Toots and the Maytals

Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music. Frontman Toots Hibbert's soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone.[1] Their 1968 single "Do the Reggay", was the first song to use the word "reggae", naming the genre and introducing it to a global audience.[2][3] As Island Records founder Chris Blackwell says, "The Maytals were unlike anything else ... sensational, raw and dynamic."[4]

Toots and the Maytals
Performing at the Summer Sundae festival, Leicester, August 2011
Background information
OriginJamaica
GenresSka, rocksteady, reggae
Years active
  • 1962–1981
  • 1990–2013
  • 2016–present
LabelsBeverley's
Trojan
V2
Mango
Websitewww.tootsandthemaytals.org
MembersFrederick "Toots" Hibbert
Paul Douglas
Carl Harvey
Jackie Jackson
Leba Thomas
Marie "Twiggi" Gitten
Stephen Stewart
Charles Farquarson
Radcliffe "Dougie" Bryan
Past membersHenry "Raleigh" Gordon
Nathaniel "Jerry" Matthias
Hux Brown
Harold Butler
Michelle Eugene
Winston Wright
Winston Grennan
Andy Bassford

Career

Formation and early success

Frederick "Toots" Hibbert, the frontman of the group, was born in May Pen, Clarendon, Jamaica, in 1942, the youngest of seven children. He grew up singing gospel music in a church choir and moved to Kingston in the late 1950s.[5]

The Maytals
First generation of the band Toots and the Maytals to include instrumentalists. The line-up included its four main additional members Jackie Jackson, Paul Douglas, Hux Brown and Radcliffe “Dougie” Bryan.
The original Maytals band members from Toots and the Maytals performing in Grenoble, France (2017)

Hibbert met Henry "Raleigh" Gordon and Nathaniel "Jerry" Mathias in Kingston in 1962 and formed The Maytals as a vocal trio, a group whose early recordings were incorrectly attributed to The Flames and The Vikings in the UK by Island Records.[5] The first instrumentalist members added to the group included Jackie Jackson, Hux Brown, Rad Bryan, and Paul Douglas.[6] In 1972, the group changed its name from The Maytals to Toots and the Maytals,[7] with "Toots" referring to frontman Toots Hibbert, and "the Maytals" referring to the group's instrumentalists and background vocalists. In November 2016, Jackie Jackson described the formation of the group in a radio interview for Kool 97 FM Jamaica.[8] Accompanied by Paul Douglas and Radcliffe "Dougie" Bryan in studio, Jackson explained,

We're all original members of Toots and the Maytals band. First it was Toots and the Maytals, three guys: Toots, Raleigh, and Jerry…And then they were signed to Island Records, Chris Blackwell. And we were their recording band...[Blackwell] decided that the backing band that back all of the songs, the recording band, should be the Maytals band. So everything came under Toots and the Maytals. And then we hit the road in 1975.[8]

The 1960s

The Maytals first had chart success recording for producer Clement "Coxsone" Dodd at Studio One.[5] With musical backing from Dodd's house band, the Skatalites, the Maytals' close-harmony gospel singing ensured success, overshadowing Dodd's other up-and-coming vocal group, the Wailers. After staying at Studio One for about two years, the group moved on to do sessions for Prince Buster before recording with Byron Lee in 1966.[9] With Lee, the Maytals won the first-ever Jamaican Independence Festival Popular Song Competition in 1966 with their original song "Bam Bam" (later covered in a Dancehall style by Sister Nancy, and also by Yellowman in 1982).[5][9][10] They went on to win that contest two additional times.[11] The group's musical career was interrupted in late 1966 when Hibbert was jailed for 18 months for possession of marijuana.[5][9] He stated that he was not arrested for marijuana, but while bailing out a friend.[12] Hibbert reportedly wrote "54-46 That's My Number" about his time in jail.

