Walter MacEwen

Walter MacEwen (13 February 1860, Chicago - 20 March 1943, New York City) was an American painter. From 1884 to 1914, he often lived and worked in the Netherlands. He is considered to have been a member of the Egmondse School, named after the mostly American artists' colony near Egmond aan Zee.

Self-portrait

Biography

He was the son of a merchant and entrepreneur of Scottish origin. He began by studying business, but decided that he would rather be a painter. In pursuit of that goal, he went to Europe in 1877 and enrolled at the Academy of Fine Arts, Munich. In 1881, he continued his studies in Paris at the Académie Julian.[1] There, he met George Hitchcock and Gari Melchers, who would become his lifelong friend. Both had already made plans to work in the Netherlands.

He followed them there in 1884 and settled in Egmond aan Zee, where he would live for three years and many times thereafter, until the beginning of World War I, although he still visited Paris during the war. At various times, he also worked in Hattem, where he briefly had his own studio, Volendam and Haarlem. He focused on simple, rural themes and was very fond of the works of Jan Vermeer, although he also displays some influence from the Hague School.[1]

During his life, he was internationally known. He held several exhibitions at the Paris Salon and was awarded a medal at the Exposition Internationale at Antwerp in 1894. He also had showings at the World's Columbian Exposition in his hometown of Chicago and at the Exposition Universelle (1900).

After World War I, he settled in Paris. While there, he continued to paint the same general type of subject matter, but also took commissions for portraits. In 1940, the outbreak of World War II forced him to leave again.[1] He returned to the United States and took up residence in New York, where he died three years later.

In the United States, his works may be seen at the Dallas Museum of Art, Art Institute of Chicago, the Telfair Museum of Art in Savannah and at the National Academy of Design in New York.

Selected paintings
  • The Notary
  • Returning from Work
  • Telling a Ghost Story
  • The Letter
    (inspired by Vermeer)
gollark: - To ensure our ancestors' traditions are respected, we should randomly dig them up and drag them to voting booths.
gollark: 3.
gollark: - As eating meat places suffering on millions of innocent animals, I believe animal meat should be replaced with human flesh from donors, as humans are able to meaningfully consent to this while animals are not (and don't get a choice in practice anyway).
gollark: - To increase the efficiency of the education system and encourage self-directed learning, I believe schools should lock children in individual cubicles with textbooks for 5 hours a day instead of using classrooms and teachers.
gollark: [POLITICAL VIEW] is utterly and objectively right, and all who disagree are enemies and will be subject to infinite quantities of bees.

References
  1. Biography @ the Telfair Academy.

Further reading
  • Anette Stott: Dutch Utopia. American Artists in Holland, 1880–1914. Thoth, Bussum, 2010. ISBN 90-686-8548-1
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