Vedanth Bharadwaj

Vedanth Bharadwaj (born 1 October 1980) is a vocalist and composer born in Mumbai, India. He is a qualified guitarist from the Trinity College London and is best known for his work with songs and poems from the Bhakti Movement.[1]

Vedanth Bharadwaj
Vedanth performing at Coimbatore
Background information
Born (1980-10-01) 1 October 1980
Mumbai, Maharashtra, India
GenresFolk, Hindustani classical, Carnatic
Occupation(s)Singer, composer, guitarist
Websitehttp://www.vedanth.in

Early life

Vedanth started training in Classical music around the age of four, under Neyveli Santhanagopalan. At first a reluctant student, he soon realised that he enjoyed his music lessons. After being a student of Sri Neyveli Santhanagopalan for over ten years, he trained with Sri Narayana Iyengar for about three years. But his training came to an abrupt end when he moved to Rishi Valley School. While there, he met his roommate and future collaborator, Ananth Menon, who introduced him to rock music, and taught him the guitar. Vedanth is a Post Graduate in Psychology and an MBA in Corporate Communication. [2]

Music

Early career

When he returned to Chennai from Rishi Valley School, Vedanth formed a band called Buddha's Babies, playing in a genre they liked to call "alternative acoustic trance". Soon after, he returned to Indian classical music and started training with Ramamoorthy Rao, who remains his guru to this day. While doing his Masters, Vedanth did a series of studies on music therapy. He worked as a music therapist with children with special needs at the Kaleidoscope Learning Centre. Meanwhile, he was composing ad jingles for companies like Reliance and Parry's. He formed a group with Ananth Menon and another friend Balu (music director SK Balachandran), and they composed the music for Jagapati Babu-starrer Telugu film Brahmastram in 2006.[2]

Albums

Mati Kahe

A few years later, during which he composed for a few more films and set up a studio in his house, Vedanth rediscovered songs from the Bhakti movement. He started singing songs of Mirabai, Guru Nanak and Kabir, adding his own twists to the tunes. This eventually led to the germination of his first album, Mati Kahe (2007), which contains songs from the saints and poets of the Bhakti movement. All the songs are accompanied only by the guitar, and some of the tunes were composed by his guru.[3]

Suno Bhai

The success of his first album fuelled his drive and he started work on his second project. Wanting to concentrate on the works of Kabir, he read translations of his couplets and listened to renditions of his songs by Kumar Gandharva. He collaborated with classical singer Bindhu Malini, and together they made his second album, Suno Bhai (2013).[4][5]

Frequent collaborations

In addition to Suno Bhai, Vedanth and Bindhu Malini, frequently perform together, including at the annual Kabir Yatra in Madhya Pradesh. Vedanth collaborated with several musicians for his second album, including flautist Navin Iyer, percussionist Satya Narayanan and kanjeera-player BS Purushotaman. He also collaborated with the Trichur brothers as part of their group Anubhuti. There are several musicians who Vedanth performs with regularly. Among them are Anil Srinivasan and Sikkil Gurucharan of whom Vedanth says, "when the three of us get together, music just happens." Another common collaborator of his is Ananth Menon of Bangalore-based musical group Galeej Gurus. Vedanth and Ananth have given several performances together including at the Fireflies Festival of Sacred Music in Bangalore. Shruthi Vishwanath, a classically trained singer who sings abhangs and nirgun poetry is another of his collaborators at the Kabir Festival of Mumbai, and the Malwa Kabir Yatra.[6] He has also played the guitar on Bombay Jayashri's album, Kannamma, and composed the score for contemporary dancer Anita Ratnam's production, Faces. He has collaborated with theatre director Rajeev Krishnan, giving music and playing small parts in his plays, Jujubee and How to Skin a Giraffe.[7][8][9]

Performances

Vedanth has a unique style that blends Indian Classical and folk music. Vedanth has given several performances and concerts all over India and abroad. Some of his notable performances have been at the Playhouse Company South Africa, Singapore, Ladakh Music Confluence 2010, TED Conference 2011, Congo Square Jazz Festival in Kolkata 2010, Chennai Sangamam 2012, Coimbatore Vizha 2011, Fireflies Festival 2011, TEDxSVCE Chennai 2012, Kabir Yatra at Bikaner, Mumbai, Pondicherry and Malwa, NH7 Bangalore, Storm Festival Coorg.