Following Hibbert's release in 1967, the Maytals began working with the Chinese Jamaican producer Leslie Kong, a collaboration which yielded a string of hits throughout the late 1960s and early 1970s.[9] These included "Do the Reggay", released in 1968, which was the first song to first use the word "reggae" and gave the developing genre its name.[2]

The Maytals are responsible for some of the biggest hits in reggae history, including "Pressure Drop," "Sweet And Dandy" and "54-46 (That's My Number)".[2]

The 1970s

In 1970 "Monkey Man" became the group's first international hit. By 1971, they signed a recording contract with Chris Blackwell's Island Records, become the biggest act in Jamaica, and had become international stars.[9] Blackwell initially concentrated on the UK market, where previous Jamaican acts had had success. The band's albums with Island Records were released through its Dragon Records imprint.

In 1972 the group won the Jamaican Independence Festival Popular Song Competition for a third time with "Pomps and Pride".[5] That year, the group contributed two songs to the soundtrack for The Harder They Come, the 1972 film starring Jimmy Cliff, named as one of Vanity Fair's top 10 soundtracks of all time.[5] The film introduced Jamaican music to American audiences, and the band appears in one of the scenes.[11]

After Kong's death in 1971, the group continued to record with Kong's former sound engineer, Warrick Lyn. Their re-instated producer Byron Lee renamed them Toots & the Maytals.[9] The group released three best-selling albums produced by Lyn and Blackwell of Island Records, and enjoyed international hits with Funky Kingston in 1973 and Reggae Got Soul in 1975. Music critic Lester Bangs described the album Funky Kingston in Stereo Review as "perfection, the most exciting and diversified set of reggae tunes by a single artist yet released".[13] Chris Blackwell had a strong commitment to Toots and the Maytals, saying "I've known Toots longer than anybody – much longer than Bob (Bob Marley). Toots is one of the purest human beings I've met in my life, pure almost to a fault."[14] To promote these albums, the band toured with the Who, Jackson Browne, the Eagles, and Linda Ronstadt.[11]

"The quick way to explain the Maytals is to say that in reggae they're the Beatles to the Wailers' Rolling Stones. But how do I explain Toots himself? Well, he's the nearest thing to Otis Redding left on the planet: he transforms 'do re mi fa sol la ti do' into joyful noise."

— Christgau's Record Guide: Rock Albums of the Seventies (1981)[15]

On 1 October 1975, Toots and the Maytals were broadcast live on KMET-FM as they performed at The Roxy Theatre in Los Angeles. This broadcast was re-mastered and released as an album entitled Sailin' On via Klondike Records.[16]

Following the release of Reggae Got Soul, Toots & the Maytals were invited to tour as the opening act for the Who during their 1975–76 North American tour.[17]

Toots and the Maytals' compositions experienced a resurgence of popularity in 1978–80 during the reggae punk and ska revival period in the UK, when the Specials covered "Monkey Man" on their 1979 debut album and the Clash covered the group's hit "Pressure Drop". During this period Toots and the Maytals were also included in the lyrics to Bob Marley & the Wailers' song, "Punky Reggae Party": "The Wailers will be there, the Damned, the Jam, the Clash, the Maytals will be there, Dr. Feelgood too".

The 1980s

Guinness Book of World Records

On 29 September 1980, the band recorded, pressed and distributed a new album, Toots Live, to the record shops all in the space of 24 hours in an attempt to make the Guinness Book of World Records.[5] A live concert was recorded on reels of 2-inch, 24-track analog tape, then rushed by van to sound engineers. After a running order was determined, the record label was quickly designed and sent to the printers. The album masters, labels and the outer covers were then separately sped to the Gedmel factory near Leicester, and the finished product was assembled and delivered to Coventry, where the band was playing the next day, successfully meeting the 24-hour deadline. Due to record label oversight, the achievement was not successfully registered with the Guinness Book of World Records. Island Records' Rob Bell was quoted as saying, "Unfortunately, the record was not included in the Guinness book, because they required prior notification that the event was going to take place, and no one at Island had informed them of the project!"[18] The record for "fastest album release" was not officially held in the Guinness Book of World Records until 28 years later when Vollgas Kompanie claimed the honour in 2008 for recording and releasing their album Live in 24 hours – matching the time interval in which Toots and the Maytals recorded, pressed and distributed Toots Live in 1980.[19]

The group split up after releasing the 1981 album Knockout.[5] In 1982, Toots & the Maytals' "Beautiful Woman" reached number one in New Zealand.[9]

Hibbert continued to record as a solo artist throughout the 1980s.

