographs,[4] more than 15,000 of which are available online.[5][6][7] The title is a portmanteau of "documentary" and "America".

Heavy smog in Los Angeles, 1973, Gene Daniels

Scope
Flowers and rock formations in Sarpy Basin, 1973, Boyd Norton
Middletown dump meets the salt marsh, 1973, Alexander Hope

With support from the first EPA administrator, William Ruckelshaus, project director Gifford D. Hampshire contracted well-known photographers to work for the EPA on the project.[8][9] Estimates of the number involved range between 70[10] and 120,[8] including Erik Calonius, Gene Daniels, Ken Hayman, Anne LaBastille, Danny Lyon, Boyd Norton, Yoichi Okamoto, Charles O'Rear, Tomas Sennett, Bill Strode, Suzanne Szasz, and John H. White.[1] They were organized geographically, with each photographer working in a particular area in which they were already active. For example, Michael Philip Manheim worked in Boston;[2][5] Jack Corn focused on West Virginia and Tennessee;[2][5] Bill Gillette documented miners in Colorado;[5] and Marc St. Gil focused primarily on Leakey, Houston and San Antonio, Texas.[11]

Subjects photographed include urban cityscapes, small towns, rural areas, beaches and mountains. They show people going about their everyday lives as well as working in farms; waterfronts; mining and logging, industry and heavy industry. Images document junk yards, highways, Amtrak trains, air and water pollution; and environmental protection and pollution control measures.[12][13] The earliest assignments were closely aligned to the EPA's proposed areas of concern: air and water pollution, management of solid waste, radiation and pesticides, and noise abatement.[14]:153 However, photographers had considerable creative freedom about what they shot.[4] As has been discussed by Gisela Parak, photographers working with Documerica were involved in the creation of a new pictorial language to articulate environmental issues.[14]:155 Among the areas depicted are national parks and forests, including environmentally sensitive areas that were under development or considered for government protection, such as the planned route of the Alaska Pipeline, Hawaii and Washington, D.C. Photographers used differing approaches: Boyd Norton's photographs often emphasize the natural beauty of an area,[14]:156 while Alexander Hope's photographs of the Middletown, Rhode Island dump and salt marsh reveal complex inter-relationships of man and nature.[14]:165–167

Details
Women smoking pot, Texas, 1973, Marc St. Gil
Gas shortage due to oil crisis, Portland, OR, 1973, David Falconer

Photographers working for the Documerica project received $150 a day along with film and expenses.[4] More than 80,000 photographs were submitted to Gifford D. Hampshire.[15] A selection were kept to become part of the collection, while copies and the unselected images were returned to the photographers. Because the images were part of a federal government project, photographers were required to waive their copyright, placing the images in the public domain.[16]

Like the photographers of the Federal photographic project of the Farm Security Administration during the Great Depression,[17] some of the Documerica photographers interpreted their mission rather broadly, and sometimes artistically. Many of the photographs preserve a distinct visual record of time and place.[18]

Public access

Perhaps a quarter of the images were publicly shown during the 1970s.[15] A group of 155 photographs was shown in an exhibition Documerica 1 at the Corcoran Gallery of Art in Washington, D.C. for six weeks in the summer of 1972. A number of small traveling exhibits were sent to cities such as New Orleans, Cincinnati, Dallas, and Philadelphia, and the Smithsonian Institution Traveling Exhibition Service (SITES) created the exhibit Our Only World for display at the EPA's Visitors Center and as a traveling exhibit.[5]

Digital scans of over 15,000 of the original 35 mm color slides and black-and-white negatives and prints are available through the National Archives and Records Administration's Archival Research Catalog.[19][20]

The quality of the images varies. Older copies made from the original color transparency films tend to be inferior to the quality of the originals.[16] In 2013, the National Archives in Washington, D.C., displayed a curated exhibition, "Searching for the Seventies: The Documerica Photography Project". Curator Bruce Bustard selected a set of images from the Documerica collection and arranged to reprint them from the original slides. The quality of the resulting color images was much higher than that of older color reprints, which had degraded.[4] One hundred reprinted images from the Documerica project were reprinted in the exhibition book Searching for the Seventies: The Documerica Photography Project (2013), edited by Bruce I. Bustard.[13][21]

External video
“Documerica”, ETHEL, trailer from 2013 Next Wave Festival

In 2013 the string quartet Ethel created a multimedia show called Ethel's Documerica which incorporated images from the DOCUMERICA archives.[10] The show premiered at the Brooklyn Academy of Music and went on a national tour managed by Baylin Artists Management.[22]

