Thick: And Other Essays

Thick: And Other Essays is a 2019 collection of essays by American sociologist, professor, and writer Tressie McMillan Cottom. The book covers topics such as Black womanhood, body image, and McMillan Cottom's experience as a Southern Black woman academic. Thick was a finalist for the 2019 National Book Award.[1][2]

The cover of the first edition
AuthorTressie McMillan Cottom
CountryUnited States
LanguageEnglish
SubjectBlack womanhood, American society, media
PublisherThe New Press
Published in English
January 8, 2019
Media typePrint and digital
Pages272 (1st edition)
ISBN978-1-62097-587-9
Websitehttps://thenewpress.com/books/thick

Synopsis

Thick: And Other Essays is a collection of essays "about how American culture treats black women".[3] McMillan Cottom centers her personal experience as a Southern Black public intellectual, and writes on topics such as the loss of a child, sexual abuse, body image, and beauty politics.[4] Black womanhood and Black girlhood are two prominent themes.[5]

McMillan Cottom explained the title of the book in an interview with WBUR: "There's this category out there that we think of as 'thick.' But there's also, one of the plays on the title essay is that idea that I also wanted to connect how we move through the world physically as women, with black women's bodies in this world, and connect that to our political thought and the way that we think and approach the world."[6]

The collection includes eight essays and covers as variety of topics, including Blackness (particularly her experiences as a black woman) politics, beauty (and ugliness), and race relations, and many more personal but political topics. The eight essays are “Thick,” “In The Name of Beauty," "Dying to be Competent," "Know Your Whites," "Black is Over (Or, Special Black)," "The Price of Fabulousness," "Black Girlhood, Interrupted," and "Girl 6."

In the first essay, titled “Thick,” Cottom describes her life story, from being “bow-legged” to being a graduate student, which she equates to being “not a real person.” Cottom goes into detail about the task of “fixing her feet” both literally and figuratively as she progressed in life. As she progressed in walking normally, she also had to adjust to life as a Black academic. While she was very successful as a graduate student, she became uneasy about how best to make a name for herself as being known solely as “the graduate student” felt impersonal and isolating, and navigating life as young academic of color was tricky as she had to find a place for her work and a place in which her voice could thrive. She notes the rigor in which the black woman works, often time just to make ends meet, and notes that while she worked her as a grad student and young academic, she often worked “the wrong way” as she contributed to projects and publications that were eager to have a piece by a Black woman without actually hiring one. The purpose of the collection is to contribute to and encourage scholarly conversation and content for black women.

In the essay “Know Your Whites,” Cottom delineates the rise of 44th President of Barack Obama and the subsequent election of the 45th president of the United States of America. Specifically, Cottom expresses the belief that the same whites, who cherished that Obama’s faith in racial progress and race relations, voted for him because they saw their idyllic selves mirrored in him, and also, he afforded them the chance to romanticize this notion of progress without white having to actually work for it at all, which is why some of the same whites who voted for him, voted for President Donald Trump. When Obama identified more with Blackness than the whiteness, white voters went with someone who embodied whiteness more thoroughly. Barack Obama’s mixed heritage and habit of trying to speak for two different racial realities, Cottom argues, is why he failed to predict Trump’s rise as his faith in white America made him blind to the hateful nuances of whiteness when it feels it must respond against the presence and prominence of blackness. Cottom states that while Barack still might be hopeful for the progress of white America, it is black America that she finds reassuringly hopeful and steady.

Cottom ends the collection with “Girl 6” in which she touts the power of the Black womanhood and it’s collective perspective, noting that throughout time, Black women have been seen as reliable indicators of trends, and ends noting that there a very few liberal women of color writers at prominent publications.

Critical reception

Thick received positive critical reception.[7] In a review for the Los Angeles Review of Books, Maggie Levantoskaya wrote, "The playful, familiar tone of the eight essays reminds readers why the author has captured the attention of The Atlantic, the Washington Post, Slate, and her many social media followers. The essays in Thick are economical in their use of words. They can deliver a swift punch in the gut but also be pithy, tongue-in-cheek, and fun."[1] Camille Acker's review for the New York Times stated, "'Thick' is sure to become a classic of black intellectualism, one that ought to be read not only in African-American and gender studies departments across the country, although its lens is irrefutably and irresistibly black and feminist."[8]

The Guardian listed the book as one of the “Best Books of 2019” and praised the collection for being “studied consideration born of intensive research, shored with the digestibility of personal experience”.[9]

The book received a starred review from Publisher's Weekly, which praised the collection as “incisive, witty, and provocative”.[10] It was named a notable book by Time, and New York Times Book Review.[11]

Awards and nominations

Publication

McMillan Cottom, Tressie (2019). Thick: And Other Essays. The New Press (published 2019-01-08). ISBN 978-1620974360.

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References
  1. Levantovskaya, Maggie. "Why Me?: On Tressie McMillan Cottom's "Thick: And Other Essays"". Los Angeles Review of Books. Retrieved 2020-03-08.
  2. "In 'Thick,' Tressie McMillan Cottom Looks At Beauty, Power And Black Womanhood In America". www.wbur.org. Retrieved 2020-03-08.
  3. "Dr. Tressie McMillan Cottom: Raising Really Good Hell for People Who Cannot". Guernica. 2019-03-20. Retrieved 2020-03-08.
  4. "Kirkus Reviews Thick". Kirkus Reviews. 08-01-2019. Retrieved 2020-02-07. Check date values in: |date= (help)
  5. Dunsky, Eva (2019-02-08). "Review: Thick And Other Essays by Tressie McMillan Cottom". Columbia Journal. Retrieved 2020-03-08.
  6. "In 'Thick,' Tressie McMillan Cottom Looks At Beauty, Power And Black Womanhood In America". www.wbur.org. Retrieved 2020-03-08.
  7. Warner, John. "The author you need to read now: Tressie McMillan Cottom". chicagotribune.com. Retrieved 2020-03-08.
  8. Acker, Camille (2019-02-12). "Five Essay Collections by Women of Color". The New York Times. ISSN 0362-4331. Retrieved 2020-03-08.
  9. Staff, Guardian (2019-12-01). "The best books of 2019 – picked by the year's best writers". The Guardian. ISSN 0261-3077. Retrieved 2020-05-02.
  10. www.publishersweekly.com https://www.publishersweekly.com/978-1-62097-436-0. Retrieved 2020-03-08. Missing or empty |title= (help)
  11. "Thick: And Other Essays | IndieBound.org". www.indiebound.org. Retrieved 2020-03-08.
  12. "Here Are The Finalists For The 2019 National Book Awards". NPR.org. Retrieved 2020-03-08.
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