1990s
Toots and the Maytals with Dave Matthews when performing together in 1998
Members from Toots & the Maytals and Dave Matthews Band when performing together in 1998. Paul Douglas (left), Carter Beauford (back), LeRoi Moore (front), Toots Hibbert (right)

In the early 1990s a new lineup of the Maytals was formed. In February 1990 Toots and the Maytals performed on VH1's New Visions World Beat, guest-hosted by Nile Rodgers.[20] The group continued touring and recording successfully, with two appearances at Reggae Sunsplash in the mid-1990s.[5][9]

2000s
Toots and the Maytals with Ronnie Wood (The Rolling Stones)

In a 2003 review on NPR's Fresh Air broadcast, critic Milo Miles described the song Pressure Drop as, "utterly irresistible but utterly mysterious like Louie Louie or Tutti Frutti. It gets over on pure passion, and it seems all you need to know is when it drops you're gonna feel it."[21]

In 2004, the group released True Love, an album of re-recorded versions of their earlier hits in collaboration with fellow musicians including Bonnie Raitt, Willie Nelson, Eric Clapton, Keith Richards, Trey Anastasio, No Doubt, Ben Harper, the Roots, and Shaggy. The album received critical acclaim from outlets including NPR[22] and Rolling Stone[23]. The True Love album won the Grammy Award that year for best reggae album.

Donald Trump was quoted as appreciating the reggae music of Toots and the Maytals in 2004 when he said, "I heard the guest band, Toots & The Maytals, practising out on the set [of Saturday Night Live; Trump co-hosted an episode in April 2004]. They sounded terrific, and I went out to listen to them for a while. My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprisingly, I was not nervous." [24][25]

In 2006, they recorded a reggae/ska version of Radiohead's "Let Down" for the tribute album, Radiodread. The album was a song for song makeover of the English rock band's album OK Computer into reggae, dub and ska. In August 2007 Toots & the Maytals released Light Your Light, which featured re-workings of older songs such as "Johnny Cool Man", as well as new material. The album was nominated in 2008 for a Grammy in the best reggae album category.

Toots & the Maytals hold the current record of number one hits in Jamaica, with a total of thirty-one.[26]

In March 2009 it was announced that Toots & the Maytals would be performing alongside Amy Winehouse, for their shared record label Island Records' 50th anniversary. Winehouse had covered the band's "Monkey Man", and the act were supposed to perform with her at the Shepherds Bush Empire in London on 31 May 2009.[27] However, Winehouse's performance was cancelled, and Toots & the Maytals instead played at the more intimate Bush Hall to a sell-out crowd.

2010s
Toots and the Maytals performing at the 2017 Coachella festival
"Toots" Hibbert at La Cigale, Paris, in 2017

In 2011, director George Scott and producer Nick De Grunwald released the documentary Reggae Got Soul: The Story of Toots and the Maytals, which was featured on BBC.[4] Described as "The untold story of one of the most influential artists ever to come out of Jamaica", it features appearances by Marcia Griffiths, Jimmy Cliff, Bonnie Raitt, Eric Clapton, Keith Richards, Willie Nelson, Anthony DeCurtis, Ziggy Marley, Chris Blackwell, Paolo Nutini, Sly Dunbar, and Robbie Shakespeare.[28][29]

The 2012 live album Unplugged on Strawberry Hill gained Hibbert his fifth Grammy nomination.[30]

I continue to suffer from extreme anxiety, memory loss, headaches, dizziness and most sadly of all, a fear of crowds and performing. I am not able to write songs as I did before or remember the lyrics of songs that I wrote and have performed for decades.

