There's a Whole Lalo Schifrin Goin' On
There's a Whole Lalo Schifrin Goin' On is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1968 and released on the Dot label.[1][2][3]
| There's a Whole Lalo Schifrin Goin' On | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1968 | |||
| Recorded | March 18, 19 & 20, 1968 Los Angeles | |||
| Genre | Jazz | |||
| Length | 28:19 | |||
| Label | Dot DLP 25852 | |||
| Producer | Tom Mack | |||
| Lalo Schifrin chronology | ||||
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The title is a reference to the 1957 Jerry Lee Lewis song, Whole Lotta Shakin' Goin' On, and was devised by Gary Owens.[4]
Reception
The Allmusic review states: "This album was ahead of its time in terms of instrumentation, but was a product of its time in that established ways of doing things were being challenged. Fans of Lalo Schifrin's work will find this to rank with his best, and those not familiar with anything but the Mission Impossible theme will be drawn in further by the eccentric genius displayed here".[5]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   |
Track listing
All compositions by Lalo Schifrin
- "Secret Code Synthesizer" - 2:27
- "Dissolving" - 2:30
- "Machinations" - 2:40
- "Bride of the Wind" - 2:30
- "Life Insurance" - 2:06
- "How to Open at Will the Most Beautiful Window" - 2:58
- "Vaccinated Mushrooms" - 2:40
- "Two Petals, a Flower and a Young Girl" - 2:09
- "Wheat Germ Landscapes" - 2:26
- "Gentle Earthquake" - 3:29
- "Hawks vs. Doves" - 2:24
- Recorded in Los Angeles, California on March 18, 19 & 20, 1968
Personnel
- Lalo Schifrin - piano, synthesizer, arranger, conductor
- Tony Terran, John Audino - trumpet
- Lloyd Ulyate, Barrett O'Hara - trombone
- John Johnson - tuba
- Vincent DeRosa - horn
- Bud Shank, Ronnie Lang, Sam Most - reeds
- Arnold Kobentz - oboe, English horn
- Ralph Grierson, Artie Kane, Roger Kellaway, Mike Lang - keyboards
- Paul Beaver - keyboards, synthesizer, stereo harp
- Carl Fortina - accordion
- Howard Roberts, Dennis Budimer, Bill Pitman, Louis Morell - guitar
- James Bond, Ray Brown - bass
- Carol Kaye, Max Bennett - electric bass
- Shelly Manne - drums, percussion
- Earl Palmer, Ken Watson, Joe Porcaro, Emil Richards - percussion
- Milt Holland - tabla
- Bonnie Douglas, Sam Freed, Anatol Kaminsky, Nathan Kaproff, George Kast, Marvin Limonick, Erno Neufeld, Paul Shure - violin
- Myra Kestenbaum, Allan Harshman, Robert Ostrowsky, Virginia Majewski - viola
- Raphael Kramer, Edgar Lustgarten, Eleanor Slatkin - cello
- Catherine Gotthoffer - harp
- Robert Helfer - orchestra manager
gollark: You "can" break rules quite frequently. That doesn't mean it's sensible to.
gollark: Probably not people who violate ALL rules, but ones who violate *some subset* of them in interesting ways.
gollark: If you go out of your way to do exactly the opposite of what "rules" say, they have as much control over you as they do on someone who does exactly what the rules *do* say.
gollark: I'm glad you're making sure to violate norms in socially approved ways which signify you as "out there" or something.
gollark: > if you can convince them that their suffering benefits other people, then they'll happily submit to itI am not convinced that this is actually true of people, given any instance of "selfishness" etc. ever.
References
- Lalo Schifrin website accessed March 7, 2012
- Discogs album entry accessed March 7, 2012
- Payne, D. Lalo Schifrin discography accessed March 7, 2012
- Payne, D. Lalo Schifrin reviews accessed April 5, 2012
- Foss, R. Allmusic Review accessed March 7, 2012
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