Charlotte Graham

Charlotte Graham (born 1972) is a New Zealand artist based in Auckland. Her works are held at Auckland Art Gallery Toi o Tāmaki. Of Māori descent, Graham identifies with Ngāti Mahuta, Ngāi Tai ki Tāmaki, Ngāti Whanaunga, Ngāti Pāoa and Ngāti Tamaoho.

For the American seamstress and labor organizer, see Charlotte Duncan Smith Graham.

Early life

Charlotte Graham was born in 1972 in Perth, Australia, to Māori parents from New Zealand. The family moved back to Auckland, New Zealand six months after Graham was born. Graham has a number of relatives who have been practicing artists, including aunt Emily Karaka, uncle Mikaara Kirkwood, and cousins Te Rongo Kirkwood and Reuben Kirkwood. Graham's two older sisters are also artists.[1]

Graham attended Mount Roskill Grammar School.[1]

Education

Graham graduated with a Bachelor of Māori Visual Art from Massey University in 2001.[2] She studied under Robert Jahnke, Shane Cotton and Kura Te Waru Rewiri.[1]

After completing her bachelors in visual art, Graham trained as a teacher and worked at secondary schools in Auckland, including Māori boarding school St Stephens, while continuing to make art.[3][1]

Career

Graham's art practice draws on her Māori heritage to explore critical issues that affect New Zealand society such as racism, cultural stereotyping and land rights, particularly the controversial foreshore and seabed legislation. Frequently her works incorporate Treaty of Waitangi and Māori motifs.[2] Graham cites her grandmother, Rose Isobel Simons, as a key creative influence on her life.[1] Graham believes that the foreshore and seabed controversy was the issue that gave her the political drive as an artist.[1]

Solo exhibitions:

  • Trouble in Paradise at Oedipus Rex Gallery, Auckland, 2004. Graham presented both text and pictorial devices to address the New Zealand foreshore and seabed controversy. Her imagery included traditional Māori motifs and European numerals.[4]
  • Nga Karetao at Oedipus Rex Gallery, Auckland, 2005. This exhibition featured karetao (puppets) carved to represent the MPs holding each of the seven Māori seats in Parliament.[5]
  • Kaitiaki at Mangere Arts Centre, Auckland in 2015.[6][7]
  • Te Waiora installation work in Auckland's Britomart precinct.[1][8]

Group exhibitions:

  • For at ASA Gallery, Auckland, 2002. This group show also presented works by Katherine Claypole, Leigh Millward and Louise Stevenson.[9]
  • Hoki-mai at Oedipus Rex Gallery, Auckland, 2003. Collaborative exhibition featuring works by Graham and Natasha Keating. Graham presented works in ink and bitumen on paper, using Māori motifs.[10]
  • Porarurau 'CONFUSION 'NOT ONE SIZE FITS ALL' at Oedipus Rex Gallery, Auckland, 2004. This group show presented works from six Māori artists (three painters and three sculptors) responding to the rising problem of underachievement among Māori students in mainstream schools. The other artists featured were Makareta Jahnke, Manu Scott, Amy Taite, Jason Te Whare and Donna Tupaea.[11]
  • Permissions at Lane Gallery, Auckland, 2004. This group show presented works from five Māori women artists offering interpretations on the theme 'permissions.' The other artists were Lonnie Hutchinson, Claudine Muru, Donna Tupaea and Kate Pie.[12][13] Graham's works in this show explore permissions as a birthright afforded Māori as tangata whenua, with reference to the Crown's actions regarding the foreshore and seabed legislation. She incorporates Treaty of Waitangi text and Māori narratives to condemn the legislation and how it impinges on birthrights for Māori.[14]
  • Workshop Style at Taketake Gallery, Whakatane, 2004. This exhibition presented a selection of works by young Māori artists in a variety of mediums. Other artists presented included Rangi Kipa, Claudine Muru, Natalie Robertson, Aimee Ratana, Donna Tupaea and Andrea Hopkins.[15]
  • Work on Paper at George Perry Gallery, Tauranga, 2004. This group exhibition presented works from eight New Zealand artists who work on paper. Graham presented a series of four works which made political statements such as "Miti mai te arero na te mea, tipi ra i te whenua" ("Sharpen you tongue for the land continues to depart").[16]
  • Nga Maunga Toi o Matariki at Lopdell House Gallery, Titirangi, Auckland in 2005. This exhibition celebrated Matariki, and featured works by Robyn Kahukiwa, Emily Karaka, Priscilla Cowie and James Webster.[17]
  • Tikitiki at Lane Gallery, Auckland, 2005. This group show of ten contemporary Māori artists explored the imagery of tiki in all its varied representations. Other artists included Jodi Coromandel Tautari, Donna Tupaea, Julie Kipa, Aimee Ratana, Christina Wirihana, Saffronn Te Ratana and Ngataiharuru Taepa.[18]
  • Atamira: Māori in the City at the ASB Showgrounds, Auckland in 2007.[3]
  • The Kauri Project: Poster Series at Lopdell House Gallery, Auckland in 2014.[19]
  • He Tirohanga ki Tai: Dismantling the Doctrine of Discovery at Tairāwhiti Museum, Gisborne in 2018. This group show presented works challenging perceptions around James Cook's "discovery" of New Zealand.[20]

