William Feaver

William Feaver (born 1 December 1942) is a British art critic, curator, artist and lecturer. From 1975–1998 he was the chief art critic of the Observer, and from 1994 a visiting professor at Nottingham Trent University. His book The Pitmen Painters inspired the play of the same name by Lee Hall.[1]

Education

Feaver was educated at Nottingham High School and Keble College, Oxford. After graduating from Oxford he became a teacher at Newcastle's Royal Grammar School (1965-71)[2] before being appointed the Sir James Knott Fellow at Newcastle University. He is currently an academic board member of the Royal Drawing School.[3]

Career as art critic

While at Newcastle, Feaver became the art critic of the Newcastle Journal before being appointed successively to the Listener (1971-75) and the Financial Times (1974-75) before being joining the Observer. He won the Art Critic of the Year award in 1983.[4] Feaver conducted an exemplary interview with Lucian Freud in 1992, The artist out of cage[5] on Freud's 70th birthday, which has been re-published in English and German in the catalog of the Museum für Moderne Kunst Frankfurt exhibition Lucian Freud: Naked Portraits.[6]

His 2019 book, The Lives of Lucian Freud, has been shortlisted for the 2019 Baillie Gifford Prize.[7]

Exhibitions curated

Feaver has curated a number of exhibitions in the UK and abroad, including:

Books published
  • The Art of John Martin, 1975
  • When We Were Young, 1976
  • Masters of Caricature, 1981
  • Pitmen Painters, 1988
  • Frank Auerbach, 2009
  • The Lives of Lucian Freud: Youth 1922–1968, 2019

Family

His father was the Rt Rev Douglas Feaver. In 1964 Feaver married Victoria Turton (the poet Vicki Feaver). They had one son and three daughters. He married, secondly, in 1985, Andrea Rose OBE; they have two daughters, Alice and Dorothy.[14]

gollark: Ideally, self-driving cars which run neural networks which are not susceptible to weird attacks.
gollark: Because:- if they're not robust against these problems, then a leak of the network means you can meddle with cars- it makes it harder for new companies to enter the self-driving-car space- you would need some sort of really evil DRM scheme to stop people just... reading the neural network out of the car's computer systems- trusting your life to closed-source systems is problematic
gollark: Well, then that's ALSO bad.
gollark: BEE POLL!
gollark: Which is vaguely worrying for self-driving cars.

References
  1. The Guardian on the Pitmen Painters
  2. Who's Who
  3. Feaver's biography on the Royal Drawing School website
  4. Who's Who
  5. The artist out of cage, The Observer Review, No.10495, Sunday 6 December 1992, pp.45-46.
  6. Rolf Lauter (Ed.): Lucian Freud: Naked Portraits. Werke der 40er bis 90er Jahre, pp. 286-295, Hatje Cantz, Ostfildern-Ruit 2001. ISBN 3-7757-9043-8.
  7. "Baillie Gifford Prize for Non-Fiction shortlist revealed | The Bookseller". www.thebookseller.com. Retrieved 2019-10-23.
  8. Cruickshank at the V&A
  9. Thirties British Art & Design
  10. Lucian Freud at Abbot Hall
  11. Freud at the Correr
  12. Michael Andrews at the Tate
  13. Constable at the Grand Palais
  14. Who's Who
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