Vân Đài

Ðào Thị Nguyệt Minh (January 29, 1903 – 1964), known by the pseudonym Vân Ðài, was a Vietnamese poet. Well known as one of Vietnam's primary female poets, Vân Ðài's work is also closely associated with the Resistance during the Vietnam War.[1] In 1943 Vân Ðài published Hương Xuân, the first women's poetry collection in quốc ngữ (the Vietnamese alphabet), together with Hằng Phương, Mộng Tuyết, and Anh Thơ.[2] Vân Ðài was selected by the editorial board of Feminist Publishing House of New York City University as one of the pioneer poets of the New Poetry style.[3]

Vân Ðài
BornÐào Thị Nguyệt Minh
January 29, 1903
Hanoi, Vietnam
Died1964 (aged 60–61)
Hanoi, Vietnam
Pen nameNữ Sĩ Vân Đài, Vân Ðài, Van Dai, Van-Dai
OccupationPoet
LanguageVietnamese
Period1913–1964
Literary movementThơ mới ("New Poetry")
Notable worksMùa hái quả (The Fruit Picking Season) 1964

Life and career

Early life

Nữ Sĩ Vân Đài, Đào Thị Nguyệt Minh was born on January 29, 1904 (Giáp Thìn, Dragon year) in Hà Nội. The Đào family on Hàng Trống street were famous in the artistic community for their daughters' talents. In addition to Vân Ðài's poetry, her sisters Đào Lan Anh, Đào Thị Ngọc Thư, and Đào Phi Phụng, were known for their violin and zither skills.[4]

At the age of ten, thanks to her mother's teaching and guidance on verse and poetry, she became famous in the poetry culture of Việt Nam, and came to be known as Vân Đài, poetess (nữ sĩ Vân Đài) of the pre-war period (thời tiền chiến).

Pre-war period, first marriage

Vân Đài began studies at Đồng Khánh Teacher Training School at the same time as well-known poet Tương Phố, but left the teaching profession to marry Huỳnh Kim Vinh, a veterinary surgeon who studied in Hà Nội. Together they moved to Trà Vinh,[5] a southern province, and then settled in Sàigòn.[6]

A few years later, Vân Đài's happiness and writing were interrupted by the sudden death of her husband. Back in Hà Nội, she devoted herself to writing poems and short stories for the many newspapers and magazines of Phụ Nữ Tân Văn, Phong Hóa, Ngày Nay, Tinh Hoa, Đàn Bà, and Tri Tân.

Second marriage, Hà Nội, from 1954

As a resistance partisan and participant during the long-lasting struggle against the colonial regime and hard evacuation campaign for Việt Bắc, Vân Đài volunteered as Head of the Dục Anh Association (Hội Dục Anh) where she helped to take care of hundreds of orphans.

She remarried Nguyễn Vǎn Tường, a telecommunications engineer.

In 1954 when Việt Nam was temporarily divided into two zones as a result of the Geneva Agreements, most of Vân Đài’s sisters and brothers left the ancient capital Thăng Long, Hà Nội for the South. Vân Đài could not follow them because her husband Tường and family would not go. To ease the pain of this parting, she taught literature at Hà Nội University. Her poetry was published in the newspapers of Phụ Nữ Việt Nam, Vǎn Học.

Death

At the end of the summer of 1964, Vân Đài died in a small house beside the West Lake (Hồ Tây), close to Quan Thánh Pagoda, Hà Nội. Only her friends and fellow poets, Anh Thơ, Hằng Phương, Thanh Phương, and Cẩm Thạch, attended her funeral.

In December 2012, The People's Council of Đà Nẵng City decided to name Vân Đài Street after the poet in a new residential area."bếp từ"

Published works

Vân Đài's most popular works were inspired by the mountainous areas where she traveled. She also published women’s household teaching books. Her last poem was Mùa Hái Quả (The Fruit - Picking Season), published by the Writer Association of Việt Nam in 1963.

