Wilhelmina FitzClarence, Countess of Munster

Wilhelmina FitzClarence, Countess of Munster (née Kennedy-Erskine; 27 June 1830 – 9 October 1906) was a British peeress and novelist. Her mother, Lady Augusta FitzClarence, was an illegitimate daughter of William IV of the United Kingdom; Wilhelmina, also known as Mina, was born the day after William's succession as monarch. She travelled as a young girl throughout Europe, visiting the courts of France and Hanover. In 1855, Mina married her first cousin William FitzClarence, 2nd Earl of Munster; they would have nine children, including the 3rd and 4th Earls of Munster.

Wilhelmina Kennedy-Erskine
Countess of Munster
The Countess of Munster as portrayed on the frontispiece of her autobiography (published 1904)
Born(1830-06-27)27 June 1830
Dun House, Montrose, Scotland
Died9 October 1906(1906-10-09) (aged 76)
Noble familyFitzClarence
Spouse(s)William FitzClarence, 2nd Earl of Munster
Issue
Edward, Viscount FitzClarence
Hon. Lionel Frederick Archibald
Geoffrey FitzClarence, 3rd Earl of Munster
Hon. Arthur Falkland Manners
Aubrey FitzClarence, 4th Earl of Munster
Hon. William George
Hon. Harold Edward
Lady Lillian Boyd
Lady Dorothea Lee-Warner
FatherHon. John Kennedy-Erskine
MotherLady Augusta FitzClarence
OccupationPeeress, novelist
Signature

The Earl and Countess of Munster lived at Palmeira Square in Brighton. Later in life, Lady Munster became a novelist and short story writer. In 1889, she released her first novel, Dorinda; a second, A Scotch Earl, followed two years later. The year 1896 saw the publication of Ghostly Tales, a collection of tales on the supernatural which have largely been forgotten today. Lady Munster also produced an autobiography entitled My Memories and Miscellanies, which was released in 1904. She died two years later.

Family and early life

Wilhelmina (right) with her mother Lady Augusta and two siblings. Painted by John Hayter, c. 1831

Wilhelmina "Mina" Kennedy-Erskine was born on 27 June 1830 in Dun House, Montrose, Scotland. She was the second child of the Hon. John Kennedy-Erskine and his wife Lady Augusta FitzClarence, an illegitimate daughter of William IV (who became monarch the day before Mina's birth).[1][2] Her father, the second son of the 13th Earl of Cassilis, was a captain with the 16th Lancers and an equerry to King William before dying in 1831 at the age of 28.[3][4] Her paternal grandmother, Anne Watts, was a descendant of the Schuyler family, the Van Cortlandt family (including Stephanus Van Cortlandt), and the Delancey family of British North America.[5]

Mina lived with her widowed mother and two siblings in a "charming brick house" on the River Thames called Railshead, which was next door to a house owned by her paternal grandparents.[6] King William visited the family often and was quite fond of Mina;[7] on one occasion, he visited to comfort his daughter when three- or four-year-old Mina nearly died of a "very dangerous brain fever".[8] The Kennedy-Erskines also often visited Windsor Castle during the king's reign.[9]

Five years after Kennedy-Erskine's death, Lady Augusta married Lord Frederick Gordon-Hallyburton, a decision that displeased her first husband's parents.[10] The decision led to Lady Augusta's departure from Railshead. In 1837 she became State Housekeeper at Kensington Palace after the death of her sister, Lady De L'Isle.[1][11][12] Mina lived there until she married.[13] She and her sister Millicent enjoyed music and had a particular love for the Italian soprano Marietta Alboni. The sisters' Italian singing-master secretly arranged for a meeting with Alboni, but the encounter did not go well; the singer discovered that they were the daughters of the "housekeeper", and, assuming that they were not ladies, departed soon after.[14]

In the late 1840s, Mina travelled through Europe with her family so that they might "learn languages and finish [their] education".[15] The trip started in 1847, when Mina journeyed to Dresden due to her mother's desire for her daughters to learn German.[16] From 1847 to 1849, she and her family lived in Paris near the Arc de Triomphe, and were kindly received by the French Royal Family headed by Louis Philippe I and Queen Marie Amelie.[17] They left soon after the king and queen's fall from power, as the city had suddenly become unsafe for those of their rank.[18] In 1850, they visited the court of Hanover and were received by Ernest Augustus, King of Hanover and his family; later that year, they returned to Kensington Palace and Mina and Millicent came out in society.[19]

Marriage

The Earl of Munster as caricatured by Spy (Leslie Ward) in Vanity Fair, February 1882

Mina married her full first cousin William FitzClarence, 2nd Earl of Munster at Wemyss Castle on 17 April 1855 in a double wedding in which her sister Millicent married James Hay Erskine Wemyss.[20][21] Like Mina, FitzClarence was a grandchild of William IV; at a young age, he had succeeded his father the 1st Earl, who served as a governor of Windsor Castle and constable of the Round Tower until his suicide in 1842.[22] The FitzClarences travelled to Hamburg immediately after the wedding, visiting local schlosses and the family of Prince Christian of Schleswig-Holstein (who later married The Princess Helena).[23] Their first child, Edward, was born within a year.[24] The couple would have nine children, four of whom outlived their mother:

