The Woman Upstairs (musical)

The Woman Upstairs is a musical by Brian Lowdermilk (music and lyrics) and Kait Kerrigan (book and additional lyrics) that premiered in 2004 at the inaugural New York Musical Theatre Festival (NYMF).[1] The plot concerns the romance between a physics professor named Helen Morton and a blind violinist named Milo who lives in the apartment below her.

Original Production

The original NYMF production of The Woman Upstairs opened at the Puerto Rican Traveling Theater in Manhattan on September 23, 2004, and played for five performances, closing on October 3. It was directed by Kerrigan, conducted by Lowdermilk, and starred Deb Heinig (Helen), Aaron Ramey (Milo), Alison Fraser (Gracie), and Kate Shindle (Prof. Kassan). Josh Young played a variety of ensemble roles, including a student and a beatboxer. Casting was by Michael Cassara.

Musical Numbers

Critical Response

In his review of the original production, Matthew Murray of Talkin' Broadway wrote, "Sometimes, a musical comes along that announces itself from its first few notes as something very, very special. The Woman Upstairs...is just such a musical" and called the show "one of the year's most exciting musical dramas."[2] David Finkle of TheaterMania.com agreed, writing that "Lowdermilk and Kerrigan are the real thing, and The Woman Upstairs is as promising as a musical in the developmental stage can get."[3]

Neil Genzlinger of the New York Times wrote that "this modern-day romance... is not ready for prime time. In fact, it's a confused mess. But the intermittent moments when it actually finds its footing provide some reward."[4]

gollark: Free speech *the principle* is at the extreme end something like "you can say anything ever", which doesn't really work, so mostly I think we should have something like "you can say anything legal, civil, and non-horribly-infohazardous".
gollark: Free speech *the law* as it generally gets implemented is something like "the government can't restrict you from saying most things".
gollark: I think you're undergeneralizing the concept.
gollark: ... and?
gollark: It's a complex problem, and the best way to solve these is generally to actually look at it from multiple angles, discuss it in groups, think about different angles, and whatever, rather than just go "well, I thought about this and I don't have a great answer, guess it's impossible".

References
  1. http://www.nymf.org/about/mission/2004-new-york-musical-theatre-festival-historical-archive/
  2. Murray, Matthew. "The Woman Upstairs." October 2, 2004. https://www.talkinbroadway.com/page/ob/10_02_04.html
  3. Finkle, David. "NYMF Roundup #3." October 1, 2004. http://www.theatermania.com/new-york-city-theater/reviews/10-2004/nymf-roundup-3_5185.html
  4. Genzlinger, Neil (2004-09-27). "Before the Fall Theater Rush, a Festival Full of Song". The New York Times.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.