Yo Mama's Last Supper

Yo Mama's Last Supper is a work of art, made in 1996 by Jamaican-American artist Renée Cox. It is a large photographic montage of five panels, each 31 inches square, depicting photographs of 11 black men, a white Judas and a naked black woman (the artist's self-portrait)[1] posed in imitation of Leonardo da Vinci's 1490s painting The Last Supper. Cox is pictured naked and standing, with her arms reaching upwards, as Jesus.[2]

Yo Mama's Last Supper, 1996

In 2001, the piece was exhibited at the Brooklyn Museum of Art as part of an exhibition called Committed to the Image: Contemporary Black Photographers. New York City Mayor Rudy Giuliani was offended by the work and called for the creation of a panel to create decency standards for all art shown at publicly funded museums in the city.[3][4] The work has also been included in other exhibitions about artistic depictions of The Last Supper, in locations such as the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; Oratorio di San Ludovico, a 17th-century Catholic church in Venice, Italy;[3] and a gallery in Jakarta, Indonesia.[5]

Bibliography
  • S. Brent Plate, Blasphemy: Art that Offends, Black Dog Publishing, London, 2006. ISBN 978-1904772538
  • Francesca Bonazzoli, Michele Robecchi, Mona Lisa to Marge: How the World's Greatest Artworks Entered Popular Culture, Prestel, New York, 2014. ISBN 978-3791348773
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References
  1. Tinti, Mary. "Cox, Renee". www.oxfordartonline.com. Oxford Art Online. Retrieved 7 March 2015.
  2. Arthur Coleman Danto, "Renee Cox: Yo Mama's Last Supper", in Unnatural Wonders: Essays from the Gap Between Art and Life (Columbia University Press, 2003), ISBN 978-0-231-14115-4, pp. 101-108. Excerpts available at Google Books.
  3. Elizabeth Bumiller, "Affronted by Nude 'Last Supper,' Giuliani Calls for Decency Panel", The New York Times, February 16, 2001.
  4. Monte Williams, "'Yo Mama' Artist Takes On Catholic Critic", The New York Times, February 21, 2001.
  5. Carla Bianpoen, "Revisiting 'The Last Supper'", The Jakarta Post, April 11, 2009.


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