  • Bikers in Colorado, 1972, Boyd Norton
  • Fertilizing the Imperial Valley, CA, 1972, Charles O'Rear
  • Suburbanization, Orange County, CA, 1975, Charles O'Rear
  • Nature in New York City, 1974, Suzanne Szasz
  • Children at a Brooklyn beach, 1974, Danny Lyon
  • 63rd Street, Chicago, 1973, John H. White
  • Duck killed by polluted pond, Utah, 1974, Bruce McAllister
  • Air pollution, Cleveland, OH, 1973, Frank John Aleksandrowicz
  • Jesse Jackson, Chicago, 1973, John H. White
  • Future terminus of Trans-Alaska Pipeline, 1974, Dennis Cowals
  • Testing in the black lung laboratory, West Virginia, 1974, Jack Corn

References
  1. "DOCUMERICA: The Environmental Protection Agency's Program to Photographically Document Subjects of Environmental Concern, 1972 - 1977". National Archives Catalog. Retrieved 5 April 2018.
  2. Ruiz, Matthew Ismael (March 7, 2013). "Searching for the Seventies: The Documerica Photography Project A new gallery show explores some amazing American documentary photography". Popular Photography. Retrieved 6 April 2018.
  3. Kathke, Torsten (February 17, 2017). "Your Photography Is Political". FStoppers. Retrieved 6 April 2018.
  4. Rosenberg, David (July 4, 2013). "Searching for the '70s and Finding America". Slate. Retrieved 5 April 2018.
  5. Simmons, C. Jerry (Spring 2009). "DOCUMERICA: Snapshots of Crisis and Cure in the 1970s". Prologue Magazine. 41 (1). Retrieved 5 April 2018.
  6. Taylor, Alan (November 16, 2011). "DOCUMERICA: Images of America in Crisis in the 1970s". The Atlantic. Retrieved 5 April 2018.
  7. Taylor, Alan (July 22, 2013). "America in the 1970s: New York City (first of five part series)". The Atlantic. Retrieved 5 April 2018.
  8. Holley, Joe (September 2, 2004). "Journalist Gifford D. Hampshire, 80". The Washington Post. Retrieved 5 April 2018.
  9. Sisson, Patrick (April 27, 2017). "Documerica, a photo time capsule of the '70s, should be resurrected". Curbed. Retrieved 5 April 2018.
  10. Smith, Steve (October 4, 2013). "New Music Bonds With Vintage Images". The New York Times.
  11. "Marc St. Gil's Finest Shots From The Texas DOCUMERICA Series". Austinist. Oct 10, 2012.
  12. "Sorry No Gas: Photos from Documerica, 1972 – 1975". We are the mutants. March 27, 2018.
  13. Bustard, Bruce I. (2013). Searching for the seventies : the DOCUMERICA photography project. London: D Giles Limited. ISBN 978-1907804151.
  14. Parak, Gisela (January 26, 2016). Photographs of Environmental Phenomena: Scientific Images in the Wake of Environmental Awareness, USA 1860s-1970s. Germany: Transcript-Verlag. pp. 146-. ISBN 978-3837630855. Retrieved 5 April 2018.
  15. Walsh, Dylan (January 4, 2012). "A Photographic Blast From the Past". The New York Times. Retrieved 5 April 2018.
  16. Archibald, Roger (January 15, 2012). "Long dormant EPA photojournalism project being rediscovered and revived". Society of Environmental Journalists.
  17. Shubinski, Barbara Lynn (2009). From FSA to EPA: Project Documerica, the Dustbowl Legacy, and the Quest to Photograph 1970s America. University of Iowa.
  18. Fulleylove, Rebecca. "Martin Joubert celebrates archive images of 1970s America in this series of mags". It's Nice That. Retrieved 10 July 2017.
  19. In "Scope & Contents" page for series DOCUMERICA: The Environmental Protection Agency's Program to Photographically Document Subjects of Environmental Concern, compiled 1972 - 1977, National Archives Identifier 542493 / Local Identifier 412-DA; Series from Record Group 412: Records of the Environmental Protection Agency, 1944 - 2000. Record of holdings available from the National Archives Catalog of the National Archives and Records Administration under the National Archives Identifier 542493. Accessed February 18, 2009.
  20. Loria, Kevin (October 9, 2017). "Vintage photos taken by the EPA reveal what America looked like before pollution was regulated". Business Insider. Retrieved 5 April 2018.
  21. "Searching for the Seventies U.S. National Archives". Google Arts and Culture. 2015. Retrieved 6 April 2018.
  22. "Baylin Artists Management - Baylin Artists Management".
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