Vronsky & Babin

Vronsky & Babin were regarded by many as one of the foremost duo-piano teams of the twentieth century. Vitya Vronsky (Viktoria Mikhailovna Vronskaya, 22 August 1909 – 28 June 1992) was born in Yevpatoria (then part of the Russian Empire now part of the annexed territory of Crimea in Ukraine). Victor Babin (Viktor Genrikhovich Babin, 13 December 1908 – 1 March 1972) was born in Moscow, Russia. They both died in Cleveland, Ohio, United States.[1]

Biography

Vronsky graduated from the Kiev Conservatory at the age of 13 and began a brilliant concert career as a soloist. In Berlin in 1933 while she was studying with Artur Schnabel (she also studied in Paris with Alfred Cortot and Egon Petri), she met another of Schnabel's students (who also studied composition with Franz Schreker), her future husband Victor Babin.

Soon thereafter they formed the duo piano team of Vronsky & Babin [2], once described by Newsweek magazine as "the most brilliant two-piano team of our generation", and embarked on a career as duo pianists that took them all over the world.

Vronsky & Babin were introduced to American audiences through their recordings of the piano music of Sergei Rachmaninoff, who became their friend and mentor. Their recordings were issued by RCA Victor, Columbia, Decca and EMI. Despite a break from performance during World War II during which Babin served in the Armed Forces and Vronsky worked with war casualties in Washington, D.C. hospitals, the duo still managed to perform over 1,200 concerts in North America alone. In 1961, Babin became Director of the Cleveland Institute of Music, where both he and Vronsky served on the Institute's faculty.

Victor Babin also composed a Concerto for Two Pianos, which is in the repertoire of the Contiguglia brothers,[3] Variations on a Theme of Purcell (cello and piano), Hillandale Waltzes (8 waltz movements on a theme by Johann Nepomuk Hummel, clarinet and piano), a song cycle Beloved Stranger, chamber music, as well as arrangements for two pianos of Stravinsky's Tango and the Waltz from Tchaikovsky's Eugene Onegin.[4] His other works included a Capriccio for orchestra, a Konzertstück for violin and orchestra, a string quartet, a Sonata-Fantasia for cello and piano, the solo piano works Fantasia, Aria and Capriccio and Deux Mouvements dansantes, and for two pianos, he wrote Six Studies, Three Fantasies on Old Themes, and Three March Rhythms.[5]

Babin died in 1972, and Vronsky continued to teach and perform until her death in 1992. Their pupils included Nohema Fernández.[6]

Vronsky was awarded the rank of Chevalier of the Order of Arts and Humanities by the French government in 1972 and served as a judge for the Robert Casadesus International Piano Competition. Babin was awarded an honorary Ph.D. from the University of New Mexico.

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gollark: I'll add this to the Macron 7 prelude.
gollark: You probably just want "immodest"?
gollark: Wait, that's the opposite.
gollark: "self-effacing"?

References
  1. Women as Duopianists, Woman at the piano
  2. Jean-Pierre Thiollet, 88 notes pour piano solo, « Solo de duo », Neva Editions, 2015, p.97. ISBN 978-2-3505-5192-0
  3. Richard and John Contiguglia
  4. Ionarts
  5. Grove's Dictionary of Music and Musicians, 5th ed., 1954, Eric Blom, ed.
  6. The Grove Dictionary of American Music. OUP USA. January 2013. ISBN 978-0-19-531428-1.
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