Hibbert's letter to judge

In May 2013, Hibbert was struck in the head with a 1.75-litre vodka bottle while performing onstage at a Richmond, Virginia, festival. His injuries resulted in a concussion and treatment required six staples in his head. After the injury, the singer canceled all subsequent performances, citing fear of his audience and no longer feeling safe performing.[31]

In 2015, Vogue listed the song "54-46 Was My Number" by Toots and the Maytals as one of their "15 Roots Reggae Songs You Should Know"; and in an interview with Patricia Chin of VP Records, Vogue listed the group as part of an abbreviated list of early "reggae royalty" that recorded at Studio 17 in Kingston, Jamaica which included Bob Marley, Peter Tosh, Gregory Isaacs, Dennis Brown, Burning Spear, Toots and the Maytals, The Heptones, and Bunny Wailer.[32][33]

In 2016 Toots and the Maytals announced a return to the stage with their first tour in 3 years,[34] and on June 15 at The Observatory North Park in San Diego the group returned to the stage for the first time since 2013.[35]

In 2017 Toots and the Maytals played Coachella Fest April 16 and 23 at 4:20 pm. They became the second reggae-based group to perform at the Coachella festival, after Chronixx in 2016.[36][37][38]

Toots and the Maytals have been cited as an inspiration for other music artists when it comes to career longevity. Jamaican artist Sean Paul explains this by saying, "I've seen some great people in my industry, you know, people like Toots … Toots and the Maytals. Toots he's a great reggae artist and he's still doing it … He's up there in years and he's doing it. Those kind of artists inspire me. I know I’m just going to keep on doing music as long as I can."[39]

On June 24, 2017 at the Glastonbury Festival, reggae group Toots and the Maytals were slotted for 17:30 with BBC Four scheduled to show highlights from their set. When they did not show it was suspected they missed their time slot, and BBC broadcaster Mark Radcliffe apologised on their behalf stating, "If you were expecting Toots and the Maytals – and, frankly, we all were – it seems like they were on Jamaican time or something because they didn't make it to the site on time." The group credited with coining the term "reggae" in song was subsequently rescheduled by the Glastonbury Festival organizers giving them the midnight slot, with all other acts being shifted by one hour.[40][41][42][43]

On July 29, 2017 Toots and The Maytals headlined the 35th anniversary of the WOMAD UK festival[44] with a performance that was reported as "easily one of the true highlights of WOMAD 2017".[45]

In 2018, Toots and the Maytals launched a 50th anniversary tour with concert appearances in North America from April to August, moving to dates in the UK starting in October.[46]

On July 25, 2018 Toots and the Maytals debuted an original song entitled "Marley" in a live performance on The Tonight Show Starring Jimmy Fallon. During The Tonight Show performance, they also played their classic hit song "Funky Kingston".[47]

On August 24, 2018 Toots and the Maytals performed at Lockn’ Festival in Arrington, VA.[48] It was the first time the group has returned to perform in the state of Virginia since the incident in 2013 at a festival in Richmond, VA which lead to the group's 3-year hiatus from live performances. At Lockn’ Festival Toots and the Maytals invited special guest Taj Mahal to accompany them on the song “Monkey Man”.[49]

In July 2019 Coors Brewing Company used the Toots and the Maytals song "Pressure Drop" in a television advertisement for Coors Light.[50]

Accolades
  • 1981 Toots Live! nominated for Grammy Award
  • 1989 Toots in Memphis nominated for Grammy Award for Best Reggae Album of the Year[51]
  • 1998 Skafather nominated for Grammy Award for Best Reggae Album of the Year[52]
  • 2004 True Love won Grammy Award for Best Reggae Album of the Year[53]
  • 2010 Toots Hibbert named one of the 100 Greatest Singers by Rolling Stone[1]
  • 2013 Reggae Got Soul: Unplugged On Strawberry Hill nominated for Grammy Award for Best Reggae Album of the Year[54]
  • Record holder for most number one songs in Jamaica (31 #1 songs)[26]

Museums and expositions
  • Philharmonie de Paris
  • Philharmonie de Paris
  • Philharmonie de Paris - Jamaica Jamaica!
  • Philharmonie de Paris - Jamaica Jamaica!

