Walter J. Phillips

Walter Joseph Phillips RCA (October 25, 1884–July 5, 1963) was an English-born Canadian painter and printmaker. He is credited with popularizing the colour woodcut in the style of the Japanese, in Canada.[2]

Walter Joseph Phillips
BornOctober 25, 1884
DiedJuly 5, 1963
NationalityCanadian
EducationBirmingham School of Art (1899–1902) with Edward R. Taylor[1]
Known forpainter woodcutter, printmaker; teacher, especially at the Banff School of Fine Art (1940–59)[1]

Life

Phillips was born in Barton-on-Humber, Lincolnshire, England. As a youth, he studied at the Birmingham School of Art. After studying abroad in South Africa and Paris, he worked as a commercial artist in England. In June 1913 he moved to Winnipeg, Manitoba, where he lived for more than 28 years. Phillips died in Victoria, British Columbia, in 1963.

Career

Phillips is famous for his woodcuts and watercolour sketches. His artistic career spanned from the 1900s through the 1940s, during which time his work was exhibited throughout North America and Great Britain. Common subjects for Phillips included the lakes of Manitoba—York Boat on Lake Winnipeg (1930) is a well-known print—the prairies, and in his later years, the Rocky Mountains, where his ashes were scattered.

In 1940 he was asked to become a resident artist at the Banff Centre, then known as the Banff School of Fine Arts, where he played an important role in the development of their visual arts program. Its Walter Phillips Gallery, which focuses on contemporary art, is named after him. The Glenbow Museum in Calgary, Alberta holds an extensive collection of Phillips works and a research archive.[3]

In 1933, he was made a member of the Royal Canadian Academy of Arts.[4] He was a member of the Canadian Painters Etchers Society; the Manitoba Society of Artists; the Society of Gravers-Painters in Colour, London, England; and the Society of Print Makers of California.[1]

Recognition

On 17 February 1997 Canada Post issued 'York Boat on Lake Winnipeg, 1930, Walter J. Phillips' in the Masterpieces of Canadian art series. The stamp was designed by Pierre-Yves Pelletier based on a woodcut "York Boat on Lake Winnipeg" (1930) by Walter Joseph Phillips in the National Gallery of Canada. The 90¢ stamps were printed by Ashton-Potter Canada Limited.[5] On May 26, 2010, Phillips' print "Summer Idyll" reached US$30,109 at auction by Heffel Fine Art.

Sources

  1. Bradfield, Helen (1970). Permanent Collection. Toronto: McGraw Hill. ISBN 0070925046. Retrieved 2020-08-02.
  2. The Canadian Encyclopedia: Phillips, Walter Joseph
  3. Glenbow Museum: Collections & Research
  4. "Members since 1880". Royal Canadian Academy of Arts. Retrieved 11 September 2013.
  5. Canada Post stamp

Further reading

gollark: If it's something there's any interest in, of course.
gollark: At best, as Wojbie said, you can make it annoying for people, but then one person will do it and share how.
gollark: You just *cannot* give people access to a thing in one way and expect them to not be able to access it in some other way. Basically every DRM scheme - which this really sounds like - has *failed, inevitably*.
gollark: As Grim Reaper said: if there is *any* important data there or something, *people will get it out* eventually.
gollark: Also, some platforms might not like bytecode.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.