Tristin Norwell

Tristin Norwell is a British music composer, producer, mixer, arranger, and musician.

Tristin Norwell
Tristin Norwell
Background information
GenresFilm scores, Classical, Electronica, Neo Classical
Occupation(s)Composer, score writer, songwriter, arranger, music producer
InstrumentsPiano, Violin, Guitar, Bass, Butone
Years active1992-present
LabelsCinefonietta
Websitetristinnorwell.com

He recorded & mixed the Mercury Prize winning Talvin Singh,[1] album O.K., and has worked with Neneh Cherry,[2] Ryuichi Sakamoto, Madonna, Embrace (English band), Tricky and Cast (band) and recorded Noel Gallagher's tenth Number one album "Who Built The Moon",[3][4].

He has worked extensively for David Holmes on the award winning series Killing Eve, the 2015 Ivor Novello winning Yann Demange film '71 [5] and "London Spy", and the film Ordinary Love (film) and for Adrian Corker on the Tim Roth series "Tin Star (2017)".

Among others he scored the feature films Trick Or Treat (2019), the road film Hellbent (2018) and two John Hardwick feature films Svengali[6] and "Follow The Money".

His tv credits include the long running series Waterloo Road,[7],Wild at Heart, John Hurt's Whistle and I'll Come to You,[8] the supernatural ghost story written by M.R. James, Kenneth Williams: Fantabulosa! starring Michael Sheen, and Meera Syal's novel Life Isn't All Ha Ha Hee Hee.

Mal Influence (2015)

In October 2014, Norwell released his record Mal Influence, on his Cinefonietta Label, an experimental album melding his classical influences with electronica.[9] Critiques have described it "as tough and breakable as glass...somewhere between chamber pop, the ambience of quieter Aphex Twin" [10] and that "it never adds up to anything less than compelling" [11]

gollark: The idea of a "ControversialEsolangs" for that probably wouldn't work well for various reasons, including the difficulty of moving active conversations, cognitive overhead of switching and lots of overhead deciding when to switch, a smaller set of people there even if they could otherwise participate interestingly, and somewhat more difficult-to-express issues like, er, selection effects.
gollark: I think it's a nice-to-have property but not worth sacrificing much else for.
gollark: You can see when it is *happening*, if you happen to be active, and ignore it for a bit.
gollark: You can just mute them *when* discomforting things happen, or possibly mute <#348702212110680064> if you mostly care about esolangs.
gollark: See, I was halfway through writing about why that wasn't a good solution.

References

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