Uno Dos Tres 1•2•3
Uno Dos Tres 1•2•3 is an album by jazz percussionist Willie Bobo recorded in 1966 and released on the Verve label.[1]
Uno Dos Tres 1•2•3 | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | January 26 and April 25 & 26, 1966 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 32:28 | |||
Label | Verve V6-8648 | |||
Producer | Creed Taylor | |||
Willie Bobo chronology | ||||
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Reception
Review scores | |
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Source | Rating |
AllMusic |
The AllMusic review by Richie Unterberger awarded the album 3 stars, stating "As with his previous album Spanish Grease, the toughest and most memorable track is the one Bobo original, 'Fried Neck Bones and Some Home Fries.' Its creeping Latin soul groove was, like 'Spanish Grease,' an obvious inspiration for Carlos Santana".[2]
Track listing
- "Boogaloo in Room 802" (John Hart, Melvin Lastie) - 2:35
- "Come a Little Bit Closer" (Tommy Boyce, Bobby Hart, Wes Farrell) - 2:28
- "Goin' Out of My Head" (Teddy Randazzo, Bobby Weinstein) - 3:26
- "I Remember Clifford" (Benny Golson) - 2:04
- "Rescue Me" (Raynard Miner, Carl Smith) - 3:08
- "Michelle" (John Lennon, Paul McCartney) - 3:16
- "No Matter What Shape (Your Stomach's In)" (Granville Burland) - 2:43
- "Fried Neck Bones and Some Homefries" (Willie Bobo, Melvin Lastie) - 3:01
- "Ol' Man River" (Oscar Hammerstein II, Jerome Kern) - 3:11
- "One, Two, Three (Uno, Dos, Tres)" (Len Barry, John Medora, David White) - 2:38
- "Night Song" (Lee Adams, Charles Strouse) - 2:43
- "The Breeze and I" (Ernesto Lecuona) - 3:16
- Recorded at Van Gelder Studio on January 26 (tracks 8 & 10), April 25 (tracks 2 & 5-7), and April 26 (tracks 1, 3, 4, 6, 9, 11 & 12), 1966
Personnel
- Willie Bobo – timbales
- Melvin Lastie – cornet
- Bobby Brown – alto saxophone, tenor saxophone
- Clarence "Sonny" Henry – guitar
- John Hart, Bobby Rodriguez – bass
- Carlos "Patato" Valdes – congas
- Osvaldo Martinez – bongos, guiro
- Jose Mangual, Victor Pantoja – percussion
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References
- Verve Records discography accessed April 3, 2014
- Unterberger, R., Allmusic Review accessed April 3, 2014
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