Vlatka Oršanić

Vlatka Oršanić (born 1958) is a Croatian opera singer (soprano) and vocal pedagogue.[1][2]

Vlatka Oršanić
Born(1958-01-29)29 January 1958
Zabok, Croatia
Occupation

Life and career

Oršanić was born in Zabok, Croatia. She spent her childhood in Varaždin where she began her music education at the School of Music. She studied piano from the age of 7 and singing from the age of 14 under Ankica Opolski. At the age of 16 she entered the Academy of Music in Ljubljana, studying voice under Ondina Otta-Klasinc. She graduated in the spring of 1979 and made her debut as Sophie in Werther at Ljubljana Slovene National Theatre Opera and Ballet. She was subsequently engaged as a soloist there and also began making guest appearances in other opera houses in what was then Yugoslavia. In that time she was celebrated as an extraordinary Lucia and Gilda. From 1985 to 1990 she lived in Vienna, where she pursued further study in solo singing techniques with Olivera Miljaković.[3][2]

The 1990s saw the beginning of Oršanić's international career. She sang at the Salzburg State Theatre where she appeared as Despina in Così fan tutte, Bastienne in Bastien und Bastienne, Euridice in Orfeo ed Euridice and Tamiri in Il re pastore. She went on to sing as a guest artist at various opera houses in Europe and from 1992 to 1995 was the soloist at the Staatstheater Darmstadt.[2] Her most successful roles were Jenufa, Lady Macbeth and Katerina Ismailova. She sang at Semperoper Dresden, Komische Oper Berlin, Oper Leipzig, Aalto-Musiktheater Essen, Teatro Comunale Florence and elsewhere. She performed at Salzburger Festspiele, Wiener Festwochen, Edinburgh Festival, Maggio Musicale Fiorentino, Festival d'automne Paris and at some of the most important european concert halls including Musikverein and Konzerthaus in Vienna, Konzerthaus and Philharmonie in Berlin, Alte Oper in Frankfurt, Philharmonie in Köln, Théâtre du Châtelet in Paris and Auditorio Municipal in Madrid. Collaboration with conductors: Semyon Bychkov, Michael Gielen, Vladimir Jurowski, Kirill Petrenko, Daniel Harding and others; directors: Joachim Herz, Harry Kupfer, Christine Mielitz, Liliana Cavani and others. Among her partners were Elina Garanča, Anja Harteros, Piotr Beczała and Peter Schreier. In 2003 she returned Slovene National Theatre Opera in Ljubljana as the company's principal soprano. That same year she began her career as a vocal pedagogue. She is a professor at the Academy of Music in Zagreb and has served as the head of its Voice Department from 2007.[4] Oršanić is also the co-founder and director of the Zinka Milanov International Competition for young opera singers.[5]

Awards
  • 1976 – The Prešeren Student Award[6]
  • 1979 – 1st Prize at Mario Del Monaco International Vocal Competition for Opera Singers in Udine, Italy.[2]
  • 1980 – 2nd Prize at Belcanto, international television competition in Oostende, Belgium.[2]
  • 2004 – Marijana Radev Award (Croatia) for the best woman opera role in the season (Katerina Izmailova in the opera Lady Macbeth of the Mtsensk District).[7]
  • 2007 – Milka Trnina Award (Croatia) for extraordinary artistic achievements.[8]
  • 2010 – Sergije Rainis Plaquette (Croatia) for extraordinary achievements in the field of vocal art and pedagogy.[9]
  • 2011 – Award of the Croatian Association of Music and Dance Pedagogues for extraordinary achievements in the field of music pedagogy.[10]
  • 2012 – The Samo Smerkolj Award (Slovenia) for the artistic achievements of the Slovene opera singers, especially in the field of chamber opera.[11]
  • 2012 – The Betetto Award (Slovenia) for the artistic achievements and overall contribution to the Slovenian music culture.[12]

Discography

Media
  • The Portrait of Vlatka Oršanić. Croatian television production, 2000. Directed by Branko Ivanda
  • Television broadcast of Vlatka Oršanić. Author: Darja Korez Korenčan. Production: Television Slovenia, 2004
gollark: Fine, give me 15 nanomillenia.
gollark: On what?
gollark: I would join but I would have to update and it would be irritating.
gollark: I've never seen anyone actually die to nanobots before.
gollark: Guess it's the apocalypse?

References
  1. Homovec, Boris (24 July 2015). "Intervju: Vlatka Oršanić: 'Kod nas bi svi trebali krenuti od svog rada'". Nacional. Retrieved 28 November 2016 (in Croatian).
  2. Kutsch, Karl-Josef and Riemens, Leo (eds.) (2004). "Oršanić, Vlatka". Großes Sängerlexikon, 4th edition, p. 3461. Walter de Gruyter. ISBN 359844088X (in German)
  3. Ljubljana Slovene National Theatre Opera and Ballet. "Vlatka Oršanić". Retrieved 28 November 2016.
  4. Academy of Music, University of Zagreb. Voice Department. Retrieved 8 January 2017.
  5. Zinka Milanov International Competition. Protocol, regulations and prizes. Retrieved 8 January 2017.
  6. Ožegović, Nina (21 January 2008). "Vlatka Oršanić – teatarski eksperiment najbolje hrvatske sopranistice". Nacional. Retrieved 8 January 2017 (in Croatian).
  7. Index.hu (30 June 2004). "Dodjeljene nagrade hrvatskoga narodnog kazalist u zagrebu za dramska operna i baletna ostvarenja". Retrieved 8 January 2017 (in Croatian).
  8. Hrvatsko Društvo Glazbenih Umjetnika. Dobitnici Nagrade Milka Trnina. Retrieved 8 January 2017 (in Croatian).
  9. Weber, Zdenka (2010). "Poklon pred Umjetnošću Pjevanja". Cantus. p. 7. Retrieved 8 January 2017 (in Croatian).
  10. Hrvatsko društvo glazbenih i plesnih pedagoga (HDGPP). Nagrade. Retrieved 8 January 2017 (in Croatian).
  11. Slovensko komorno glasbeno gledališče. Vlatka Oršanić 2012. Retrieved 8 January 2017 (in Croatian).
  12. RTV Slovenija (19 October 2012). "Nagrada za dosežke na področju operne umetnosti sopranistki Vlatki Oršanić". Retrieved 8 January 2017 (in Croatian).
  13. Oliver, Michael (November 1997)."Review: Zemlinsky Lyric Symphony/Berg Lyric Suite". Gramophone. Retrieved 8 January 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.