Éric Laurrent

Éric Laurrent (born 1966, Clermont-Ferrand) is a contemporary French writer

Éric Laurrent at salon du livre Radio France in 2011

Work

His work, begun in 1995 with Coup de foudre, is distinct[1] from other works of the postmodern generation by a style that could be described as manierist or baroque. Like other postmodern authors, Eric Laurrent practices intertextuality abundantly, using each of his novels not as a rewriting of a classical work, but more as a burlesque tribute to the world's literary heritage. Thus, for example, the spy novel Les atomiques, his second novel (1996), plays on a re-reading of the Divine Comedy by Dante. Intertextuality can, in some cases, come more from intermediality,[2] as in the case of his first novel, built around the presence in the hollow of the painting The Birth of Venus by Botticelli.

Publications

  • 1995: Coup de foudre, novel (Éditions de Minuit) – Prix Fénéon
  • 1996: Les Atomiques, novel (Minuit)
  • 1997: Liquider, novel (Minuit)
  • 1999: Remue-ménage, novel (Minuit)
  • 2000: Dehors, novel (Minuit)
  • 2002: Ne pas toucher, novel (Minuit)
  • 2004: À la fin, novel (Minuit)
  • 2005: Clara Stern, novel (Minuit)
  • 2008: Renaissance italienne, novel (Minuit)
  • 2011: Les Découvertes, novel (Minuit) – Prix Wepler.[3]
  • 2014: Berceau, narration (Minuit)
  • 2016: Un beau début, novel (Minuit) ISBN 978-2-70-732952-3 – Prix Alexandre-Vialatte.[4]

References

  1. Jean-Claude Lebrun. "Éric Laurrent. Au bout du maniérisme". Retrieved 17 December 2016.
    • Louis Hébert, Lucie Guillemette, Mylène Desrosiers et François Rioux (2009). Intertextualité, interdiscursivité et intermédialité. Vie des signes. Sainte-Foy, (Québec), Canada: Presses de l'Université Laval. p. 495. ISBN 978-2-7637-8656-8.CS1 maint: uses authors parameter (link)
  2. "Deux enfants remportent le prix Wepler". Retrieved 17 December 2016.
  3. Un beau parcours pour Éric Laurrent by Amélie Cooper on the site of Le Magazine Littéraire 7 April 2016.
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