Vladimir Grammatikov

Vladimir Alexandrovich Grammatikov (Russian: Владимир Алeксандpoвич Грамматикoв; born 1 June 1942) is a Russian and Soviet theater and film actor, director, screenwriter and producer. Honored Artist of the Russian Federation (1995).[1]

Vladimir Grammatikov
Born
Vladimir Alexandrovich Grammatikov

(1942-06-01) 1 June 1942
Sverdlovsk, Soviet Union
Occupationfilmmaker, actor
Years active1963–present
Spouse(s)Natalia Zhukova, 2 children

Biography

Vladimir Grammatikov was born 1 June 1942 in Sverdlovsk. He graduated from the construction faculty of radio Bauman College in Moscow, and then decided to link his lives with cinematography. Later, he got an education at the acting department Russian Academy of Theatre Arts, becoming an actor pantomime.

In 1976 he graduated from the Directing Department of Gerasimov Institute of Cinematography (class of Efim Dzigan).

From 1976 – actor and director Gorky Film Studio. Directed sketches for the newsreel Yeralash and commercials.

Since 1990 – artistic director of the creative association Contact (Gorky Film Studio). One of the founders and artistic director of the studio Starlight (Russia, Sweden, the United Kingdom, Denmark). President of the Starlight-fest – International Children's Film Festival in Artek (1992–1996). One of the founders of the Festival of Visual Arts at the Russian Children's Center Eaglet (1997–2006).

He was the chief director and artistic director of the children's series for preschoolers, Sesame Street in Russia (NTV).

In March 2010, Vladimir Grammatikov appointed as creative producer for Disney in Russia.

The movie was filmed often debuted 21 years. His first full-length work as a director – a children's comedy film Mustached Nanny – leader in film distribution (53 million viewers). Grammatikov found himself a niche in children's and teen movies, and virtually all subsequent work of the director in the genre of family movies and won prizes at Soviet and international film festivals. One of his most famous films afterwards was the international film project Mio in the Land of Faraway (1987).[2]

Selected filmography

Actor

Director

Producer
gollark: Tape Shuffler would be okay with it, Tape Jockey doesn't have the same old-format parsing fallbacks and its JSON handling likely won't like trailing nuls, no idea what tako's program thinks.
gollark: Although I think some parsers might *technically* be okay with you reserving 8190 bytes for metadata but then ending it with a null byte early, and handle the offsets accordingly, I would not rely on it.
gollark: Probably. The main issue I can see is that you would have to rewrite the entire metadata block on changes, because start/end in XTMF are offsets from the metadata region's end.
gollark: I thought about that, but:- strings in a binary format will be about the same length- integers will have some space saving, but I don't think it's very significant- it would, in a custom one, be harder to represent complex objects and stuff, which some extensions may be use- you could get some savings by removing strings like "title" which XTMF repeats a lot, but at the cost of it no longer being self-describing, making extensions harder and making debugging more annoying- I am not convinced that metadata size is a significant issue
gollark: I mean, "XTMF with CBOR/msgpack and compression" was being considered as a hypothetical "XTMF2", but I'd definitely want something, well, self-describing.

References
  1. "Указ Президента РФ от 17.03.1995 № 284 «О присвоении почётных званий Российской Федерации творческим работникам»". Archived from the original on 3 January 2012. Retrieved 4 June 2011.
  2. Variety 2008-07-06
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