Visiting Hours

Visiting Hours (originally titled The Fright) is a 1982 Canadian slasher film directed by Jean-Claude Lord and starring Lee Grant, Michael Ironside, Linda Purl, William Shatner and Lenore Zann. The plot focuses on a feminist journalist who becomes the target of a serial killer, who follows her to the hospital after attacking her in her home.

Visiting Hours
Directed byJean-Claude Lord
Produced byVictor Solnicki
Claude Héroux
Pierre David
Written byBrian Taggert
Starring
Music byJonathan Goldsmith
CinematographyRené Verzier
Edited byJean-Claude Lord
Distributed by20th Century Fox
Release date
  • May 28, 1982 (1982-05-28)[1]
Running time
105 minutes[2]
CountryCanada
LanguageEnglish
Budget$6 million[3]
Box office$13.3 million[1]

Visiting Hours was released on May 28, 1982, and grossed $13.3 million at the box office on a budget of $6 million. The film received mostly negative reviews from critics.

Plot

Deborah Ballin, a feminist activist, inspires the wrath of the misogynistic psychopath and serial killer Colt Hawker on a TV talk show. He attacks her, but she survives and is sent to County General Hospital.

Colt begins stalking her. Deborah befriends the nurse Sheila Munroe, who admires her devotion to women's rights. Colt murders an elderly patient and a nurse. He overhears Sheila's opinions on Deborah and "that bastard" who attacked her. Colt decides to focus his attention on Sheila, stalking her and her children at home.

Colt courts a young girl, Lisa, and then brutally beats and tortures her, despite being unable to rape her. The next day, Deborah discovers that the patient and the nurse have been killed, so she suspects her attacker is back to finish the job. She tries to convince her boss, Gary Baylor, and Sheila that she is not safe, but they both think she is paranoid.

Colt visits his father, who was disfigured years ago by his mother, explaining his hatred for women. He tries to kill Deborah again but is thwarted by her security. A frantic Sheila is paged and finds Lisa, whose wounds she had treated, waiting for her. Lisa says she knows the identity of Deborah's attacker, and where he lives.

Before she can alert anyone, Sheila receives a phone call from Colt, warning her that he is in her house with her daughter and babysitter. She sends Lisa to warn Deborah, then rushes home and finds her daughter and babysitter safe in bed. She places a call to Deborah, but Colt springs forth to stab Sheila in the stomach and pushes her to the ground. He places the phone to her ear to torture Deborah from hearing her in pain. He moves toward Sheila's daughter. Sheila can only scream in terror as he walks out, leaving her to die.

Colt goes home, where he devises one last plan to kill Deborah. He breaks a beer bottle underneath his arm, wounding himself badly. Gary and Deborah have an ambulance sent to Sheila's house. Still alive, but badly wounded, she is rushed to the hospital. Gary accompanies the police to Colt's apartment, where they discover the photos of his previous victims, as well as Deborah and Sheila's. They also learn that the wounded Hawker has been taken to County General.

Sheila is taken into the emergency room and Colt is wheeled in. After being bandaged and medicated, he sneaks away to find Deborah and attacks her. She flees to an elevator. In the basement, she goes into a radiography room, finding a helpless Sheila, all alone, waiting for X-rays.

Realizing she must lure Colt away to protect Sheila, Deborah leaves and deliberately gives her location away. Colt approaches the curtain she is hiding behind and Deborah stabs him with a switchblade, killing him. Sheila is wheeled to safety while Gary comforts Deborah, who faints at the sight of what she has done.

Cast

Production

Filming took place in the fall of 1980 Montreal, Quebec, Canada, under the working title The Fright.[4][5] The budget was approximately $6 million.[3] Filming completed in late October 1980.[6]

Release

The film was released theatrically in the United States by 20th Century Fox on May 28, 1982.

Censorship

In the United Kingdom, the film was subject to censorship,[7] and had one minute of footage excised for its theatrical release.[8] It was subsequently classified as a "video nasty" by the British Board of Film Classification (BBFC),[9] though the video print of the film remains the same as the censored theatrical cut.[8] Along with Abel Ferrara's The Driller Killer (1979), the film has the distinction of being one of two films on the BBFC's "video nasty" list that was aired on British television.[8]

Critical response

Reviews from critics were very negative. Vincent Canby of The New York Times called the film "an especially clumsy, overwrought example of slash-and-hack melodrama ... The laughs here are not intentional."[10] Variety wrote that the film, "though artless, is terror-crammed and bloody enough to appeal to the raunchy circuit trade."[11] Gene Siskel of the Chicago Tribune gave it half a star out of four and called it "yet another depressing sickie-with-knife-chasing-women picture." He found it "shocking and depressing" that Grant and Shatner appeared in it, asking, "Do these people really need a paycheck that badly?"[12]