From April 2017 to August 2017, Toots and the Maytals are part of the Exposition Jamaica Jamaica ! at the Philharmonie de Paris in France for their importance in the development of reggae music.[55][56]

Discography

Studio albums
  • Never Grow Old (1964)
  • The Sensational Maytals (1965)
  • Sweet And Dandy (1969)
  • From The Roots (1970)
  • Monkey Man (1970)
  • Greatest Hits (1971)
  • Slatyam Stoot (1972)
  • Funky Kingston (1973)
  • Roots Reggae (1974)
  • In the Dark (1974)
  • Reggae Got Soul (1976)
  • Toots Presents The Maytals (1977)
  • Pass the Pipe (1979)
  • Just Like That (1980)
  • Knock Out! (1981)
  • Toots In Memphis (1988) [Toots solo album]
  • Recoup (1997)
  • Ska Father (1998)
  • World Is Turning (2003)
  • True Love (2004)
  • Light Your Light (2007)
  • Flip and Twist (2010)
  • Pressure Drop - The Golden Tracks (2011)
  • Got To Be Tough (2020)

Selected live albums
  • Live (1980)
  • Live at Reggae Sunsplash (1983)
  • An Hour Live "Straight from the Yard" Dedicated to Robert Nesta Marley (1990)
  • Live in London (1999)
  • Unplugged on Strawberry Hill (2012)

Selected compilation albums
  • The Original Golden Oldies Vol.3 (1974) [Prince Buster productions]
  • Life Could Be A Dream (1992) [Coxsone Dodd productions]
  • The Best Of Toots And The Maytals (1979)
  • Reggae Greats (1985)
  • The Very Best of Toots & The Maytals (2000)

Other contributions

Saturday Night Live parody

On Season 41 Episode 4 of Saturday Night Live hosted by Donald Trump, actors Kenan Thompson and Jay Pharoah played Toots and The Maytals in a sketch with Trump as he introduced musical guest Sia.[57] Toots and The Maytals were the musical guest on the first episode of SNL that Trump hosted on April 3, 2004.[58]

gollark: C is *lawful* - it obeys simple enough rules and stuff - but *evil*, because nasal demons and undefined behavior.
gollark: C is also lawful evil.
gollark: How about, Nobody is *Neutral* Evil?
gollark: I guess undefined behavior.
gollark: Why would C make you chaotic?

