The Storm (painting)

The Storm (La Tempête) is a painting by French artist Pierre Auguste Cot, completed in 1880. Currently on display at New York's Metropolitan Museum of Art, it was commissioned from the artist in 1880 by Catharine Lorillard Wolfe under the guidance of her cousin John Wolfe, one of Cot's principal patrons.

The Storm
ArtistPierre Auguste Cot
Year1880
MediumOil on canvas
Dimensions234.3 cm × 156.8 cm (92.2 in × 61.7 in)
LocationMetropolitan Museum of Art, New York

Theme and elements
Spring, 1873 (Metropolitan Museum of Art, New York City)

The painting is reminiscent of an earlier work, Spring, which was completed by Cot in 1870. It was subsequently acquired by John Wolfe after it was displayed with astounding success at the Salon of 1873. It is believed that the presence of Spring in Wolfe's collection was the impetus that drove his cousin, Catharine Lorillard Wolfe, to purchase it in 1880. Both are of roughly the same dimensions and are evidently related in a subject in the sense that both portray a young, nubile couple. It is from this therefore, that both are thought to form a symbiotic pair, where the success of the earlier work led to the creation of the latter.[1]

When it was first exhibited at the Salon in Safa's House in 1880, there was much speculation amongst Cot's contemporaries as to the subject the painter meant to allude to—with some drawing reference to the novel Paul et Virginie, first published by Bernardin de Saint-Pierre in 1788, and others to the fourth century romance Daphnis and Chloe by the Hellenistic writer Longus.[2][3] Evidence for the first interpretation comes from the specific motif of the couple running from the rain and covered by a billowing drapery corresponding to a famous and often illustrated scene in Paul et Virginie:

One day, while descending from the mountaintop, I saw Virginie running from one end of the garden toward the house, her head covered by her overskirt, which she had lifted from behind her in order to gain shelter from a rain shower. From a distance I had thought she was alone, but upon coming closer to help her walk I saw that by the arm she held Paul who was almost entirely covered by the same blanket. Both were laughing together in the shelter of this umbrella of their own invention.[4]

gollark: Oh, scrip or something, right.
gollark: I don't think you can reasonably expect people to do useful possibly boring/hard work, in exactly the jobs you want, just to be nice/altruistic.
gollark: You wouldn't want people to be rewarded in some way for work?
gollark: "Fordist"?
gollark: And what if everyone wants to do a job which isn't that useful?

References
  1. The original Spring measured 82×49 inches; David C. Lyall sale (New York, 1903). For the Wolfe family connection see The Collector 5 (1894) p. 103.
  2. French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art (New York, 1966) II, p. 194.
  3. Catalogue général des livres imprimés de la Bibliothèque Nationale
  4. Jacques-Henri Bernardin de Saint-Pierre, "Paul et Virginie". Furne et Cie. 1863. Retrieved 2012-05-04 – via Internet Archive. Paul et Virginie.
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