Walt Cassidy (artist)

Walt Cassidy, born in Los Alamitos California, is a New York City-based artist, notable for his contemporary art and participation in the New York City Club Kids culture. His exploratory art and design emphasizes narrative abstraction, aestheticism, and conceptualism.[1]

Walt Cassidy
BornNovember 21, 1972
Los Alamitos, CA
NationalityAmerican (Austrian-Irish)
EducationKent State University, Kent, OH
School of Visual Arts, New York City
Known forContemporary Art, Design

Walt Cassidy Studio (Design)

In 2014, Walt Cassidy Studio was established as a unisex brand encompassing jewelry, garments and functional objects.[2]

The jewelry gained attention through social media platforms, such as Instagram,[3] and was discovered by Mark Holgate and profiled in Vogue in 2015.[4]

Walt Cassidy Studio created jewelry for Derek Lam's Spring Summer 2016 collection,[5] and has collaborated with the Long Life China Company and the Brazilian brand Melissa.[6] The design works have been featured at The Limited Edition (Miami), The Feathered (Mexico City) and Maison 10 (New York).[7]

Artworks

Cassidy's artwork evolved from an interest in still life photography, sculpture, and illustration. The Kitchen Spells (2005) and The Inferior Orbs (2006) were first exhibited in The Believers at MASS MOCA[1] and operate symbolically on multiple levels, indicating religious spiritualism and secular cultural resonance, while also working as deep autobiographical portraits.[8]

The Protective Motif, Cassidy's first solo show in New York, debuted in 2010 at Invisible-Exports gallery in Manhattan's Lower East Side. The show included The Paper Photographs (2008), ink drawings, and the wall based sculptures, Nail Bomb (2009) and Through (2010). Cassidy works in cut brass, weaving, stripping, and hooking abstract patterns and textures on a wood frames. These works are minimalist in material but maximalist in emotion, and operate where autobiography meets methodology.[8]

The Nervous Peal (2011) drawings were exhibited in The Displaced Person at Invisible-Exports, alongside works by Sue Williams and Ron Athey. In this series of ink drawings of athletic sculptures, Cassidy examined structures that impose both conformity and alterity on the body. Carbon photography prints of idyllic male youths, framed within hand-drawn structures, reflect an eroticization of and dislocation from the male form. Tellingly, Cassidy's choice of settings includes New York's Jacob Riis beach, honoring a man who documented the blight of the industrial era's downtrodden.[9]

"Waltpaper"

Throughout the 1990s, Walt Cassidy (then called Waltpaper, a reference to his early illustration work[10]) was at the center of the New York City Club Kids, an artistic and fashion-conscious youth culture. The group was a definitive force in New York City's underground club culture at the time and made long-lasting contributions to mainstream art and fashion. According to Cassidy, "The nightclub for me was like a laboratory, a place where you were encouraged and rewarded for experimentation."[11] He lived at the Chelsea Hotel during this time period.[12]

Cassidy founded the band BOOB (1995–98), a conceptual hardcore rock band, composed of various club kids, that began amidst the infamous Peter Gatien-owned nightclubs—The Limelight, Tunnel, Palladium, and Club USA—as well as the downtown venues CBGB and Don Hills. The band was known for their elaborate and over-the-top image, which sought to challenge gender social norms during the growing conservatism of Rudy Giuliani's "Quality of Life" campaign in New York City.[13]

In October 2019, Cassidy’s first book, NEW YORK: CLUB KIDS by Waltpaper, is published by Damiani. A high-impact visual diary of New York City in the 1990s, NEW YORK: CLUB KIDS is a comprehensive visual document of the decade's colorful nightlife and street culture. The book grants special access to an underground world, providing exclusive insight into the lifestyle of this celebrated and notorious clique. In New York Club Kids, Cassidy details the trajectory of the movement, illustrating his story with over 500 images by 18 photographers and artists who documented the scene. The images capture the driving members of the scene, as well as the thousands of other club-goers, along with the fashion, iconic clubland graphics, extravagant interiors of the mega-clubs they frequented, and the bustling city-scape of New York City in the 1990s. “There was a vast scene of people who were doing so many different things creatively,” says Cassidy. “The book is really a love story to New York, told from the vantage point of the Club Kids.” [14])

Exhibitions
  • 2006 – Gay Art Now, curated by Jack Pierson, Paul Kasmin Gallery, New York City
  • 2007 – The Believers, curated by Elizabeth Thomas and Nato Thompson, Massachusetts Museum of Contemporary Art, North Adams, MA
  • 2008 – Womanizer, curated by Kembra Pfahler, Deitch Projects, New York City
  • 2010 – The Protective Motif, Invisible-Exports Gallery, New York City
  • 2010 – Closed for Installation, 303 Gallery, New York City
  • 2011 – The Unseen, curated by Adela Leibowitz, Torrance Art Museum, California
  • 2012 – The Displaced Person, Invisible-Exports Gallery, New York City
  • 2013 – The Wishing Well, Galeria Melissa, New York City
  • 2013 – Drawing Down The Moon, curated by Andrew Suggs, VOX POPULI, Philadelphia
  • 2013 – ARTCORE, Galerie Melilli Manchinetti, Berlin
  • 2014 – Trip The Lights Fantastic, curated by Natalie Kates, High Line Gallery, New York City
  • 2014 – The Botanica, curated by AA Bronson and Michael Bühler-Rose, Invisible Exports, New York City
  • 2015 – Interface: Queer Artists Forming Communities Through Social Media, curated by Walt Cessna, Leslie-Lohman Museum of Gay and Lesbian Art, New York City
gollark: https://fasterthanli.me/articles/i-want-off-mr-golangs-wild-ride ?
gollark: Although often Java beats it.
gollark: It's not actually simple, although it's *somewhat* fast?
gollark: It's just generally so hostile to abstraction.
gollark: I mean, it has such an awful type system, and poor concurrency, and tooling.

References
  1. John E. Mitchell, "Following the Ritual," North Adams Transcript, May 2007
  2. Stefano, Guerrini (2015). ""Walt Cassidy"". Cosmopolitan Italy (June).
  3. Stefano, Guerrini (2015). ""Walt Cassidy"". Cosmopolitan Italy (June).
  4. Iman (2016). "Style File: Walt Cassidy". Destination Iman (July).
  5. Cohn, Alison S. (2015). ""It Takes Two"". ELLE (December).
  6. Studeman, Kristin Tice (August 19, 2016). "Walt Cassidy on Jet-Setting". W Magazine (August).
  7. Iman (2016). "Style File: Walt Cassidy". Destination Iman (July).
  8. Bollen, Christopher (31 March 2010). "Studio Visit: The Magic of Walt Cassidy". Interview. Retrieved 20 June 2011.
  9. Akel, Joseph (January 2012). "The Displaced Person". Artforum.
  10. Stefano, Guerrini (2015). ""Walt Cassidy"". Cosmopolitan Italy (June).
  11. Smith, Raven. (Ed.). (2008). Club Kids: From Speakeasies to Boombox and Beyond. London, UK: Black Dog Publishing
  12. Stefano, Guerrini (2015). ""Walt Cassidy"". Cosmopolitan Italy (June).
  13. Yaeger, Lynn (2015). ""Natural Instinct"". Vogue (June).
  14. Warner, Marigold (2019). ""New York Club Kids: Rewriting the Narrative"". British Journal of Photography United Kingdom (August).
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