Zbigniew Karkowski

Zbigniew Karkowski (born 14 March 1958 – 12 December 2013) was a Polish experimental musician and composer.

Zbigniew Karkowski
Karkowski performing in Silver Spring, Maryland in February 2010
Background information
Birth nameZbigniew Karkowski
Born14 March 1958
Krakow, Poland
Died12 December 2013(2013-12-12) (aged 55)
Peru[1]
GenresNoise, Experimental
Occupation(s)Musician, Producer
Associated actsCosmic Trigger, Le Dépeupleur, MAZK, Pop (Product Of Power), Sensorband, Senssurround Orchestra, UBSB

Karkowski was born on 14 March 1958 in Krakow, Poland. He studied composition at the State College of Music in Gothenburg, Sweden, aesthetics of modern music at the University of Gothenburg’s Department of Musicology, and computer music at the Chalmers University of Technology. After completing his studies in Sweden, he studied sonology for a year at the Royal Conservatory of Music in The Hague, Netherlands. During his education, he also attended many summer composition master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, studying with Iannis Xenakis, Olivier Messiaen, Pierre Boulez and Georges Aperghis, among others.

He worked actively as a composer of both acoustic and electroacoustic music. He wrote pieces for large orchestra (commissioned and performed by the Gothenburg Symphony Orchestra), plus an opera and several chamber music pieces that were performed by professional ensembles in Sweden, Poland, Switzerland and Germany.

Along with Edwin van der Heide and Atau Tanaka, he was a founding member of “Sensorband.” In performances by this electroacoustic music performance trio, Karkowski “activated his instrument by the movement of his arms in the space around him; this cut through invisible infrared beams mounted on a scaffolding structure” (Tanaka 2012).

Karkowski lived and worked in Tokyo, Japan, for the last years of his life and was active in the underground noise scene there.

Karkowski died of pancreatic cancer in December 2013.

Discography
  • Bad Bye Engine (Radium 226.05 1984)
  • Uexkull (Anckarström 1991)
  • Phauss / Karkowski / Bilting (Silent 1992)
  • Disruptor (OR 1998)
  • World as Will (Staalplaat 1998)
  • Mutation (ERS 1999)
  • Choice of Points for the Application of Force (Ytterbium 2000)
  • It (Mego 2000)
  • Le Depeupleur, with Kasper T. Toeplitz (Cross Fade Enter Tainment (CFET) 2000)
  • Reverse Direction and Let the Sound Reach out to You (Firework Edition Records 2000)
  • Whint (.Absolute. 2000), with Francisco López
  • Function Generator, with Xopher Davidson (Sirr 2001)
  • Consciously Unconscious Unconsciously Conscious (Metamkine 2002)
  • World as Will II (23five 2002)
  • ElectroStatics (Post Concrete 2003)
  • Turnoff (Noise Asia 2003)
  • Attuning / Attending (Musica Genera 2004)
  • Intensifier (walnut + locust 2004)
  • KHZ, with Antimatter (Auscultare Research 2005)
  • One and Many (Sub Rosa 2005)
  • Live at Waterland Kwanyin (Kwan Yin Records 2006)
  • Continuity (Asphodel 2007)
  • Divide by Zero, with Antimatter [Xopher Davidson] (Antifrost 2007)
  • Difficulty of Being, with Brian O'Reilly (Monotype Records 2014)
  • Encumbrance, performed by Gęba, Constantin Popp, and Wolfram (Bôłt Records/Turning Sounds 2019)

Bibliography
  • Karkowski, Zbigniew. Physiques sonores. Paris: Van Dieren, 2008.
gollark: I hope they integrate some sort of on-planet construction method. I once made a Minmus colony with (modded-in) mass drivers and onboard construction stuff.
gollark: It manages to compensate for the horrible design of my vehicles.
gollark: I'm somewhat embarrased to admit that I generally just make mechjeb do my takeoffs.
gollark: (Possibly <#379850960140500993> now)
gollark: Isn't automatically hitting flies going to be hard? Can servos move fast enough to aim or whatever? Can you automatically track flies?

References
  1. Słodkowski, Jędrzej. “Zbigniew Karkowski nie żyje. Mistrz muzycznej awangardy, radykał, burzyciel barier…,” Gazeta Wyborcza, 13 December 2013.

Sources
  • Tanaka, Atau. “[Gallery] Atau Tanaka.” eContact! 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (July 2012). Montréal: CEC.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.