The Ways of Sin
The Ways of Sin (Italian: Le vie del peccato) is a 1946 Italian historical melodrama film directed by Giorgio Pastina and starring Jacqueline Laurent, Leonardo Cortese and Carlo Ninchi. The film is a melodrama set in Sardinia at the beginning of the twentieth century. It is based on a novel by Grazia Deledda. The film was shot in the Apennine Mountains rather than Sardinia.[1]
| The Ways of Sin | |
|---|---|
 | |
| Directed by | Giorgio Pastina |
| Written by | Grazia Deledda (novel) Giorgio Pastina |
| Starring | Jacqueline Laurent Leonardo Cortese Carlo Ninchi Ada Dondini |
| Music by | Mario Labroca |
| Cinematography | Giuseppe La Torre |
| Edited by | Mario Serandrei |
Production company | Ilaria Film |
| Distributed by | ENIC |
Release date | 19 October 1946 |
Running time | 90 minutes |
| Country | Italy |
| Language | Italian |
Cast
- Jacqueline Laurent as Ilaria
- Leonardo Cortese as Don Roberto
- Carlo Ninchi as Don Sebastiano Pinna
- Ada Dondini as Eufemia Pinna
- Laura Gore as Carla Pinna
- Gualtiero Tumiati as Don Salvatore
- Andrea Checchi as Rocco
- Lauro Gazzolo as Il farmacista
- Umberto Sacripante as Fausto, Il pastore
- Michele Riccardini as Il sacerdote
- Nino Pavese as Il brigadiere
- Franco Coop as Il notaio
- Dante Maggio as La guardia carceraria
- Rinalda Marchetti as L'amante di Don Sebastiano
- Amalia Pellegrini as La domestica dei Pinna
- Aldo Silvani as Il giudice istruttore
gollark: Because they're the one who has to keep it connected to their body for 9 months or so.
gollark: I don't think that a child is meaningfully, by any definition which is actually sane or relevant, part of a parent's body, or composed of them, and I don't see why "so both genetic contributors get to decide whether the mother keeps it around" follows.
gollark: If they agree to it, sure.
gollark: It seems like you're (implicitly?) doing that weird motte-and-bailey thing where you go "by some strained technical definition, you are part of your parent's body" and then go "since you're now obviously part of their body, they get authority over you".
gollark: You're arguing a different thing to "it's literally them", then.
References
- Urban p.576
Bibliography
- Urban, Maria Bonaria. Sardinia on Screen: The Construction of the Sardinian Character in Italian Cinema. Rodopi, 2013.
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