Awards and residencies
  • Fundación Mar Adentro residency recipient in Bosque Peheun, Chile, May 2017. The Fundación Mar Adentro is a private foundation based in Santiago, Chile, which aims to promote natural and cultural heritage in society.[21]

Personal life

Graham's son, Te Kahu Whataarangi, was born in 2004.[1]

References
  1. "BRITOMART PEOPLE / CHARLOTTE GRAHAM". Britomart. 6 December 2018. Archived from the original on 28 April 2019. Retrieved 28 April 2019.
  2. Jefferies, Lyndal (13 July 2006). "Who's doing what in the arts". Gulf News.
  3. Morgan, Scott (20 July 2007). "Artist humbled by global interest". Central Leader.
  4. McNamara, T. J. (2 May 2004). "Recommended". New Zealand Herald.
  5. Gifford, Adam (23 November 2005). "Political puppets pack a punch". New Zealand Herald.
  6. McNamara, T. J. (4 July 2015). "The guardians of spirituality". Weekend Herald.
  7. "Ngā Ringa Raupā - Charlotte Graham". Māori Television. Retrieved 28 April 2019.
  8. "Te Waiora - a Christmas connection in Auckland". LANDSCAPE ARCHITECTURE AOTEAROA. Retrieved 28 April 2019.
  9. McNamara, T. J. (4 March 2002). "What the critics say". New Zealand Herald.
  10. McNamara, T. J. (5 November 2003). "Recommended". New Zealand Herald.
  11. "Confusion in exhibition". Tu Mai: 34. July 2004.
  12. McNamara, T. J. (27 October 2004). "Recommended". New Zealand Herald.
  13. Jones, Angela (10 October 2004). "Permission to paint". Sunday Star Times.
  14. Borell, Nigel (31 October 2004). "Rites of cultural heritage". Tu Mai: 36–37.
  15. Craymer, Lucy (10 November 2004). "View cutting edge pieces". Whakatane Beacon.
  16. Jackson, Penelope (8 December 2004). "Weighty paper works". Bay of Plenty Times.
  17. Jefferies, Lyndal (9 June 2005). "Who's doing what in the arts". Gulf News.
  18. "An exploration of the tiki image". Tu Mai: 28–30. 31 August 2005.
  19. Metro. "Metro". www.metromag.co.nz. Retrieved 28 April 2019.
  20. "Art exhibition challenges perceptions around the 'discovery' of New Zealand". Stuff. Retrieved 28 April 2019.
  21. "Majesty of southern Chile's natural environment and culture to inspire prolific Māori visual artist". www.creativenz.govt.nz. Retrieved 28 April 2019.
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