Theodore J. Pahle
Theodore J. Pahle (1899–1979) was an American cinematographer who worked in the film industries of several countries.[1] He is also known as Ted Pahle.
Theodore J. Pahle | |
---|---|
Born | 23 August 1899 |
Died | 9 January 1979 |
Occupation | Cinematographer |
Years active | 1928-1959 (film) |
Selected filmography
- East Side, West Side (1927)
- Stolen Love (1928)
- The Jazz Age (1929)
- The Lights of Buenos Aires (1931)
- A Gentleman in Tails (1931)
- Marius (1931)
- The Improvised Son (1932)
- The Premature Father (1933)
- A Love Story (1933)
- Monsieur Sans-Gêne (1935)
- Tomfoolery (1936)
- Catherine the Last (1936)
- Romance (1936)
- Court Theatre (1936)
- Hannerl and Her Lovers (1936)
- The Alibi (1937)
- Ultimatum (1938)
- Gibraltar (1938)
- Storm Over Asia (1938)
- Conflict (1938)
- The Lafarge Case (1938)
- Bel Ami (1939)
- Entente cordiale (1939)
- The Unloved Woman (1940)
- The Queen's Flower Girl (1940)
- The Reluctant Hero (1941)
- Madrid Carnival (1941)
- Idols (1943)
- Just Any Woman (1949)
- The Captain from Loyola (1949)
- The Duchess of Benameji (1949)
- Agustina of Aragon (1950)
- Spanish Serenade (1952)
- Lola the Coalgirl (1952)
- Last Day (1952)
- The Cheerful Caravan (1953)
- All Is Possible in Granada (1954)
- Señora Ama (1955)
gollark: > The Planck time is the unique combination of the gravitational constant G, the special-relativistic constant c, and the quantum constant ħ, to produce a constant with dimension of time. Because the Planck time comes from dimensional analysis, which ignores constant factors, there is no reason to believe that exactly one unit of Planck time has any special physical significance. Rather, the Planck time represents a rough time scale at which quantum gravitational effects are likely to become important. This essentially means that while smaller units of time can exist, they are so small their effect on our existence is negligible. The nature of those effects, and the exact time scale at which they would occur, would need to be derived from an actual theory of quantum gravity.
gollark: Oh, no, never mind, that's not it.
gollark: ... you mean the Planck time or something?
gollark: Actually, picolightyears sounds better as light picoyears.
gollark: Or maybe just light nanoseconds or something.
References
- Soister p.280
Bibliography
- John T. Soister. Conrad Veidt on Screen: A Comprehensive Illustrated Filmography. McFarland, 2002.
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