Václav Tomášek

Václav Jan Křtitel Tomášek (in German: Wenzel Johann Tomaschek; 17 April 1774, Skuteč, Bohemia – 3 April 1850, Prague) was an Austrian-Bohemian, by other accounts a Czech composer and music teacher. He was known as the Musical Pope of Prague. In the words of Kenneth Delong, “Highly opinionated, often sarcastic and projecting a sense of his own importance, Tomášek's memoirs also reveal him to be deeply concerned about all things artistic and intellectual: a man of courage and idealism, unflinching in his pursuit of truth in music and in life.”

Václav Jan Křtitel Tomášek

Life

As a pianist, he was an autodidact, becoming one of the most important piano teachers of Prague for a century. Tomasek studied violin and singing with Wolf. Until 1824 he worked as a piano teacher in aristocratic families. Afterwards he created a considerable school of music; among its most well-known pupils were Jan Voříšek, Alexander Dreyschock and Eduard Hanslick. Tomášek made the acquaintance of Beethoven, and also of Goethe, whose poems he set. He maintained correspondence with the Polish pianist and composer Maria Agata Szymanowska. His autobiography was published in German, as well as in a Czech translation. He lived at number 15 Tomášská Street in Prague - the building bears a memorial plaque to him in Czech and German.

Wenzel Johann Tomaschek's grave at Malá Strana Cemetery in Prague
Tomášek's graveyard

Style

Tomášek wrote a good deal for the piano and became a forerunner of the lyric piano piece which later reached its apogee in the works of Schubert and Chopin. At first he remained loyal to the Classical style, but later was influenced by the newly born Romanticism. An important part of his oeuvre are his songs. Besides songs to Goethe's German poems he composed also songs to the patriotic lyrics of Czech authors. He composed short pieces for glass harp and organ, and works for choir.

In 1823-1824, he was one of the 50 composers who composed a variation on a waltz by Anton Diabelli for Vaterländischer Künstlerverein.

Selected works

Piano:

  • Six sonatas
  • Eclogues (42 pieces in 7 volumes, 1807–1823)
  • Rhapsodies (3 volumes, 1810–c. 1840)
  • Dithyrambs, op. 65 (1818)

Chamber:

  • Grand trio for violin, viola and piano (1800)
  • Contrapuntal string quartet (1805)
  • Piano Quartet in E flat major, op. 22

Orchestral:

  • Symphony in C major (1801)
  • Symphony in E flat major (1805)
  • Symphony in D major (1807)
  • Two piano concertos

Songs:

  • Lenora (ballad, 1805)
  • Six songs (1813)
  • Songs to poems by Goethe (1815)

Operas:

  • Seraphine (1811)
  • Alvaro
  • Sakuntala

Choral:

  • Requiem in C minor (1820)
  • Missa Solemnis Op. 81
  • Messa con Graduale et Offertorio Op. 46
gollark: <@356209633313947648> ```- Fortunes/Dwarf Fortress output/Chuck Norris jokes on boot (wait, IS this a feature?)- (other) viruses (how do you get them in the first place? running random files like this?) cannot do anything particularly awful to your computer - uninterceptable (except by crashing the keyboard shortcut daemon, I guess) keyboard shortcuts allow easy wiping of the non-potatOS data so you can get back to whatever nonsense you do fast- Skynet (rednet-ish stuff over websocket to my server) and Lolcrypt (encoding data as lols and punctuation) built in for easy access!- Convenient OS-y APIs - add keyboard shortcuts, spawn background processes & do "multithreading"-ish stuff.- Great features for other idio- OS designers, like passwords and fake loading (est potatOS.stupidity.loading [time], est potatOS.stupidity.password [password]).- Digits of Tau available via a convenient command ("tau")- Potatoplex and Loading built in ("potatoplex"/"loading") (potatoplex has many undocumented options)!- Stack traces (yes, I did steal them from MBS)- Backdoors- er, remote debugging access (it's secured, via ECC signing on disks and websocket-only access requiring a key for the other one)- All this useless random junk can autoupdate (this is probably a backdoor)!- EZCopy allows you to easily install potatOS on another device, just by sticking it in the disk drive of any potatOS device!- fs.load and fs.dump - probably helpful somehow.- Blocks bad programs (like the "Webicity" browser).- Fully-featured process manager.- Can run in "hidden mode" where it's at least not obvious at a glance that potatOS is installed.- Convenient, simple uninstall with the "uninstall" command.- Turns on any networked potatOS computers!- Edits connected signs to use as ad displays.- A recycle bin.- An exorcise command, which is like delete but better.- Support for a wide variety of Lorem Ipsum.```
gollark: Okay, that is... probably a better idea, yes.
gollark: Anyway, <@178948413851697152>, please do rewrite that query if you have *better* ideas.
gollark: Oh, probably, but this I can actually understand.
gollark: I have ended up writing this slightly ridiculous query: `SELECT * FROM pages WHERE updated = (SELECT MAX (updated) FROM pages WHERE name = ${req.params.name}) AND name = ${req.params.name}`(no SQL injection there, I use `sql-template-strings`)

References
  • Jaroslav Smolka (ed.): Malá encyklopedie hudby. Prague: Edition Supraphon, 1983.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.