Wolfgang Windgassen

Wolfgang Windgassen (26 June 1914 – 8 September 1974) was a heldentenor internationally known for his performances in Wagner operas.

Life and career

Born in Annemasse, France, he was the son (and pupil) of a well known German Heldentenor, Fritz Windgassen (who was also the teacher of Gottlob Frick). His mother was the German coloratura soprano Vali von der Osten, sister of the much more famous soprano Eva von der Osten, who created the part of Octavian in Richard Strauss' Der Rosenkavalier. Both Windgassen's parents were longtime mainstays of the Staatsoper Stuttgart.

Wolfgang made his début at Pforzheim as Pinkerton in Madama Butterfly. After army service he became a member of the Stuttgart opera company, and succeeded his father as principal tenor. Stuttgart opera remained his home base throughout his career, and for the last two years of his life he was its artistic director.

Windgassen sang at all the important opera houses all over the world. He was invited to perform at the reopening of the Bayreuth Festival in 1951 and continued to appear there till 1970, singing all the great Wagner tenor roles: Erik, Tannhäuser, Lohengrin, Tristan, Walter, Loge, Siegmund, both Siegfrieds and Parsifal, his debut role in 1951.

He died from a heart attack in Stuttgart, Germany at the age of 60.

Recordings

He is well represented on record, both in studio recordings and live tapings. Pre-eminent among the former is the famous Decca Ring, conducted by Georg Solti and produced by John Culshaw. He was not Culshaw’s first choice for Siegfried, the more powerful voice of Ernst Kozub being preferred. But Kozub's musical limitations led to his removal; Windgassen magnanimously stood in for him at the last minute. His live Bayreuth recording of Tristan und Isolde with Birgit Nilsson as Isolde, conducted by Karl Böhm, is still highly regarded by many critics.

Windgassen was the Siegfried in several complete, live Rings from Bayreuth that have been issued commercially on CD, conducted by such now-legendary figures as Hans Knappertsbusch, Clemens Krauss, Joseph Keilberth, and Karl Böhm. He was also the Loge and Siegmund in Wilhelm Furtwängler's Ring broadcast by the Italian Radio (RAI) in 1953, and subsequently issued as a best-selling CD box, as well as Florestan in the EMI studio recording of Fidelio directed by Furtwängler. Recorded performances are also available as Parsifal, Walther von Stolzing, Tannauser, Erik, Lohengrin, Froh, Max, Prince Orlofsky, Rienzi, and Beethoven's Ninth Symphony.

Video

He can be seen on video in a performance as Tristan (with Birgit Nilsson and Hans Hotter, in Wieland Wagner's production, conducted by Pierre Boulez), as Otello (singing in German), as Prince Orlofsky, and briefly in concerts and rehearsals on various anthologies.

Anecdotes

During a performance of Siegfried in Covent Garden in 1955 Windgassen realised that only the fragments of the sword he was supposed to forge together had been provided, and that there was no hidden sword nearby that he could pull out and swing to cut the anvil as required in the script. He was faced with the urgent necessity of forging the real "Nothung" so that he could proceed to slice the cardboard anvil. He kept cool while singing and slowly retreating further and further into the wings, where he managed to get someone to bring him the complete Nothung from backstage, which he then carefully smuggled under his cloak, undetected by the audience.[1]

gollark: That might help, I guess.
gollark: Um, to remove everyone from the broken area.
gollark: The anti-laser shielding of my Lunar Exclusion Zone base is powered by... that groundside reactor.
gollark: As well as probably breaking the lunar facility, among other things, but eh.
gollark: The reactor powering it should be able to handle that load fine, but the shield seems to also be inside its plasma containment, which SHOULD break it.

References
  1. Hugh Vickers, Great Opera Disaster, St. Martin's, New York 1979, p. 68
  • Testament
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
Trade union offices
Preceded by
Viktor de Kowa		 President of the Arts Union
1966–1973		 Succeeded by
Otto Sprenger
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