Vítor Martins

Vítor Martins (born October 22, 1944) is a Brazilian songwriter, known for several hits in Brazil and internationally. Most of these were composed with Ivan Lins (born 1945), with whom Martins began working in the early 1970s. Together, they founded the national record company Velas in 1991.[1]

This article is about the Brazilian songwriter. For the Portuguese footballer, see Vítor Martins (footballer).

Compositions

These compositions are with Ivan Lins unless noted. Some of these have English translations, and been recorded and published with various artists internationally.

  • Abre alas
  • Açucena
  • Água doce
  • Ai, ai, ai, ai, ai
  • Amar assim
  • Andorinhas
  • Anjo de mim
  • Aos nossos filhos (alone)
  • Arlequim desconhecido
  • Atrevida (alone)
  • Bandeira do Divino
  • Barco fantasma
  • Bilhete
  • Cartomante
  • Choro das águas
  • Clareou (with Ivan Lins and Aldir Blanc)
  • Começar de novo
  • Daquilo que eu sei
  • De Nosso Amor Tão Sincero (alone)
  • Depende de Nós
  • Desesperar, jamais
  • 16 de novembro
  • Dinorah, Dinorah
  • Formigueiro (with Ivan Lins, and Tim Maia)
  • Novo tempo
  • O Assalto (alone)
  • Sede dos marujos
  • Setembro with Lins and Gilson Peranzzetta
  • Velas içadas
  • Vitoriosa
gollark: No, they use better modulation and stuff.
gollark: It's called 5G because it's fifth generation because it comes after 4G.
gollark: No.
gollark: I don't like it. We use a BT router with that "feature" at home and I cannot figure out how to turn it off and it *annoys me slightly*.
gollark: Self-driving cars should probably not be using the mobile/cell network just for communicating with nearby cars, since it adds extra latency and complexity over some direct P2P thing, and they can't really do things which rely on constant high-bandwidth networking to the internet generally, since they need to be able to not crash if they go into a tunnel or network dead zone or something.

References
  1. That Lins and Martin began their collaboration in the early 1970s is based on a statement in Ivan Lins biography, published by Ivan Lins, stating that it had started after his [Lins] record named Modo Livre (1974). This in contradiction to


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