Werner Heider

Werner Heider (b. 1 January 1930) is a German composer, pianist and conductor.[1][2]

Life

Born in Fürth, Heider studied with Willy Spilling in Nuremberg and at the University of Music and Performing Arts Munich from 1945 to 51. From 1949, he was an employee of the Bayerischer Rundfunk/ Studio Franken. In his compositions he is interested in both strict construction principles and a dialogue between contemporary music and jazz (Third Stream). He participated in the Colloquium musicale of Carla Henius in Rome; as a pianist he founded, among others, the ensemble Confronto and a trio with Oliver Colbentson (violin) and Hans Deinzer (clarinet).[3]

As conductor, Heider and others stood at the desk of the NDR Radiophilharmonie Hannover, the Bamberg Symphony, the Staatsphilharmonie Nürnberg and the Nuremberg Symphony, as well as the symphony orchestras of the Stuttgart Radio Symphony Orchestra, the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern and the hr-Sinfonieorchester. In 1968 he founded the ars nova ensemble nürnberg in collaboration with Klaus Hashagen, of which he is still the conductor and artistic director.[4]

Heider has premiered numerous works by colleagues and recorded them for radio and vinyl, including works by Minas Borboudakis, Horst Lohse, Karola Obermüller and Martin Smolka.[5]

His own compositions have been performed by conductors such as Péter Eötvös, Michael Gielen, Bruno Maderna, Jun Märkl and Hans Zender.

Students
gollark: Needless Pendantry & 0x5A79756D6F727068 are mine. Can you not tell? I need to improve my naming schemes.
gollark: Nexus.
gollark: Well, a child of them.
gollark: Oh, that's one of mine!
gollark: <@282594912682115074> There's someone with a 3G prize on the hub asking for a 2G prizekin.

References
  1. Werner Heider
  2. Werner Heider
  3. Perpetuum Mobile zeitgenössischer Musik Neue Musikzeitung, December 2008
  4. Jens Voskamp: Ein Leben lang den neuen Klängen auf der Spur, Nürnberger Nachrichten, 28 December 2009
  5. Gerhard Rohde: Unermüdliche Neugier auf instrumentale Möglichkeiten, Neue Musikzeitung, February 2010
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