Victor Staub

Victor Henri Staub (Lima, 16 October 1872 – Paris, 4 February 1953) was a French pianist and composer.

Victor Staub, c. 1900

Biography

Born in Peru to Swiss-French parents, Staub exhibited an early aptitude for the piano. He studied at the Paris Conservatoire with Antoine Marmontel[1] and Louis Diémer, gaining a first prize in piano in 1888.

Staub competed in the Anton Rubinstein prize in Berlin in 1895. He and Josef Lhévinne both played Beethoven's Hammerklavier Sonata op. 106. In the first round of voting, Staub and Lhévinne obtained the same number of votes, but Lhévinne was ultimately awarded the 5,000 franc first prize after a second round of voting.[2]

Staub taught for five years at the conservatory in Cologne.[3] He left Cologne in 1902 and returned to Paris.[4]

He became a professor at the Paris Conservatoire on 21 October 1909, taking the place of Edouard Risler. Upon the death of Elie Delaborde in 1914,[5] Gabriel Fauré chose Staub over Marguerite Long to head the Classe Supérieure for women.[6] Staub's female pupils included Germaine Devèze, Madeleine Giraudeau, Jacqueline Pangnier (Robin), Hélène Pignari, and Rita Savard. He also taught José Iturbi, Ernest Hoffzimmer, and Raymond Trouard. Staub retired from the Conservatoire on 15 January 1941 and was succeeded by Armand Ferté.

Victor Staub recorded Chopin's Waltz in F, op. 34, No. 3; Debussy's Ménéstrels; and Schumann's Des Abends.

He composed numerous piano pieces, including most notably "Sous Bois" (1902) and "Bolero" (1924), as well as his piano arrangement of the "Sorcerer's Apprentice" by Paul Dukas. He also authored pedagogical works.

Raymond Trouard recalled that:

Staub could play like no one else. One morning (I had come in a little early), I saw him arrive calmly, sit down at the keyboard and perform, for himself, without any warning, Liszt's "Feux-Follets" impeccably! Staub had memorized the Etudes Transcendantes, Chopin's op. 10 and 25 Etudes, as well as most of the difficult works of the repertoire. Only a handful of pianists could boast of being able to do the same."[7]

Personal life

The son of Henri Staub (Zurich 1845 - Paris 1906) and Isabelle Merey (1847-1907), Victor Staub had three sisters: Emma, Béatrice, and Sylvie. With his first wife, Blanche Marie de Orelly (1882-1906) Victor Staub had a daughter, Diana Staub (b. 1905). He then married Marie Marguerite Emilie Baneux (1882-1958) and had a daughter, Odette Blanche Staub (1908-2000). Odette was the mother of actor Jean Claudio.

Victor Staub lived at 27 rue Fourcroy, in Paris, where he also taught private lessons for "professionals, amateurs, and children."[8]

Works

Solo piano

Opus Title Year
6 Sous bois 1902
11 Aubade - impromptu
13 Gaiement 1908
15 Scintillements - arabesque 1908
18 En Valsant - Valse Mignonne
22 Chanson gaie 1909
27 Pasquinade 1912
28 Sérénade Italienne
29 La ronde des follets
38 Sérénade espagnole
40 Rêverie
44 Sérénade française
46 Humoresque
Les deux compères 1905
Les matines 1919
Boléro 1924
Les chasseurs 1930
Pantomime 1930
Bab-el-oued
Chanson arabe
Conchita
Danse napolitaine
Le chant du muletier
Les jongleurs
Li-o-ting
Mazurka
Paysage ensoleillé
Pepita - pièce espagnole - boléro
Rêverie hindoue
Saboulah - pièce orientale
Sérénade valse
Simple conte
Tango
Valse ballet
Valse lente

Piano 4-hands

  • Trois Pièces: En trottinant, Marche; En dansant, Valse; En chantant, Sérénade (1909)

Opérette

  • Les quatre fils Aymon, One Act (performed at the Cercle des Joyeux, December 19, 1888)

Chanson

  • L'heure délicieuse, Lyrics by Lucien Marotte. 1910
  • L'heure silencieuse, Lyrics by Lucien Marotte. 1910

Notes
  1. Charles Timbrell, French Pianism: A Historical Perspective
  2. Le Ménestrel, Volume 61, p. 275 https://books.google.com/books?id=_sQxAQAAMAAJ&pg=PA275&lpg=PA275&dq=lhevinne+staub&source=bl&ots=OohHsA2YK3&sig=NE8WQsSPdW4wAL-6gzWVZV0lrsA&hl=en&sa=X&ei=WYGIVbLDGcLGsAWYgIOIAQ&ved=0CCcQ6AEwAg#v=onepage&q=lhevinne%20staub&f=false
  3. Le Guide musical: revue internationale de la musique et des théâtres, p. 633 https://books.google.com/books?id=t7g9KqqGpGgC&pg=PA633&lpg=PA633&dq=%22victor+staub%22+lima&source=bl&ots=BOAva0GTm3&sig=e1CI_BgLusuq_1I7g5c8QVNagrI&hl=en&sa=X&ei=KnuIVb3XB4vvtQWpkYCoBw&ved=0CCoQ6AEwAg#v=onepage&q=%22victor%20staub%22%20lima&f=false
  4. Neue zeitschrift für Musik. Band 98. p. 192
  5. https://gallica.bnf.fr/ark:/12148/bpt6k6394133c/f5.item.r=staub
  6. Cecilia Dunoyer, Marguerite Long: A Life in French Music, 1874-1966 p. 40
  7. Raymond Trouard, Entretien avec Frédéric Gaussin, p. 1 http://www.raymondtrouard.fr/?page=documents%2F%3Fgrou%3Dentretien%26PHPSESSID%3D5krffk82p5gfhghffu41jq5b74
  8. Le Figaro, 11 octobre 1919
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gollark: I find it kind of triangular myself.
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