Waléra Kanischtscheff

Waléra Kanischtscheff (or Putiloff; Russian: Валера Канищев; born 12 November 1975 in Lwiw Lemberg, Ukrainian SSR, Carpathian Mountains) is a Russian-Ukrainian actor currently residing in Kreuzberg (Tempelhofer Berge), Berlin, Germany; Father of two young Actresses Antonia Putiloff and JoJo Putiloff. He is known for providing the German voice overs for English films.

Filmography

Actor in film

  • 1994 - Buenos Tardes Amigo Hendrik „Henk“ Handloegten
  • 1995 - Une Femme Française, Régis Wargnier
  • 1998 - The Caucasian Night, Gordian Maugg
  • 2001 - Swetlana, Tamara Staudt, WDR Fernsehen
  • 2001 - Einspruch II, Rolando Colla, Elena Pedrazzoli
  • 2002 - The Cosmonaut's Letter (Der Brief des Kosmonauten), Vladimir Torbica
  • 2004 - Leipzig Homicide: Der Auftragsmord, Christoph Eichhorn
  • 2004 - DVD bonus: Der Spiegel, "Alles ist unsterblich" by A.Tarkowski
  • 2004 - Das Bernsteinamulett, Gabi Kubach, Regina Ziegler
  • 2004 - Der letzte Zeuge: Sandkastenliebe
  • 2004 - Autobahn, Bartosz Werner, Konrad Wolf Film University of Babelsberg
  • 2004 - Européens Teneriffa, Saara Saarela
  • 2005 - Doppelter Einsatz: Spurlos verschwunden
  • 2005 - Küstenwache: Dunkle Geschäfte
  • 2005 - Die schönsten Jahre, Gabi Kubach, UFA Fernsehproduktion
  • 2006 - Küstenwache: Gnadenlos gejagt
  • 2006 - Goldene Zeiten, directed by Peter Thorwarth
  • 2006 - Verschleppt - Kein Weg zurück
  • 2006 - Die Abrechnung, directed by Thorsten Näter
  • 2006 - Les Européens Tenerife
  • 2006 - Herzentöter, Bernd Heiber
  • 2007 - Notruf Hafenkante: Das kalte Herz
  • 2008 - Die Gustloff (M/S Gustloff - Ship Of No Return), directed by Joseph Vilsmaier
  • 2010 - We Are the Night (film) (Wir sind die Nacht), Dennis Gansel, Constantin Film
  • 2010 - Snowman's Land, Tomasz Thomson
  • 2011 - Dr. Ketel, Linus De Paoli
  • 2011 - Easter Goes Polish (Polnische Ostern), Jakob Ziemnicki
  • 2012 - Invasion, Dito Tsintsadze
  • 2012 - Der Mann mit dem Fagott, directed by Miguel Alexandre
  • 2012 - The Berlin Project (90 Minuten – Das Berlin Projekt), Ivo Trajkov
  • 2012 - Men Do What They Can (Man tut was man kann), directed by Marc Rothemund
  • 2013 - Bored to Death v.o. Russendisco "The case of the lonely white dove"
  • 2013 - Das Adlon. Eine Familiensaga, directed by Uli Edel, Oliver Berben
  • 2015 - Großstadtrevier: Das Licht, directed by Lars Jessen
  • 2016 - Fucking Berlin, directed by Florian Gottschick
  • 2016 - მეგობარი (Der Freund), Dito Tsintsadze
  • 2017 - Die Chefin, directed by Florian Kern; Network Movie Film- und Fernsehproduktion GmbH; ZDF
  • 2017 - Der Kriminalist: Die Offene Tür, directed by Züli Aladağ; ZDF
  • 2018 - Babylon Berlin, Tom Tykwer, Achim von Borries, Henk Handloegten, Stefan Arndt, Sky 1, Das Erste
  • 2019 - Der Bulle und das Biest, Sat.1
  • 2020 - Project Google
  • 2020 - Hey, Pa! Leonid Rybakov
  • 2020 - Unterleuten, Network Movie, ZDF
  • 2020 - Pilot Project, Arte
  • 2020- "CoronaVirusPause" dir.-Coronateur, script-Kröner, Role-Вирус КоронаВич Covidiot, production-COVID-19 ENDE!

German Voice-overs (dubbing)

gollark: I mean, "list of AI" is probably easy enough, you could just... search github using some keywords, and maybe research papers.
gollark: Just because you can describe a task in a sentence or so doesn't mean you can give a description clear and detailed enough to think about programming it.
gollark: Early attempts at AI back in the last millennium tried to create AIs by giving them logical reasoning abilities and a large set of facts. This didn't really work; they did some things, hit the limits of the facts they had, and didn't do anything very interesting.
gollark: They don't even have *memory* - you just train the model a bunch, keep that around, feed it data, and then get the results; next time you want data out, you use the original model from the training phase.
gollark: They don't really have goals, only the training code does, and that goal is something like "maximize prediction accuracy with respect to the data".
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