Tilly Lauenstein
Tilly Lauenstein (1916–2002) was a German film and television actress.[1]
Tilly Lauenstein | |
|---|---|
| Born | 28 July 1916 |
| Died | 8 May 2002 |
| Occupation | Actress |
| Years active | 1936-2000 |
Partial filmography
- Herbstmanöver (1936) - Magd
- Das große Abenteuer (1938)
- Chemistry and Love (1948) - Martina Höller
- Das Mädchen Christine (1949) - Courasche
- Anonymous Letters (1949) - Anita Grauberg
- The Stronger Woman (1953) - Dr. Hanna Claassen
- Stresemann (1957)
- Escape from Sahara (1958)
- Madeleine Tel. 13 62 11 (1958) - Thekla - Aging Call Girl
- For Love and Others (1959) - Maria von Stammer
- Menschen im Hotel (1959) - Madame Grusinskaja (voice, uncredited)
- Sweetheart of the Gods (1960)
- The Last Witness (1960) - Aufseherin
- Und sowas nennt sich Leben (1961) - Frau Schlösser
- Adorable Julia (1962) - Evie, Julias Zofe
- Only a woman (1962) - Mrs. Starke
- Black Market of Love (1966) - Countess
- The Oldest Profession (1967) - (segment "Belle époque, La")
- The Monk with the Whip (1967) - Harriet Foster
- Klassenkeile (1969) - Marianne Kettelhut
- De Sade (1969) - Madame Grandcon
- Helgalein (1969)
- The Sex Nest (1970) - Ehefrau Clarissa Zibell
- ...aber Jonny! (1973) - Frau Rotter
- Once Upon a Time (1973) - Stiefmutter Pulle (voice)
- Looping (1981) - Carmen (voice, uncredited)
- Angry Harvest (1985) - Frau Kaminska
- Otto – Der Film (1985) - Dame
- Whopper Punch 777 (1986) - Dame mit Hut
- Young Love: Lemon Popsicle 7 (1987) - Lili Rosenberg (voice, uncredited)
- Himmelsheim (1988) - FrauPokorny
- Buster's Bedroom (1991) - Mrs. Noah
- Cosima's Lexikon (1992) - Charlotte Steinhöfel
- Sieben Monde (1998) - Großmutter / Grandmother
- Otto – Der Katastrofenfilm (2000) - Old Woman with Dog (final film role)
gollark: I assume that sperm have some sort of magic™ egg-finding capability.
gollark: Just that they hadn't yet fused.
gollark: I did not mean that the two things were separated, to clarify.
gollark: Flour, and because those need to be baked properly to work, which isn't a concern in this scenario.
gollark: Why does that matter? What if they're in some environment a millimeter apart through some contrived method, such that they probably will soon?
References
- Goble p.16
Bibliography
- Goble, Alan. The Complete Index to Literary Sources in Film. Walter de Gruyter, 1999.
External links
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