Where Love Is
Where Love Is is a 1917 silent film drama based on a novel by William J. Locke and starring Ann Murdock.[1]
| Where Love Is | |
|---|---|
 | |
| Written by | William J. Locke |
| Distributed by | Mutual Film Corporation |
Release date |
|
Running time | 5 reels |
| Country | USA |
| Language | Silent..English titles |
An incomplete copy is preserved at the Library of Congress.[2][3]
Cast
- Ann Murdock - Norma Hardacre
- Shirley Mason - Aline Marden
- Mabel Trunnelle - Mrs. Constance Deering
- Henry Stanford - Jimmie Padgate
- Bigelow Cooper - Morland King
- William Wadsworth - Theodore Weever
- Raymond McKee - Tony Merewether
- Helen Strickland - ?unknown role
- Edith Wright - ?unknown role
- Jessie Stevens - ?unknown role
gollark: One of these days I really ought to add login and CSRF prevention.
gollark: ```javascriptimport m = require("mithril")import * as RPCTypes from "../common/rpc"export const sendMessage = (msg: RPCTypes.Message): Promise<RPCTypes.MessageResponse> => { return m.request( { method: "POST", url: "./rpc/", body: msg, }).then(res => { const [ type, p1, p2 ] = res if (type === "error") { throw new RPCTypes.RPCError(p2, p1) } else if (type === "ok") { return p1 } else { throw new Error("Invalid RPC response") } })}const handler = { get: (target, prop) => (...args) => sendMessage([prop, ...args])}export const serverProxy = new Proxy({}, handler)```
gollark: The RPC thing and some JS hax on the client mean I can basically just call any function the server provides as if it's a local one (except asynchronously).
gollark: minoteaur is just plain RPC - you do `POST /rpc` with a function and its arguments as JSON.
gollark: You're forced to try and map the data/functions your thing provides onto a structure which may not really fit them well.
References
- "Abrreviated View of Movie Page". Afi.com. Retrieved 14 October 2017.
- "Where Love Is". Lcweb2.loc.gov. 14 October 2017. Retrieved 14 October 2017.
- Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, p.207 c.1978 by The American Film Institute
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