Many critics commented on the film's portrayal of violence against women: Kevin Thomas of the Los Angeles Times called the film "just another sickening, numbskull movie that hypocritically exploits extreme violence against women while purportedly protesting it."[13] The Austin American-Statesman's Patrick Taggart deemed it "mainly a celebration of violence...  there's no warmth here, nor any truly sympathetic characters."[14] Tom Shales of The Washington Post wrote, "You're not just sorry you came to a movie like this; you feel saddened and troubled that it even exists, that somebody saw a few more quick bucks in such a tired, ritualized and malicious formula."[15]

Geoff Brown of The Monthly Film Bulletin called it a "lamentable shocker," with the writer and director "charging like bulls through a script ridden with implausibilities."[16] Bill Cosford of the Miami Herald awarded the film a one-star out of four-star rating, citing plot inconsistencies as a major fault.[17]

Film review aggregator Rotten Tomatoes reports an approval rating of 14%, based on 14 reviews, with an average rating of 3.8/10.[18]

Home media

The film was released on DVD by Anchor Bay Entertainment in April 2006.[19] It was re-released by Scream Factory, along with Bad Dreams (1988)—another hospital-set horror film—as a double feature DVD on September 13, 2011.[20] Scream Factory issued a Blu-ray edition of this double feature on February 18, 2014.[21]

gollark: There are mesh networks in a few places, but I don't think they've gotten massively wide adoption because the average consumer doesn't really care (and they still need to interact with the regular internet, which is hard and beelike).
gollark: Phones spend tons of battery power on communicating with faraway towers when they could also practically relay data via nearby devices on lower power for non-real-time data.
gollark: Anyway, as much as I somewhat disapprove of ☭ in general, the current hierarchical structure of consumer internet connectivity is ridiculous and inefficient and would probably have been replaced if it wasn't for the hardproblemness of good mesh networking.
gollark: `nc -l 5000` or something on one device, `nc [its IP] 5000` on the other I think?
gollark: Or ADB.

See also

References
  1. "Visiting Hours (1982)". Box Office Mojo. Archived from the original on October 26, 2019.
  2. Muir 2010, p. 291.
  3. Warren, Ina (October 4, 1980). "Once more into shock". Ottawa Citizen. Ottawa, Ontario. p. 25 – via Newspapers.com.
  4. Adilman, Sid (June 11, 1981). "Cronenberg's 'Scanners' has taken in $20 million". The Windsor Star. Windsor, Ontario. p. 44 – via Newspapers.com.
  5. "Lee Grant loves fright roles". The Leader-Post. Regina, Saskatchewan. October 1, 1980. p. 56 – via Newspapers.com.
  6. Schurnmacher, Thomas (October 29, 1980). "Angry director leaves Argentina". The Gazette. Montreal, Quebec – via Newspapers.com.
  7. "Visiting Hours". British Board of Film Classification. Archived from the original on April 5, 2020.
  8. Kerekes & Slater 2005, p. 268.
  9. Barker 1984, p. 81.
  10. Canby, Vincent (May 29, 1982). "The Screen: 'Visiting Hours'". The New York Times: 10. Archived from the original on April 5, 2020.
  11. "Visiting Hours". Variety: 24. May 5, 1982.
  12. Siskel, Gene (June 3, 1982). "Tempo: 'Visiting Hours': Another disgusting trash/slash film". Chicago Tribune. Section 3, p. 11.
  13. Thomas, Kevin (May 31, 1982). "Parading Violence In Protest Guise". Los Angeles Times. Part V, p. 5.
  14. Taggart, Patrick (May 28, 1982). "'Visiting Hours' mainly a celebration of violence". Austin American-Statesman. Austin, Texas – via Newspapers.com.
  15. Shales, Tom (May 31, 1982). "A Sickly Stab at Hospital Horror". The Washington Post: D9.
  16. Brown, Geoff (May 1982). "Visiting Hours". The Monthly Film Bulletin. 49 (580): 94.
  17. Cosford, Bill (May 31, 1982). "No patience during 'Visiting Hours'". Miami Herald. Miami, Florida. p. 5B – via Newspapers.com.
  18. "Visiting Hours (1982)". Rotten Tomatoes. Retrieved April 5, 2020.
  19. Weinberg, Scott (April 28, 2006). "Visiting Hours". DVD Talk. Archived from the original on April 5, 2020.
  20. Dahlke, Kurt (August 30, 2011). "Bad Dreams / Visiting Hours". DVD Talk. Archived from the original on April 5, 2020.
  21. Tyner, Adam (February 11, 2014). "Bad Dreams / Visiting Hours (Blu-ray)". DVD Talk. Archived from the original on April 5, 2020.

Sources
  • Barker, Martin (1984). The Video Nasties: Freedom and Censorship In the Media. London, England: Pluto Press. ISBN 978-0-861-04667-6.CS1 maint: ref=harv (link)
  • Kerekes, David; Slater, David (2005). See No Evil: Banned Films and Video Controversy. London, England: Headpress. ISBN 978-1-900-48610-1.CS1 maint: ref=harv (link)
  • Muir, John Kenneth (2010). Horror Films of the 1980s. Jefferson, North Carolina: McFarland. ISBN 978-0-786-45501-0.CS1 maint: ref=harv (link)
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