Wighnomy Brothers

Wighnomy Brothers were an electronic music duo from Jena, Germany, composed of Gabor Schablitzki (aka Robag Wruhme) and Sören Bodner (aka Monkey Maffia). Wighnomy Brothers' live mixes include an eclectic blend of deep house, minimal techno, jazz, and soul, and their original releases are infused with a unique deep-house sound. They have released their music on Freude-Am-Tanzen, Kompakt, Vakant, Broque and other electronic music labels.

Wighnomy Brothers
OriginJena
Thuringia
Germany
GenresDeep house
Minimal techno
Electronic music
Years active1997–2009
LabelsFreude-Am-Tanzen
Kompakt
Vakant
Musik Krause
Websitewighnomy-brothers.de
MembersGabor Schablitzki (aka) Robag Wruhme
Sören Bodner (aka) Monkey Maffia

History

Schablitzki and Bodner met in the late 1980s in Communist East Germany where they shared an interest in break dancing, hip-hop, and early electronica. Schablitzki began producing with Volker Kahl in 1996 under the pseudonym "Beefcake." By 1997, Schablitzki and Bodner became residents at the renowned "Club Kassablanca," and began producing original tracks as the "Wighnomy Brothers."[1]

The Wighnomy Brothers have toured all over the world since then, but hadn't made their United States debut until May 21, 2009 at the Middlesex Lounge in Boston, Massachusetts at the Make It New night.[2]

Schablitzki and Bodner appeared as main characters in Amy Grill's electronic music documentary "Speaking In Code," which chronicles the Wighnomy Brothers' rising popularity in the early 2000s and Gabor's subsequent break from techno music in 2006-07.[3]

In late 2009, Schablitzki and Bodner announced that they will be retiring the Wighnomy Brothers project at the end of the year but will continue DJing and producing music separately.[4]

Discography

Releases

  • Ill Restorante Della (12"), Freude Am Tanzen, 2001
  • Wighnomy EP (12", EP), Freude Am Tanzen, 2002
  • 24/7 You (12"), Nightclubbing Music, 2003
  • Bodyrock EP (12", EP), Freude Am Tanzen, 2003
  • Hide You Im Schrankwand Gewand (12"), WB Records 2003
  • Something For Your Mind (Bewegungsmelder Remix) (12"), WB Records 2003
  • Pusta Reime Im Knubbelbenz Verfahren (12"), WB Records, 2004
  • Somewhere Over The Slippybergün (12"), WB Records, 2004
  • Speicher 19 (12"), Kompakt Extra, 2004
  • 3 Fachmisch EP (12", EP), Freude Am Tanzen, 2005
  • Crackerjack Acid EP (EP), Metromusic, 2005
  • Nativetonguetwisterhood / Gottogoaway (12"), WB Records, 2005
  • Speicher 31 (12"), Kompakt Extra, 2005
  • Moppal Kiff (12"), Freude Am Tanzen, 2006
  • Okkasion EP (12", EP), Freude Am Tanzen, 2006
  • Guppipeitsche (12"), Freude Am Tanzen, 2007
  • Metawuffmischfelge (CD, Comp, Mixed), Freude Am Tanzen, 2008
  • Speicher 64 (12"), Kompakt Extra, 2009

[5]

gollark: I wonder how long it'll be before someone makes Unicode Turing-complete.
gollark: https://www.reddit.com/r/rust/comments/5penft/parallelizing_enjarify_in_go_and_rust/dcsgk7n/I think this just wonderfully encapsulates Go.
gollark: Oh, it also has that weird conditional compile thing depending on `_linux.go` suffixes or `_test.go` ones I think?
gollark: Okay, sure, you can ignore that for Go itself, if we had Go-with-an-alternate-compiler-but-identical-language-bits it would be irrelevant.
gollark: I can't easily come up with a *ton* of examples of this, but stuff like generics being special-cased in for three types (because guess what, you *do* actually need them), certain basic operations returning either one or two values depending on how you interact with them, quirks of nil/closed channel operations, the standard library secretly having a `recover` mechanism and using it like exceptions a bit, multiple return values which are not first-class at all and which are used as a horrible, horrible way to do error handling, and all of go assembly, are just inconsistent and odd.

References
  1. Wighnomy Brothers press release
  2. Wighnomys at Make It New
  3. McAllister,Lulu (2009). "Q & A: Speaking In Code". XLR8R Magazine. Retrieved 2009-06-19.
  4. Announcement on The Wighnomy Brothers' official website
  5. Compiled from Discogs
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