[7][10][11][12]

Influences

Vedanth has a diverse set of influences ranging from Bob Dylan, Eric Clapton, Eagles, Beatles, Allman Brothers, Ray Charles, Frank Sinatra to TR Mahalingam, Ilayaraja, AR Rahman, Ustad Amir Khan, Pt Bhimsen Joshi and Kabir and Meera.[13]

Personal life

Vedanth married Neha, a Punjabi girl, in 2010. They live in Chennai where Vedanth has set up his studio. He is passionate about music, wherever he finds it. He is known to have helped a Chennai-based street Banjo player by buying him an amplifier and promoting him on his YouTube channel.[14][15][16]

gollark: Because instead of "pages have attached files which can be linked the pages", you could just have "pages contain files as a separate type of content, embedded appropriately".
gollark: Minoteaur 7.1 had file management capabilities, but while working on this now I realized I suddenly realized that this could probably be combined with the content model rework somehow, accursedly.
gollark: But I also really don't like writing much code, and want to generalize and combine features as much as possible. Which causes more problems.
gollark: The main causes of this are:- I wanted it to be interactable with externally via an API of some kind, and operating on text strings for that is kind of æ æa æ ææææ æææ.- I wanted some kind of structured data handling mechanism, partly for APIous purposes - see DokuWiki's `struct` plugin, and a cool feature a random journaling website has where you can use `CAPSTHING: bees` in a page and get tables out- I also thought that the design of all previous Minoteaurs, which made pages entirely text strings, hampered rich editing capabilities (such as "to-do lists" where you could easily check/uncheck things, and arbitrarily-nested-bullet-point "outliner" stuff)
gollark: However, design of this in any detail requires making decisions, which immediately induces apionic "bee" incursions.

References
  1. "Vedanth Bharadwaj, for The Alternative – The Alternative". Thealternative.in. 4 April 2012. Retrieved 29 November 2013.
  2. "Times of India Publications". Lite.epaper.timesofindia.com. 14 April 2012. Retrieved 29 November 2013.
  3. WS Retail (n.d.). "Mati Kahe". Flipkart.com. Retrieved 29 November 2013.
  4. "Article Window". The Times of India. n.d. Retrieved 29 November 2013.
  5. WS Retail (n.d.). "Suno Bhai". Flipkart.com. Retrieved 29 November 2013.
  6. http://thekabirfest.com/2016/schedule/
  7. "Article Window". The Times of India. n.d. Retrieved 29 November 2013.
  8. "For children". The Hindu. 7 September 2012. Retrieved 29 November 2013.
  9. "How to Skin a Giraffe – Aug 2, Aug 10 & Aug 24". The Hindu. 16 July 2013. Retrieved 29 November 2013.
  10. "Vedanth Bharadwaj". OK Listen!. n.d. Retrieved 29 November 2013.
  11. Meera Srinivasan (17 March 2013). "The poet of equality". The Hindu. Retrieved 29 November 2013.
  12. "Clean, green music". The Hindu. 27 January 2013. Retrieved 29 November 2013.
  13. "Article Window". The Times of India. n.d. Retrieved 29 November 2013.
  14. "When dholak weds melam". The New Indian Express. 17 June 2013. Retrieved 29 November 2013.
  15. Liffy Thomas (3 April 2013). "Roaming strings". The Hindu. Retrieved 29 November 2013.
  16. "Banjo player on Besant Nagar Beach – Street musician – 2013-03-24 19.34.00". 24 March 2013. Retrieved 29 November 2013 – via YouTube.
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