Willie Thrasher

Willie Thrasher (born 1948) is a Canadian Inuit musician from Aklavik, Northwest Territories.[1] He has recorded both as a solo artist, and as a member of several bands, including The Cordells, and Red Cedar, with Morley Loon. Thrasher has advocated for Inuit and First Nations issues for much of his career.

Early life

Thrasher was born in 1948,[2] in Aklavik. He was born into the traditional Inuit hunting culture of the western Arctic; his father was a whaler and hunter. At age five, he was removed from his family and placed in the Canadian government's residential school system. In Aklavik, he attended the Immaculate Conception and Grollier Hall Residential Schools until he was sixteen.[3], where he learned to play drums on a kit in the gym.[2] After leaving school, he worked as a forest firefighter in Whitehorse, and began playing in rock groups.[4] A fan of Beatles drummer Ringo Starr, Thrasher formed a band called the Cordells with his brother and friends.[2]

Music career

The Cordells toured northern Canada in the late 1960s and early 1970s, playing schools and community halls. Based out of Inuvik, they were considered the town's first rock and roll band, and played mostly contemporary songs and covers.[5] After a show in the mid-1970s, Thrasher was approached by an elderly man and challenged as to why he didn't play music that reflected his Inuit heritage.[5] From that point, Thrasher moved into more personal songwriting and began studying Inuit music.[5]

After this change in style, Thrasher joined Canadian artists such as Buffy Sainte-Marie and Willie Dunn in exploring their Inuit and First Nations roots in the mid-1970s, and speaking out on political issues.[6] Thrasher toured heavily in this period, and suffered from alcoholism.[4] In the early 1980s, Thrasher made two recordings with the Canadian Broadcasting Corporation's Northern Service: Spirit Child, a full-length studio album of original songs, and Sweet Grass, a live recording in Val-d'Or, Quebec, with fellow First Nations musicians Willy Mitchell, Morley Loon, and Roger House.[7]

Thrasher joined Morley Loon as part of his Vancouver-based Red Cedar group in the 1980s. In 1990, Thrasher participated in the Odeyak expedition, where Cree and Inuit leaders paddled from Quebec to New York City.[3] A song composed by Thrasher was performed in Times Square by the group.[8] In 1998, Thrasher performed as part of a revival of traditional potlach ceremonies organised by Commissioner of the Yukon Judy Gingell in Whitehorse.[9]

His songs "Spirit Child", "Old Man Carver" and "We Got to Take You Higher" are featured on the 2014 compilation album Native North America, Vol. 1.[10] As a result of the revived publicity from the Native North America compilation, Thrasher has undertaken more extensive touring, including festival dates in Austin, Texas and the Northwest Territories,[1] and his 1981 album Spirit Child was reissued in October 2015 on Light in the Attic Records.[11]Thrasher currently lives on Vancouver Island, in British Columbia.[4]

Discography
  • Sweet Grass Music (live), 1980, Canadian Broadcasting Corporation, Northern Service, with Willy Mitchell, Morley Loon, and Roger House
  • Spirit Child, 1981, Canadian Broadcasting Corporation, Northern Service
  • Asumatak – The Great Land, 2009
gollark: Replace "socialist", "trade unionist", "Jew" etc with "person who does X, Y, Z".
gollark: ``` First they came for the socialists, and I did not speak out— Because I was not a socialist. Then they came for the trade unionists, and I did not speak out— Because I was not a trade unionist. Then they came for the Jews, and I did not speak out— Because I was not a Jew. Then they came for me—and there was no one left to speak for me.```
gollark: Starscream says that's banned. I think it *might* be under creative (mis)interpretations. TJ09 hasn't explicitly specified.
gollark: What about "offer I accidentally declined"?
gollark: You mean the rules as posited by TJ09 or random moderators?

References
  1. "On the Road Again: Willie Thrasher's Second Life". The Tyee, May 23, 2015.
  2. Hunter-Tilney, Ludovic (November 14, 2014). "Forgotten legends of Native American music". Financial Times.
  3. Kolausok, Edward Dean (January 2009). "Inuvialuit recording artist releases 4th compilation". Native Journal.
  4. Conner, Shawn (November 21, 2014). "Groundbreaking First Nations artists get their due on new compilation". Vancouver Sun.
  5. Varty, Alexander (November 5, 2014). "Native North America unearths a treasure trove of old First Nations gold". Georgia Straight.
  6. Beavon, Daniel J K; Newhouse, David R; Voyageur, Cora Jane (2005). Hidden in plain sight : contributions of aboriginal peoples to Canadian identity and culture Vol. 1. Toronto, Ontario: University of Toronto Press. p. 389. ISBN 9780802085818.
  7. Wright-McLeod, Bryan (2005). The encyclopedia of native music : more than a century of recordings from wax cylinder to the Internet. Tucson: University of Arizona Press. p. 233. ISBN 9780816524471. willie thrasher.
  8. Posluns, Michael (1993). Voices for the Odeyak. Toronto, Ontario: New Canada Publications. p. 40. ISBN 9781550210705.
  9. Nuttall, Mark (2005). Encyclopedia of the Arctic. New York: Routledge. p. 1337. ISBN 9781579584368.
  10. "Light in the Attic Unearths the Forgotten History of First Nations Music with 'Native North America' Compilation". Exclaim!, October 8, 2014.
  11. "Willie Thrasher is ready for his closeup, again". The Globe and Mail, October 28, 2015.
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