Ursula Wood (artist)

Ursula Wood (1868-1925), was a British artist and illustrator who had a long and distinguished career and is now best known for her depictions of the work of the Women's Land Army during World War One.[1][2]

This article is about the artist. For the poet and author, see Ursula Vaughan Williams.

Ursula Wood
Born1868
Died1925 (aged 56–57)
NationalityBritish
Education
  • St John's Wood Art School,
  • Royal Academy schools
Known forPainting

Biography
Girls of the Women's Forestry Corp, The Timber Camp, Hatfield, December 1918 (IWM:ART 2301)

The daughter of a barrister, Wood grew up in North London with two older sisters and a twin sister. Her sister Catherine became a painter, exhibited regularly at the Royal Academy between 1884 and 1922, and married fellow painter Richard Henry Wright.[3]. Ursula and her twin sister, Mary, were lifelong friends of the educator and writer Mary Vivian Hughes. Hughes' memoir A London Girl of the 1880s includes brief sketches of Ursula Wood as a teenager, and Wood illustrated Hughes' first book, The King of Kings (1903).

Wood trained at the St John's Wood Art School and at the Royal Academy schools where, in 1889, she won the Turner Gold medal and a £50 scholarship for one of her landscape paintings.[4] Wood exhibited with the Society of Lady Artists in 1895 and received a favourable mention in The Times. As well as working in oils and with woodcuts, Wood also illustrated books, including at least one by E. Boyd Bayley, produced lithographs and decorated furniture. She engraved a series of views of Venice.[5] She established a successful commercial studio in London with a Miss E Stewart Wood as a partner.[4]

At the start of the First World War, Wood closed down her business and volunteered to join the Women's Forestry Corps, one of the three divisions of the Women's Land Army.[2] While working at a forestry camp in Wendover, Wood continued to paint and in January 1919 she contacted the Women's Work Committee of the Imperial War Museum. The Women's Work Committee had begun to collect artworks showing women's contribution to the war effort and so Wood offered them some of her sketches from Wendover. After much haggling over fees the Committee paid Wood 15 guineas for five sketches.[2][6]

Wood exhibited at the Royal Academy between 1890 and 1922, at the Society of Women Artists from 1892 to 1904 and at the Royal Scottish Academy in 1900 and at the Royal Glasgow Institute of the Fine Arts in 1921.[1]

gollark: I can COUNTERHACK them.
gollark: > That is the problem, nobody can fucking decide if it is 1000 or 1024There's a standard: kB/KB (kilobyte) is 1000, KiB (kibibyte) is 1024. But that's not really stuck with consistently and different platforms will randomly label it the wrong way and it's all quite bad.
gollark: 🦀 yay this will somewhat reduce annoyance 🦀
gollark: Oh, neat.
gollark: That makes as much as sense as saying that people who don't believe in free will shouldn't have human rights, i.e. not much, and slowmode is annoying.

References
  1. Sara Gray (2009). The Dictionary of British Women Artists. The Lutterworth Press. ISBN 9780718830847.
  2. Catherine Speck (2014). Beyond the Battlefield, Women Artists of Two World Wars. Reaktion Books. ISBN 978 178023 374 1.
  3. Sara Gray, The Dictionary of British Women Artists (Cambridge: Lutterworth Press, 2009), 287.
  4. Gill Clarke (2008). The Women's Land Army A Portrait. Sansom & Company. ISBN 978-1-904537-87-8.
  5. Benezit Dictionary of Artists Volume 14 Valverde-Zyw. Editions Grund, Paris. 2006. ISBN 2 7000 3084 2.
  6. Imperial War Museum. "Search our collection:Ursula Wood". Imperial War Museum. Retrieved 22 September 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.