  • Thanh Lịch (Elegance, teaching book)
  • Làm bếp giỏi (Be Good Cook, teaching book)
  • Hương Xuân (Spring Scent, selected poems, collaborated with Hằng Phương, Anh Thơ and Mộng Tuyết, Nguyễn Du Publisher in 1943)
  • Làm Bánh (Pastries, teaching book, collaborated with Nguyễn Xiễn, Phụ Nữ Publisher in 1958)

Short stories

Prewar period
  • Thằng Khạ Mú (highland-dweller Khạ Mú)
  • Tôi sang Lào (I travel in Laos)
  • Bốn nǎm trên Đảo Cát Bà (Four years living in Cát Bà Island)
  • Cô gái Phou-Thai (Phou-Thai Girl)[7]
  • "Thằng Khạ Mú" (Short story of highland-dweller Kha Mu in the weekly magazine Women)
  • "Cô gái Phou-Thai" (Short story of Phou-Thai Girl, 1941)
  • Excerpts from Vân Đài's Selected Poems which were mostly the pre-war era 1930 - 1940 published by Phụ Nữ Tân Văn, Sprint edition 1933

Poetry

Collections
  • Về quê Mẹ (Return to the Maternal Village) 1961
  • Những người mẹ năm tốt (Five - Deeds Mothers) 1962
  • Mùa hái quả (The Fruit Picking Season) 1964

Poems published in Phụ nữ tân văn, Phong Hóa, Ngày nay, and Tinh hoa magazines
  • "Đêm tàn" (The End of Night)
  • "Cảm hai giọt lệ" (Between Tears) Tri Tân No.135, 23/3/1944
  • "Chú hải quân" (Navy Soldier)
  • "Chiều quê" (Countryside Evening) Tri Tân No.139, 20/4/1944
  • "Chiều thu" (Autumn Evening)
  • "Lên đường" (Departure)
  • "Ngẫu đề" (By Sudden Creation) Tri Tân No.138, 23/3/1944
  • "Qua cảnh cũ" (Back to ancient land)
  • "Tả cảnh" (Landscape Description)
  • "Từ khúc" (Farewell Verse)
  • "Thuyền đi" (leaving Boat)
  • "Tiếng đêm" (Night Sound)
  • "Họa 10 bài Khuê phụ thán của Thượng Tân Thị" (Replying to 10 poems of Sole Woman's Wishes Poems of Thượng Tân Thị)[8]

Tribute

Vǎn Học magazine No. 129 (June 1, 1971) in Sàigòn, was a special edition paying tribute to Vân Đài and featured her portrait on the cover. Main articles included:

  • "Vân Đài Thân Thế và Văn Nghiệp" (Vân Đài's Biography and Works) by Phan Thục Uyên, writer, Sàigòn 1971
  • "Vân Đài, Bạn tôi" (Vân Đài, my Friend) by Thượng Sỹ, writer, Winter 1966
  • "Nhớ Chị Vân Đài" (Remembering Sister Vân Đài) by Anh Thơ, poet, West Lake, Spring 1968
  • "Vài Kỹ niệm về Vân Đài" (Some Souvenirs on Vân Đài) by Bàng Bá Lân, writer and poet, October 1963
gollark: It's the easiest example I could come up with. You could probably look at history or sports too.
gollark: That isn't really a goal. Virioids aren't going around thinking about their goals and how best to satisfy them. They just do things related to that due to the output of blind optimisation processes.
gollark: Things winning is often not determined by actual merit but unrelated factors and random chance. This happens a lot in computing, where a terrible standard comes first or is supported by big companies or something, and nobody can ever get everyone to switch.
gollark: I think it's just the sugar molecules on their own and presumably very concentrated.
gollark: I agree.

References
  1. Seong Chee Tham (1981). Essays on Literature and Society in Southeast Asia: Political and Sociological Perspectives. NUS Press. p. 329. ISBN 9789971690366.
  2. "Hội liên hiệp Phụ nữ - Việt nam". Hoilhpn.org.vn. 13 October 2008. Retrieved 2019-10-17.
  4. This date and information were confirmed by her brother Đào Sĩ Chu in Vǎn Học, No. 129, June 1, 1971, "Sàigòn," page 1-5.
  5. "Trà Vinh - Một góc miền Tây - Tạp chí văn nghệ quân đội". Vannghequandoi.com.vn (in Vietnamese). 12 August 2014. Archived from the original on 2016-05-31. Retrieved 2016-05-05.
  7. Việt Nam Thi Nhân Tiền Chiến, volume II
  8. "Thi Viện". Thivien.net. Retrieved 2016-05-05.
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