See also

References
  1. "100 Greatest Singers". Rolling Stone. 2 December 2010. Retrieved 8 July 2016.
  2. "Frederick "Toots" Hibbert Biography". biography.com. Retrieved 2 July 2016.
  3. "reggae". Dictionary.com Unabridged. Random House, Inc. Retrieved 10 July 2016.
  4. “Toots and the Maytals: Reggae Got Soul”. BBC Four (documentary). Directed by George Scott. UK. 2011. 59 min. Retrieved 15 Dec. 2016. <http://www.bbc.co.uk/programmes/b00ymljb>
  5. Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, ISBN 0-87930-655-6, pp. 178–181
  6. Sherman, Matthew. The Rise of Reggae, and the Influence of Toots and the Maytals. The Dread Library, n.d. Web. 18 September 2016. http://debate.uvm.edu/dreadlibrary/sherman.html
  7. "The Maytals: Artist Biography: AllMusic: Jo-Ann Greene". allmusic.com. Retrieved 6 November 2016.
  8. Mikey T interview with Jackie Jackson, Paul Douglas, and Radcliffe "Dougie" Bryan. Kool 97 FM. kool97fm.com. November 27, 2016. <http://www.kool97fm.com> Retrieved November 27, 2016.
  9. Mark Deming. "Toots & the Maytals | Biography". AllMusic. Retrieved 19 August 2014.
  10. "The Festival Song Winners 1966–2005". The Jamaican Cultural Development Commission. 2005. Archived from the original on 15 October 2007. Retrieved 25 October 2015.
  11. Marshall, Wayne (22 March 2020). "Toots and the Maytals: Funky Kingston". Pitchfork. Retrieved 23 April 2020.
  12. Solid Foundation: An Oral History of Reggae David Katz: Books. Jawbone Press; 2nd ed. edition. 1 December 2012. p. 90.
  13. "Toots and the Maytals." Contemporary Musicians. Encyclopedia.com. 6 Oct. 2016 <http://www.encyclopedia.com/education/news-wires-white-papers-and-books/toots-and-maytals>.
  14. Katz, David. "Toots and the Maytals Live: From Stage to Wax in 24 Hours". Red Bull Music Academy. Red Bull Music Academy, 19 June 2013. Web. 18 September 2016. http://daily.redbullmusicacademy.com/2013/06/toots-and-the-maytals-live-album
  15. Christgau, Robert (1981). "Consumer Guide '70s: T". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 16 March 2019 – via robertchristgau.com.
  16. Toots and the Maytals (1975) Sailin' On. Obiterdictum. Web. Retrieved 15 November 2016. <http://www.odmcy.com/catalog/index.php/catalogue/23-klondike-cds/211-toots-and-the-maytals-sailin-on-live-at-the-roxy-theater-la-1975-cd>
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  18. Mojo, September 2012, pp. 32–33
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  22. Loretta Lynn, Caetano Veloso, Toots and the Maytals NPR. npr.org. 6 April 2004. Web. <https://www.npr.org/sections/allsongs/2004/04/06/15964033/loretta-lynn-caetano-veloso-toots-and-the-maytals> Retrieved 21 April 2020
  23. Dansby, Andrew. Loretta Lynn, Toots Taps Clapton, Richards Rolling Stone. rollingstone.com. 23 January 2004. Web. <https://www.rollingstone.com/music/music-news/toots-taps-clapton-richards-235429/> Retrieved 21 April 2020
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  33. Gaddis, Anicée. "The Golden Age of Reggae: An Archival Romp With Roots Pioneer Patricia Chin" Vogue. 28 October 2015. <https://www.vogue.com/article/golden-age-of-reggae-photographs-patricia-chin> Retrieved 15 October 2017.
  34. "Toots And The Maytals Announce First Tour In 3 Years". jambase.com. 13 April 2016. Retrieved 29 June 2016.
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  36. Hopkinson, Ashley. Chronixx brings roots reggae to Coachella. The Desert Sun. 24 April 2016. <https://www.usatoday.com/story/life/entertainment/music/coachella/2016/04/24/chronixx-brings-roots-reggae-coachella/83450350/> Retrieved 5 May 2017.
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  42. Slee, Fordham, Trim, Birch and Cock. Foo Fighters and David Grohl headline Glastonbury on Saturday. Somerset Live. www.somersetlive.co.uk. Web. 24 June 2017. <http://www.somersetlive.co.uk/news/somerset-news/foo-fighters-david-grohl-glastonbury-120932.amp> Retrieved 4 August 2017.
  43. "reggae". Dictionary.com Unabridged. Random House, Inc. <http://www.dictionary.com/browse/reggae> Retrieved 4 August 2017.
  44. "Womad 2017 – Toots & the Maytals, Raquel Tavares, Dayme Arocena". BBC Radio 3. 29 July 2017.
  45. Mike Massaro (16 August 2017). "WOMAD 2017". United Reggae.
  46. Elias Leight (27 April 2018). "Toots and the Maytals Announce Summer Tour – Rolling Stone". Rollingstone.com. Retrieved 8 July 2019.
  47. Tornow, Sam (26 July 2018). "Reggae Originators Toots and the Maytals Take Over 'Tonight Show' With 'Funky Kingston & Marley'". Billboard.
  48. "LOCKN' Festival Adds Toots & The Maytals To 2018 Lineup'". Live for Live Music. 4 February 2018.
  49. Kreps, Daniel (24 August 2018). "Watch Toots & the Maytals Perform 'Monkey Man' With Taj Mahal at Lockn' Festival". Rolling Stone.
  50. "The Official Beer of Being Done Wearing a Bra — :15". Coors Light. 30 July 2019.
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  52. "TOOTS AND THE MAYTALS". artistsonly.com. Retrieved 30 June 2016.
  53. . grammy.com https://www.grammy.com/nominees/search?artist=toots&field_nominee_work_value=&year=All&genre=All. Retrieved 30 June 2016. Missing or empty |title= (help)
  54. "Toots celebrates Grammy nod". Jamaica Observer. 7 December 2012. Retrieved 30 June 2016.
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