The Earl and Countess of Munster lived at Palmeira Square in Brighton.[30][31][32] According to an article in contemporary women's magazine The Lady's Realm, the Countess lived a very quiet life. In 1897, the magazine reported that she had lived in retirement in Brighton for the past thirty-five years. Her attachment to the city, the article suggested, was due to childhood memories of visiting there with King William.[30] The article also stated that because Lord Munster's health was failing, the Countess was living in "comparative seclusion", though her lifestyle was also attributed to a love of a "quiet, literary, and artistic life".[30] She died on 9 October 1906,[33] having been widowed five years.[34]

Literary career

Later in life, Lady Munster became a novelist and short story writer, writing under the title the Countess of Munster. At the age of nearly sixty,[35] she published two novels; her first, Dorinda, in 1889, and her second, A Scotch Earl, in 1891.[36] The plot of Dorinda centred on a young woman who eventually kills herself after stealing works of art from her friends. Oscar Wilde noted Munster's skill in writing Dorinda; he compared the "exceedingly clever" novel's eponymous heroine to "a sort of well-born" Becky Sharp,[37] and praised the author's ability "to draw ... in a few sentences the most lifelike portraits of social types and social exceptions".[38] In 1888, an article by Munster about ballad singing appeared in The Woman's World, a Victorian women's magazine edited by Wilde.[38] A Scotch Earl, which centred on a vulgar Scottish nobleman named Lord Invergordon, was less well received by contemporaries. The Spectator published a critical review soon after its publication which suggested that the novel's showering of "contempt upon the society of wealth and rank" was close to Republicanism or Socialism.[39] The review criticised A Scotch Earl for lacking "any merits of construction or style", and added that Lady Munster was "not and never will be a capable novelist".[39]

In 1896, Munster released Ghostly Tales, a collection of stories "written in a manner similar to accounts of true hauntings".[40][36] Lady's Realm considered her stories to be based on fact.[30] A positive review of Ghostly Tales was published in the Saturday Review in 1897, in which the stories were described as "entertaining and dramatic", but it was noted that not all were based on supernatural events.[41] Hugh Lamb included the Countess's "surprisingly grim" story "The Tyburn Ghost" in his 1979 edited volume Tales from a Gas-Lit Graveyard. He wrote at the time that Lady Munster's works had been "completely overlooked by bibliophiles and anthologists since her death".[36] Lamb deemed this regrettable, as he considered Ghostly Tales "possibly her best work" and one of the "truly representative collections of Victorian ghost stories".[36] Lamb also included another of her stories, "The Page-Boy's Ghost", in a 1988 anthology.[42] However, modern author and editor Douglas A. Anderson has called the Countess's stories "standard, melodramatic fare", which are "perfectly forgettable".[40]

In 1904, Lady Munster produced an autobiography entitled My Memories and Miscellanies. In its foreword, she explained that "some valued friends" convinced her to write it, despite her reluctance, because her "long life" had witnessed "not a few interesting events".[43] The book was called her "chief work" in The Manchester Guardian at the time of her death in 1906.[44] The Countess wrote the entire book by memory, and expressed regret that she had given up her journal writing as a young girl after someone else improperly read it.[45] The autobiography included several recounted sightings of the female ghost "Green Jean" at Wemyss Castle; Lady Munster claimed that several members of her family, including Millicent, saw the ghost while staying there.[46]

Ancestry

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References

  1. Wright 1837, p. 854.
  2. FitzClarence 1904, p. 3.
  3. "The Queen's Third Drawing Room". The Observer. 27 March 1831. p. 1.
  4. Lodge et al. 1832, p. 13.
  5. The Peerage: A genealogical survey of the peerage of Britain as well as the royal families of Europe http://www.thepeerage.com/p2438.htm#i24371. Accessed February 11, 2015.
  6. FitzClarence 1904, pp. 5–7.
  7. Academy and Literature, p. 454.
  8. FitzClarence 1904, p. 8.
  9. FitzClarence 1904, p. 34.
  10. FitzClarence 1904, p. 40.
  11. Cambridge 1900, p. 25.
  12. FitzClarence 1904, p. 42.
  13. FitzClarence 1904, p. 50.
  14. FitzClarence 1904, pp. 61–64.
  15. FitzClarence 1904, p. 83.
  16. FitzClarence 1904, pp. 83–84.
  17. FitzClarence 1904, pp. 110–17.
  18. FitzClarence 1904, pp. 120–23.
  19. FitzClarence 1904, pp. 129–44.
  20. Julian Stanley Long 1916, p. 201.
  21. FitzClarence 1904, p. 152.
  22. Reynolds 2004.
  23. FitzClarence 1904, pp. 153–56.
  24. Fox-Davies 1895, p. 722.
  25. Lodge et al. 1890, p. 453.
  26. Mosley 1999, p. 2035.
  27. Mosley 1999, p. 48.
  28. Mosley 2003, p. 470.
  29. "Lady Dorothea Augusta Lee-Warner". National Portrait Gallery. Retrieved 17 February 2014.
  30. Lady's Realm, p. 197.
  31. Dod 1903, p. 654.
  32. Addison & Oakes 1901, p. 821.
  33. Brooke & Sladen 1907, p. 1275.
  34. Debrett's, p. 601.
  35. Wilson 2000, p. 219.
  36. Lamb 1979, p. 163.
  37. Wilde 1910, p. 110.
  38. Youngkin 2013.
  39. The Spectator, p. 297.
  40. Anderson 2012.
  41. Cook et al. 1897, p. 230.
  42. Lamb 1988, p. 208.
  43. FitzClarence 1904, p. vii.
  44. "Memorial Notices". The Manchester Guardian. 12 October 1906. p. 7.
  45. FitzClarence 1904, p. 112.
  46. FitzClarence 1904, pp. 159–64.
Works cited

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