Wilbur Ware

Wilbur Bernard Ware (September 8, 1923 September 9, 1979) was an American jazz double bassist.[1] He was a staff bassist at Riverside in the 1950s, recording with J.R. Monterose, Toots Thielemans, Tina Brooks, Zoot Sims, and Grant Green.

Wilbur Ware
Birth nameWilbur Bernard Ware
Born(1923-09-08)September 8, 1923
Chicago, Illinois, U.S.
DiedSeptember 9, 1979(1979-09-09) (aged 56)
Philadelphia, Pennsylvania, U.S.
GenresJazz
Occupation(s)Musician
InstrumentsDouble bass

Career

Ware taught himself to play banjo and bass. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge.[2] He recorded with Sun Ra in the early 1950s.[1] Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco.[2] His only album recorded as a leader during his lifetime was The Chicago Sound, from 1957 when he worked for Riverside.[2] He made jazz instructional albums for Music Minus One. In 1958, Ware was one of 57 jazz musicians to appear in the photograph A Great Day in Harlem.[3]

Ware was a member of the Thelonious Monk quartet from 1957 to 1958. He also performed with the Sonny Rollins Trio live at the Village Vanguard.

Narcotics addiction resulted in his return to Chicago in 1963 and a period of incarceration. He was inactive musically for about six years.[1] In 1969, Ware played with Clifford Jordan, Elvin Jones and Sonny Rollins.[2] He died from emphysema in Philadelphia, Pennsylvania, in 1979.[2]

Discography

As leader

As sideman

With Art Blakey

With Tina Brooks

With Sonny Clark

With Walt Dickerson

With Kenny Dorham

With Kenny Drew

With Matthew Gee

With Grant Green

With Johnny Griffin

With Ernie Henry

With Clifford Jordan

With Herbie Mann

With Blue Mitchell

With Thelonious Monk

With J. R. Monterose

With Lee Morgan

With Cecil Payne

With Rita Reys

With Sonny Rollins

  • Night at the Village Vanguard (Blue Note, 1958)

With Zoot Sims

With Toots Thielemans

gollark: If I can get a tablet from a bag or whatever (only the small ones are particularly pocketable, and they then lose any advantage they might have had), I can also probably get out a laptop, which is generally better.
gollark: I have a tablet for convoluted reasons, but it gets absolutely no use because a phone and laptop cover all the things I might want it for.
gollark: Than a phone? I mean, yes, they fix some of the problems, but aren't as portable.
gollark: I'm pretty sure a lot of people just use phones for most computing tasks *anyway* now.
gollark: It is more problematic if it can be remotely exploited by non-carriers into doing things, which has apparently been the case.

References

  1. Feather, Leonard & Gitler, Ira (2007) The Biographical Encyclopedia of Jazz, p. 674. Oxford University Press
  2. Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. pp. 476/7. ISBN 1-85227-937-0.
  3. "Musicians". A-great-day-in-harlem.com. Retrieved October 29, 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.