Wilhelm Vorwerg
Wilhelm Vorwerg (1899–1990) was a German art director who designed the sets for over fifty films including a number of Rialto Film's series of Edgar Wallace adaptations in the 1960s.[1]
Wilhelm Vorwerg | |
|---|---|
| Born | 6 August 1899 Saarau, Lower Silesia, German Empire |
| Died | 15 July 1990 |
| Occupation | Art director |
| Years active | 1937-1973 |
Selected filmography
- In the Name of the People (1939)
- Target in the Clouds (1939)
- The Leghorn Hat (1939)
- Venus on Trial (1941)
- Love Letters (1944)
- 1-2-3 Corona (1948)
- The Cuckoos (1949)
- How Do We Tell Our Children? (1949)
- Life Begins at Seventeen (1953)
- Anna Susanna (1953)
- Annie from Tharau (1954)
- The Perfect Couple (1954)
- Urlaub auf Ehrenwort (1955)
- Island of the Dead (1955)
- My Father, the Actor (1956)
- Stresemann (1957)
- The Fox of Paris (1957)
- Two Hearts in May (1958)
- The Shadows Grow Longer (1961)
- World in My Pocket (1961)
- Café Oriental (1962)
- The Indian Scarf (1963)
- The Curse of the Hidden Vault (1964)
- The Secret of Dr. Mabuse (1964)
- Room 13 (1964)
- The Monk with the Whip (1967)
- The Gorilla of Soho (1968)
- The Hound of Blackwood Castle (1968)
- The Man with the Glass Eye (1969)
gollark: Because they know things like "the best way to achieve goal X is Y".
gollark: Also, for a broad enough definition of "everything about the world", they are already nigh-omnipotent.
gollark: It wouldn't really help anything at all.
gollark: Why would you make them less knowledgeable?
gollark: It's too bright so I couldn't sleep properly, and annoyingly warm.
References
- Bergfelder p.256
Bibliography
- Bergfelder, Tim. International Adventures: German Popular Cinema and European Co-Productions in the 1960s. Berghahn Books, 2005.
External links
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