Valdemar Schønheyder Møller

Valdemar Christian Schønheyder Møller (5 January 1864 – 3 May 1905) was a Danish painter, known for his depictions of sunlight.[1]

Valdemar Schønheyder Møller (1880s)
Fontainebleau (1897)

Biography

Møller was born at Aarhus, Denmark. He was the son of Carl Johan Ferdinand Møller (1815–73) and Reinholdine Christiane Schønheyder (1835–1904).

He began his art studies at the Royal Danish Academy of Fine Arts, but stayed for only a year, then switched to the Kunstnernes Frie Studieskoler, where he studied under the supervision of P.S. Krøyer.[2] It was there he became friends with Vilhelm Hammershøi (1864 –1916) and took photographs that became the basis for some of Hammershøi's early paintings. He was, in fact, one of the earliest Danish painters to use photography as an artistic medium.[2][3]

In 1891, he moved to Skagen, where he became acquainted with the Skagen Painters, and remained there until 1893. It was in Skagen that he began his intensive study of the effects of light.[4]

In 1894, he went to Paris to join his brother, Tyge, who was an art collector; then settled in Fontainebleau in 1896.[2] He continued his studies of light, producing a series of over thirty works with the sun's direct light as their theme; many depicting the sun as rises, shining through the trees. Sometimes, he would briefly stare at the sun, to recreate the lights and colors induced in his retina. He soon became known as the painter of the sun (Le peintre du Soleil).[2]

Although largely forgotten today, he was once a familiar figure at exhibitions, including the Charlottenborg Spring Exhibition (1885–87, 1889–92), the Salon de la Société Nationale (1895–1903) and the Expositions Universelles of 1889 and 1900.[4]

Throughout his life, he suffered from bipolar episodes. In 1901, he was admitted to Århus Sindssygehospital, the psychiatric hospital in Aarhus and remained there until his death in 1905.[2][5]

gollark: I figured out a terrible, terrible (in the sense of being slightly cheaty) way to get diamonds:1. hook up slag production to thermal centrifuge (there's a 1 slag -> tiny gold dust + 5 coal dust recipe)2. feed coal to compactor (makes compressed coal balls; without this it would need flint, but that's easy too)3. compress the coal ball into a ... compressed coal ball4. compress the compressed coal balls into a coal chunk (usually this would require obsidian, iron or bricks, but the compactor skips that too - obsidian is automateable easily but with large power input, though)5. compress coal chunk into diamond
gollark: Oh, this is really cool, Random PSIDeas has a thing which allows me to move my camera position.
gollark: ... right, the dirt, silly me.
gollark: It would also expose the stone brick roof to the surface.
gollark: <@280423421555507203> I would but there's a farm which would need moving.

References
  1. "Valdemar Schønheyder Møller". Google Arts and Culture. Retrieved March 1, 2019.
  2. Elisabeth Fabritius . Valdemar Schønheyder Møller Kunstindeks Danmark & Weilbach Kunstnerleksikon
  3. Erik Brodersen. "Vilhelm Hammershøi". Kunstindeks Danmark & Weilbach Kunstnerleksikon. Retrieved March 1, 2019.
  4. Sigurd Schultz. "Valdemar Schønheyder Møller". Dansk Biografisk Leksikon, Gyldendal. Retrieved March 1, 2019.
  5. "Psykiatrisk Hospital i Aarhus". aarhuswiki.dk. Retrieved March 1, 2019.

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